CCM’s Moveable Feast is virtual this year

Students of CCM’s Musical Theatre Class of 2022 and alumni guest artists Noah J. Ricketts, John Riddle, Nikki René Daniels, Leslie Kritzer and Stephanie Jae Park. (Screen grab provided by CCM)

If you’ve ever attended a Moveable Feast, the imaginative fundraising event at the University of Cincinnati College-Conservatory of Music, you’ve probably never forgotten it. The idea is to stroll from theater to theater, classroom to classroom, and sample the amazing talent of students in every discipline — from ballet to jazz to scenic design and media arts. You do this while also sampling “dinner by the bite” in wonderful food stations throughout the building.

This year, with Covid, Moveable Feast is re-imagined as a virtual event on Jan. 22. Although there won’t be the thrill of rushing down hallways with dozens of other people to make it in time to a see some Broadway hits before you dash away to catch ballet students in a scene from “Swan Lake” — the event will be able to involve viewers around the country.

It’s presented by CCM Power, a volunteer group of friends, advocates and alumni. The event provides essential support for student scholarships, projects and travel opportunities.  This year, COVID-19 cancelled paid work that students rely on and drastically changed students’ family financial circumstances. Scholarship and emergency funds are needed now more than ever.

CCM has produced major stars of stage and screen — from Broadway and Carnegie Hall to Hollywood. Alumni guest artists for the show will include stars of Hamilton, Frozen, Amazon’s The Marvelous Mrs. Maisel, Netflix’s Dead to Me and much more.

Edward Nelson Highlight Screen – This image features CCM alumnus Edward Nelson performing “Someone to Watch Over Me” for CCM’s virtual Moveable Feast. He is Accompanied by San Francisco Opera guest artist Ronny Michael Greenberg, piano. (Screen grab provided by CCM)

Opera alumnus Edward Nelson (BM, ’11; MM, ‘13) wanted to participate because, he says, “At every step further into my career, I have found myself drawing on my experiences and education from CCM. When the opportunity arose this year to give back to the institution that has given me so much, I jumped on board without hesitation.”Read More »

The year in review in the arts

The CSO’s first digital experiment last spring in Music Hall was music for four musicians.

What a year! If you’re a musician or a music fan, you probably remember the last live concert you attended or performed before Covid-19 shut down the country in March. Mine was on March 10: My granddaughter’s middle school orchestra concert.

Looking back, I realized that my annual “best of the year” in performances could only apply to the 10 weeks before we were locked down. So I wrote my Year in Review column for the Business Courier in two parts, as BC — Before Covid — and after.

Soprano Angel Blue wowed in Barber in a CSO livestream.

There were some unforgettable shows during both periods. In the second half — a season of screens — I am still enthralled by the Sept. 26 CSO digital program streamed from Music Hall, conducted by Louis Langrée. Gorgeous-voiced soprano Angel Blue gave an emotional performance of Barber’s “Knoxville: Summer of 1915,” a piece rarely heard. And what a treat it was to hear Copland’s “Appalachian Spring” as originally scored for 13 instruments.

And in a rare live performance by Cincinnati Ballet outdoors at Sawyer Point, I loved a new work for four dancers, choreographed (and danced) to Schumann’s Piano Quintet in E-flat (fourth movement) by soloist David

Cincinnati Ballet danced at Sawyer Point

Morse. It was thrilling to see the exuberance and strength, the lifts and turns of the entire company. The program was enhanced by performances by a CSO quartet and Cincinnati Opera singers Victoria Okafor and Maria Miller.

You can read that column here (it’s free).

Earlier this year, local critic and retired opera singer Rafael de Acha asked people in the arts to answer the question, “What have you been during during the pandemic?” for his blog, rafaelmusicnotes.com.

I thank him for that, because it made me look back at how I had the opportunity to document the impact of the pandemic on our arts community in the pages of the Business Courier. Here is some of that column:Read More »

Lights, cameras, action: Ballet’s ‘Nutcracker at Home’ to debut tonight on WLWT

From a previous production, principal dancer Melissa Gelfin De-Poli (this year’s Sugar Plum Fairy) performs with Cervilio Miguel Amador; Photography: Peter Mueller

Tonight, for the first time ever, Cincinnati Ballet, WLWT (Channel 5) and Frisch’s have teamed up to present televised performances of the holiday classic “The Nutcracker.” This year’s “The Nutcracker at Home presented by Frisch’s” will premiere in Prime Time, 8 p.m. December 22, with additional re-broadcasts throughout the holiday season on both WLWT and MeTV, Cincinnati channel WLWT 5.2.

