Eiji Hashimoto was a virtuoso and scholar of the harpsichord

Eiji Hashimoto

Eiji Hashimoto is remembered by his students and colleagues as as a brilliant performer, a distinguished scholar of baroque music and a dedicated teacher of the harpsichord.

Mr. Hashimoto died in Cincinnati on Jan. 14 at the age of 89.

“His legacy is great,” said Michael Unger, associate professor of organ and harpsichord at CCM. “He had a strong reputation in the harpsichord world, and he leaves behind a rich legacy among his former colleagues and students at CCM. His name is still remembered well for his long and distinguished work at CCM as a teacher, harpsichordist and director of ensembles dedicated to eighteenth-century music.”

In 1968, while on a concert tour of the United States, Mr. Hashimoto, a native of Japan, was invited by the University of Cincinnati College-Conservatory of Music to establish a harpsichord program at the school. He served for 33 years on the faculty until 2001, when he became professor emeritus.

Quiet and unassuming, Mr. Hashimoto built a distinguished academic and performing career over three decades. As a soloist, he dazzled audiences in more than 50 international tours, and made numerous recordings in the U.S. and Japan. His own editions of baroque music for the keyboard are highly regarded.

Between 1968 and 1986, Mr. Hashimoto performed many times with the Cincinnati Symphony Orchestra as a guest artist and soloist. In the ’80s, he was the orchestra’s official harpsichordist under the tenure of music director Michael Gielen, and performed J.S. Bach’s Brandenburg Concerto No. 5 with him in Music Hall.

Mr. Hashimoto also performed under maestros Max Rudolf and Thomas Schippers, as well as at the Cincinnati May Festival under the legendary Robert Shaw. He recalled to me in an interview that Schippers loved 18th-century music and “needed me all the time” for Handel and Bach oratorios and concerti grossi. He also performed a contemporary harpsichord work by Ned Rorem during that time.Read More »

James Conlon adds advisory title

James Conlon

The Baltimore Symphony Orchestra (BSO) announced on Oct. 17 the appointment of James Conlon, conductor laureate of the Cincinnati May Festival, as its Artistic Advisor. Conlon will begin his role in September 2021, following the conclusion of BSO Music Director Marin Alsop’s historic 14-year tenure.

Conlon has affirmed that he is not a candidate in the BSO’s upcoming Music Director search. The orchestra plans a “multi-year, international search” of visiting conductors beginning in its 2021-22 season.

Conlon will be leading three concert weeks per year in each of the 2021-22, 2022-23, and 2023-24 seasons, and will fill duties off the podium, such as fill orchestral vacancies. Ironically, his first appearance will mark his debut with the Baltimore Symphony.Read More »

Three Halloween shows — from virtual to in-person

KSO musicians

J.R. Cassidy, music director of the Kentucky Symphony Orchestra, wins the prize for most creativity during Covid in finding an indoor venue big enough for a live orchestra concert with social distancing.

The KSO will be opening its 29th season on Halloween night in an industrial warehouse in Hebron, KY.

“Keeping musicians employed and playing during the Covid crisis requires following safety guidelines that are nearly impossible to enact within traditional auditorium settings,” says Cassidy, in his release.

A warehouse is the concert hall this weekend for the Kentucky Symphony Orchestra

So the resourceful conductor looked for an unconventional space. Verst Group Logistics generously offered the Symphony the use of its Hebron warehouse. It has the square footage of a football field and 40-foot high ceilings to address adequate distancing and circulation concerns.

But that’s not all. An orchestra needs rehearsals. The City of Bellevue helped out for a single rehearsal at the former Joe’s Crab Shak.

The program, “Strings Noir,” is a Halloween mix of string classics that should provide a good scare for musicians and audience alike, Cassidy says. The music includes Ottorino Respighi’s Ancient Airs and Dances, Suite No.3; Arnold Schönberg’s Verklärte Nacht (1943 revised); Bernard Hermann’s Suite from Pyscho; and Ludwig Van Beethoven’s Grosse Fuge.Read More »

Cincinnati arts in top 20 of U.S. communities

CCO musicians performing at Pyramid Hill sculpture park, Hamilton
May Festival Chorus

A new report from the National Center for Arts Research names Cincinnati in the top 20 of large communities for arts vibrancy. The report takes “a data-driven approach to assessing characteristics that make up a community’s vibrancy rather than base the ranking on our own opinion about locations or on a popular vote.” Four measures were analyzed: supply, demand, and public support for arts and culture on a per capita basis.

