Steep Canyon Rangers stole the show at the Pops. Lee Snow, photo
The Cincinnati Pops’ American Originals concert on Friday was a trip down memory lane to America’s musical roots a century ago.
For Vol. 2 of his Americana project, Pops maestro John Morris Russell brought together an eclectic group of guests, ranging from the sensational bluegrass band Steep Canyon Rangers to the extraordinary singer and MacArthur Foundation “Genius” Rhiannon Giddens.
Like the first edition, the show was recorded live in Music Hall for an album on the Pops’ Fanfare Cincinnati label by the Grammy-winning producer Elaine Martone and engineer Michael Bishop.Read More »
It’s been a privilege. I can truthfully say I have loved every minute of writing about the arts in Cincinnati for the Cincinnati Enquirer. I am thankful to you, the readers of both print and digital, the people who have called me, written letters, followed me on social media, come up to me at Music Hall to say hello or to talk about music, and who have taken my OLLI class, “Behind the Scenes in the Arts.”
It has been a wonderful, totally unexpected ride that became 26 years almost overnight.
From the first day that I walked into the newsroom, never having taken a journalism course, I was starstruck by the people who worked there. What talent and creativity! In those days, I filed a review right after the symphony concert on Friday nights, which meant I raced to my car behind Music Hall, tore Downtown to the Enquirer building while forming the opening lines in my head, and wrote on a deadline of 45 minutes with a copy desk editor barking, “Where’s that review?” Loved those late-night editors, who would fix my typos and write the headlines. The best one described a pianist, to be nameless here, who slogged through a bizarre performance of Rach 2: “(Pianist) phones it in — From Mars.” I was usually home by 2 a.m. and the review was in the morning paper.
With James Conlon and the Cincinnati Symphony Orchestra and May Festival Chorus at Carnegie Hall, May 2014; photo provided by Spring for Music, Steve Sherman
But besides the reviews, I have loved writing stories about people. Sometimes I think that the whole artistic world has passed through Cincinnati. I’ve interviewed and met opera stars, violin legends, conductors, composers, crooners, rockers and movie stars. I couldn’t believe going backstage at the Met to interview Cincinnati’s own James Levine, who had pictures of his childhood home behind his desk. He knew everything happening in the Queen City. His mother, Helen, it turned out, had been sending him all of my clippings.
Then there was Rosemary Clooney. Driving down to Augusta, Kentucky, with photographer Craig Ruttle to spend time in her home was unforgettable. Later, John Kiesewetter, Jim Knippenberg and I covered her funeral. Yes, there were Hollywood stars. But more touching were the folks of Maysville who came out to bring their “girl singer” back home.
With rocker Peter Frampton in his studio at his Indian Hill home talking about his gig with the Pops.With Rosemary Clooney and her husband, Dante DiPaolo
When Erich Kunzel died in 2009, I was proud that Reds announcer Marty Brennaman mentioned during the game the next day that The Enquirer had done a nice job on his obituary. Early that morning, I was interviewed on NPR about the Cincinnati Pops maestro, and the force of nature that he was. And about a week later, I was on tour in Japan with the CSO. On a day off at the mountainous shrine of Nikko, a man in my tour group said as we ate lunch, “Cincinnati. I heard you just lost a conductor there.” He’d heard my interview, 6,000 miles away.Read More »
Host Nick Clooney and Hall of Fame board member Kay Casey
It was Friday night, and I just had to be there — not only to hear Fred Hersch, the fantastic, Cincinnati-born jazz pianist, play a concert at NKU, but also to witness the inaugural class of the Cincinnati Jazz Hall Fame. It turned out to be a very moving evening indeed.
NKU was congratulating its 43rd graduating class, and Hersch was in town to be the Commencement keynote speaker. By now, he is Dr. Fred Hersch, as he was awarded an honorary doctorate on Saturday. But on Friday, at a little reception thrown by NKU’s President, Geoffrey Mearns, he was fresh off of 22 planes and 12 countries, trailed by his biographer (the book is coming out in 2017), and schmoozing with old neighbors from North Avondale. I think every jazz pianist in town was there, too.Read More »
Hilary Hahn and Hauschka appear this Friday at the Art Museum
Has anyone noticed all of the classical music festivals this year? Bryce Dessner’s MusicNOW seemed to be a huge success, with big crowds at the symphony and sell-out crowds at the smaller venues. Here are my articles about the festival:
And Tatiana Berman’s Constella Festival opens on Wednesday with 10 events, as well as two “partner” events. I’m particularly interested in Friday’s concert (7 p.m. April 10), featuring superstar violinist Hilary Hahn with Hauschka ((the musical alias of Germany-based Volker Bertelmann) to give the Cincinnati premiere of their project “Silfra.” at Cincinnati Art Museum, Fath Auditorium. Read More »
Over the weekend, I was able to go backstage at Music Hall for a few minutes to meet Grammy-winning producer Elaine Martone. She and Chelsea VandeDrink of Cincinnati Public Radio were making a live recording of the Pops “American Originals” concert, to be the Pops’ 95th album.They were tucked in the recording booth/opera props room near the stage.
Elaine, of course, has been coming down to Cincy for years from Cleveland, where Telarc is based, for all of Erich Kunzel’s Pops recordings — as well as for those of the CSO — with hubby and Telarc co-founder Bob Woods. (Telarc was later bought by Concord Records and the award-winning production team left in 2009.)
Like most major orchestras, the CSO now has its own label for recording, and Elaine, who is up for Producer of the Year at the Grammy Awards next month, is still very busy. I asked her three questions:Read More »