The re-imagined, one-hour broadcast is “a holiday gift to the community,” says Cincinnati Ballet President and CEO Scott Altman.

The performance was recorded in Music Hall using safety protocols. The production will introduce new choreography by Artistic Director Victoria Morgan with support from artistic team, who worked with Emmy award-winning Director David Ashbrock to adapt the ballet for television.

Please look below to see the entire cast.

Due to the pandemic, dancers will wear masks and follow socially-distancing guidelines, but Morgan said audiences will enjoy an up-close, immersive experience of The Nutcracker like never before.

“With eight cameras capturing moments from every angle, even on the stage itself, this is a truly unique experience,” said Morgan. “Those magical moments we share together each year remain in this production — Clara and the Nutcracker Prince, the Sugar Plum Fairy and her Cavalier, plus we’ve added a few surprises just for this broadcast version.”

Cincinnati Ballet Music Director Carmon DeLeone and 35 Cincinnati Symphony Orchestra
musicians recorded a special score for the performance at Music Hall in late November. DeLeone
also spent many hours editing the music for this special broadcast. A streaming version of the
production will be also available to watch for a limited time after Christmas. More details to come at
cballet.org.Read More »

Cincinnati Ballet’s ‘Nutcracker’ to be digital only

After high hopes of mounting an in-person, socially distanced “Nutcracker” this season, Cincinnati Ballet has announced that the production will be digital only. The reason is due to the ongoing surge of coronavirus locally.

“Given the ongoing surge in COVID-19 cases across the region, we’ve made the difficult decision to cancel all in-person performances of The Nutcracker at Cincinnati Music Hall,” said Cincinnati Ballet President and CEO Scott Altman, in a statement. “We have a responsibility to the community to do all we can to stop the spread of COVID-19. While we will dearly miss performing for live audiences, we are producing and recording a re-imagined, hour-long performance everyone can enjoy in the comfort and safety of their own homes. We could think of no better gift for the community this holiday season.”

It is being reimagined as The Nutcracker at Home presented by Frisch’s Big Boy, and performances will be free.

The performance will be recorded at Cincinnati Music Hall following strict health and safety protocols. The production will feature Artistic Director Victoria Morgan’s whimsical choreography, Main Company dancers, and gorgeous sets and costumes.

“All those magical moments we share together each year remain in this production,” said Morgan. “Clara and the Nutcracker Prince, the Sugar Plum Fairy and her Cavalier, plus we’ve added a few surprises just for this digital version.”

A unique element is that the company’s partner in the pit, the Cincinnati Symphony Orchestra, will create a recording of Tchaikovsky’s score for this special performance. Cincinnati Ballet Music Director Carmon DeLeone will conduct 35 CSO musicians for the recording at Music Hall.

Cincinnati Ballet successfully created live, in-person performances for Ballet in the Park and Cincinnati Made earlier this season.

More details will be announced in the coming days. Information: cballet.org.

Cincinnati arts in top 20 of U.S. communities

CCO musicians performing at Pyramid Hill sculpture park, Hamilton
May Festival Chorus

A new report from the National Center for Arts Research names Cincinnati in the top 20 of large communities for arts vibrancy. The report takes “a data-driven approach to assessing characteristics that make up a community’s vibrancy rather than base the ranking on our own opinion about locations or on a popular vote.” Four measures were analyzed: supply, demand, and public support for arts and culture on a per capita basis.

It’s interesting that such a report would come out during a pandemic, when most arts organizations closed their doors in March, and have been struggling to survive ever since. The reason, the report says, it offers the report “as a celebration and reminder of the arts’ enduring importance, resiliency, and vibrancy.

“We should not forget the essential role that the arts play in fueling community development, emotional health, cultural literacy, social cohesion and integration, and creative expression. Ultimately, the communal nature of arts participation will be a strength to communities hungry to come together again and affirm existential meaning after prolonged isolation, trauma, and polarization.”

Indeed.Read More »

Cancellations, digital programs, relief funds: How Cincinnati’s arts organizations are coping with COVID-19

A previous production of The Magic Flute/ provided by Cincinnati Opera

Cincinnati Opera’s news yesterday that it must cancel its 2020 Summer Festival — the company’s 100th anniversary — was just the latest in an ongoing wave of arts cancellations due to COVID-19. Because of extended stay-at-home orders and closures, it was literally impossible to begin set-building and rehearsing, let alone fly in the international stars who were coming from Italy and the Czech Republic.

I doubt that entire seasons have ever been canceled for such a plague, although world wars have interrupted some. Of the many arts organizations that I have interviewed this month, a few leaders have predicted to me, that, until people feel comfortable being with other people in a theater, museum or a concert hall (and you can add to that, restaurants and stadiums), they will not return. And that won’t happen until there is a vaccine.

As Ensemble Theatre’s D. Lynn Meyers tells me in Friday’s Business Courier, we all thought things would be closed for a weekend, and then it would be back to normal. Now we talk about the “new normal.”

The Blue Wisp Big Band at Caffe Vivace last month.

I began observing how the coronavirus was impacting our city’s freelance musicians about a month ago, when restaurants closed, and musicians began streaming their music live from empty bars, for tips. That article, “Virtual Reality,” on April 3, included some jazz musicians, as well. Trumpeter Matt Anklan, an adjunct at Miami University, said that 60 percent of his income is from freelance jobs — now completely gone.

A spot check of Cincinnati’s major arts organizations, “Critical Stage” on April 10, told stories of how groups are struggling to hang onto their staffs even as they tally their losses. Losses will be big. ArtsWave — which was just midway through its annual, $12.4 million campaign when the virus hit — predicts that losses in Cincinnati’s arts community could top $30 million if there is no arts activity all summer.

Van Gogh’s Undergrowth with Two Figures at Cincinnati Art Museum

Still, there was a note of optimism, despite the expected red ink. Cincinnati Art Museum’s Cameron Kitchin told me, “The arts are about connecting and inspiring. What greater time of need do we have for inspiration and connection than right now, in this time of social distancing and flickering hope? If we look at what the arts to able to provide for humanity, this is a moment where we are called to action.”

Friday’s article (April 17) is about how small and mid-sized arts groups in our region are coping. There will be more stories to come, including some with good news of how people are stepping up in a time of crisis.

As I wrote in a column at the very beginning of the trickle of online arts offerings — now a tsunami — the arts offer escape, joy and comfort. Don’t forget, these organizations can’t wait to welcome you back, live and in person, when we all reach the other side.

Covid-19 update: More online, social media offerings as arts groups hunker down

Watch CSO music director laureate Paavo Järvi lead the Berlin Philharmonic — free

I just finished watching Verdi’s “Il Trovatore” along with an international “watch group” on Facebook, a production streamed from Teatro Carlo Felice, the opera house in Genoa, Italy.

Watch parties are popping up, as are myriad other options for watching opera (see the Met Opera‘s Live in HD post below), dance — I caught Cincinnati Ballet’s Victoria Morgan leading a stretching class on my Instagram feed — and concerts.

Check out Paavo Järvi’ s latest concerts with the Berlin Philharmonic on Digital Concert Hall. It’s free.

Know Theatre says it will be stepping up its streaming capabilities by the end of this week. It’s called Know-to-Go: The Stream Team. In case you missed “Alabaster,” by Audrey Cefaly, the company has received permission to stream it for a limited time. Those who already have tickets may watch free; others will be charged $15 for access to the digital recording.

And, thanks to the Know’s ethos of experimentation, it has a video library. They’ll be rolling out some titles from 2015 and 2016, Andy’s House of [blank’ and Darkest Night at the Gnarly Stump. AND they are working with local playwrights as we speak to create new audio works, for purchase through the website. Information and streaming passes at knowtheatre.com.

More coming soon!

As all theaters, museums close, Zoo closes and Aquarium is next in precautionary measures against COVID-19

 

With museums, theaters and even the Zoo closed, and the Aquarium closing Monday, I’ll be posting some virtual entertainment options. Cincinnati Museum Center, above, is also closed.

Cincinnati Zoo & Botanical Garden announced yesterday that it will be completely closed for the foreseeable future due to Covid-19, starting today, for the safety of the public, staff, volunteers and also the animals. Click here for more info.

“We know you have concerns about our staff and animals and want to reassure you that our animal team will continue to provide excellent care for our animals,” Zoo Director Thane Maynard said in a news release. “We have a surplus of food and essential medical supplies, so we can take care of them while we’re closed.”

​In an effort to keep its loyal members and community connected to their favorite animals while the Zoo is closed, Home Safari Facebook Live sessions will be offered weekdays starting on Monday, March 16 at 3 p.m.  Each session will highlight an animal and provide an activity that you can do at home.  The first safari will feature everyone’s favorite hippo, Fiona.

At the same time, the Newport Aquarium, another big draw for families, announced that it is OPEN TODAY but will close tomorrow, March 16, through March 27. The Aquarium’s website has information on refunds if you have already purchased tickets. Click here for more information.

Of course, all of Cincinnati’s theaters and museums are closed, too. (Scroll down this blog to see the major announcements.)

So — I’ve been listening to a lot of Cincinnati Public Radio — WGUC-FM 90.9 classical radio and WVXU 91.7 and WMUB 88.5. You can live-stream it at cinradio.org.

Watch for my upcoming posts about VIRTUAL OPTIONS of concerts and operas that are being aired to the international community to watch during the pandemic.

Coronavirus COVID-19 Update

Here’s the situation at CCM. all CCM public performances scheduled now (March 12, 2020) through May 31, 2020, have been canceled or rescheduled.

Student recitals that are degree requirements may still occur during this time frame, provided that social distancing is observed and respected; these student recitals will not be open to the general public.

Any ticket purchaser affected by a paid performance cancellation can contact the CCM Box Office at 513-556-4183 to request a refund.

Curt Whitacre's avatarCCM VILLAGE NEWS ARCHIVES

Although there have been no documented cases of the COVID-19 novel coronavirus within our campus community, the University of Cincinnati is making needed preparations to be able to quickly respond if COVID-19 is detected.

Based on the latest updates from Ohio Governor Mike DeWineand following the University of Cincinnati’s updated public health practices, all CCM public performances scheduled now (March 12, 2020) through May 31, 2020, have been canceled or rescheduled.*

Student recitals that are degree requirements may still occur during this time frame, provided that social distancing is observed and respected; these student recitals will not be open to the general public.

Any ticket purchaser affected by a paid performance cancellation can contact the CCM Box Office at 513-556-4183 to request a refund.

This is an extremely fluid situation and guidelines are subject to change. Additional updates regarding CCM performances will be published at ccm.uc.edu and

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Cincinnati Ballet reschedules productions, cite financial repercussions

A message from Cincinnati Ballet: Cincinnati Ballet’s upcoming performances of Director’s Cut (March 19-21) at Cincinnati Music Hall are being rescheduled to April 30-May 2, 2020 at the Aronoff Center to recorded music. The decision to reschedule these performances will allow our patrons to experience the athleticism and artistry of this compelling program while also protecting the health of our community. Those who have tickets to affected performances will receive direct communications regarding their options.

Cincinnati Ballet’s upcoming performances of Family Series: Snow White have been cancelled. This was a difficult but necessary decision to protect the health of our community. A bit of good news – Snow White will be added to the 2020-2021 Season, in lieu of The Little Mermaid.

These unprecedented circumstances pose financial repercussions for our community and Cincinnati Ballet. As a non-profit arts organization, ticket sales only account for 35% of what it takes to support a world-class ballet company. Our patrons are our livelihood and the reason our dancers perform each season. We thank you for your continued support of Cincinnati Ballet and value you as a member of our family.

For questions and other ticket needs, email info@cballet.org or call Patron Engagement at 513-621-5282.

Melissa Gelfin and Cervilio Miguel Amador in the leading roles of Cincinnati Ballet’s “Romeo and Juliet” in 2017. Photo provided.