It’s interesting that such a report would come out during a pandemic, when most arts organizations closed their doors in March, and have been struggling to survive ever since. The reason, the report says, it offers the report “as a celebration and reminder of the arts’ enduring importance, resiliency, and vibrancy.

“We should not forget the essential role that the arts play in fueling community development, emotional health, cultural literacy, social cohesion and integration, and creative expression. Ultimately, the communal nature of arts participation will be a strength to communities hungry to come together again and affirm existential meaning after prolonged isolation, trauma, and polarization.”

Indeed.Read More »

Cincinnati Opera, CET to air documentary on opera’s first 100 years

In recent years, Cincinnati Opera has kicked off its season with a free concert in Washington Park, OTR

Cincinnati Opera and CET have announced plans for “Cincinnati Opera at 100,” an hour-long televised program commemorating Cincinnati Opera’s centennial. Featuring
insights from local and national opera experts and performances by artists from across the country, “Cincinnati Opera at 100” will premiere on CET 48.1 on Friday, July 3 at 9 p.m. EST.

Additional airings will follow on CET Arts 48.3 through Tuesday, July 7.

The nation’s second-oldest opera company, Cincinnati Opera presented its first performance on June 27, 1920, at Cincinnati Zoo & Botanical Garden, and its annual Summer Festival has become a Cincinnati arts-going tradition.

Lisa Daltirus in “Aida” at Cincinnati Opera in Music Hall.

Though the company’s 100th Anniversary Season was cancelled due to the coronavirus pandemic, “Cincinnati Opera at 100” transports the opera-going experience into viewers’ homes, including performances by much-loved singers from recent Cincinnati Opera productions and historical highlights from opera experts.Read More »

CSO announces 5 new diversity fellows

Amy Nickler

The University of Cincinnati College-Conservatory of Music (CCM) and the Cincinnati Symphony Orchestra (CSO) have selected five accomplished musicians for their next class of CSO/CCM Diversity Fellows.

The performance fellowship program was launched in 2015 out of a desire to help American orchestras be more inclusive and to better represent the communities they serve. The mission is to eliminate obstacles that can prevent musicians of color from achieving their full potential. It is funded with a grant from The Andrew W. Mellon Foundation.

Through the collaborative program, CCM and the CSO provide graduate level academic study
and professional development and performance opportunities for the Diversity Fellows.

“The Cincinnati Symphony Orchestra exists to serve our community. Our entire community,”
said CSO President Jonathan Martin. “But how can we authentically serve our entire community
if a significant part of that community doesn’t see themselves reflected in our organization? The
CSO/CCM Diversity Fellowship is one of many steps we are taking to address this disparity. By
providing professional opportunities to a more diverse group of outstanding musicians, we hope
to cultivate—and begin changing —the next generation of American orchestral musicians.”

The new Fellows are:Read More »

Tune in to hear Cincinnati Opera broadcasts

Cincinnati Opera’s 2013 production of Aida
Photo provided

This Saturday, June 27, marks the 100th anniversary of Cincinnati Opera’s first performance at the Cincinnati Zoo.

Cincinnati’s classical public radio station, 90.9 WGUC, celebrates the company’s centenary with a series of special encore performances every Saturday at 1 p.m. through July. Tune in to 90.9 WGUC or wguc.org to listen.

This Saturday, June 27, artistic director Evans Mirageas will regale you with the rich—and sometimes hilarious—history of opera in the Queen City and the events that led to the creation of Cincinnati Opera in 1920.

That’s followed at 2 p.m. by a broadcast of the 2002 production of Strauss’ “Elektra.” If I recall, that electrifying production directed by Nic Muni starred Deborah Polaski in the title role (a Metropolitan Opera star and CCM grad) in one of the great performances of this era.

July 4: Puccini’s most celebrated opera, La Bohème, performed in 2017 and conducted by CSO Music Director Louis Langrée. He was the first CSO music director to guest-conduct the opera since Max Rudolf.

July 11: The Tales of Hoffman, originally performed in 2006 at Music Hall.

July 18: World premiere of Fellow Travelers by Gregory Spears; libretto by Greg Pierce.

July 25: Aida, originally performed in 2013 at Music Hall

 

CSO to live-stream first Music Hall concert since pandemic shut-down this Saturday

Concertmaster Stefani Matsuo will be one of the musicians featured in the CSO’s first “Live from Music Hall.”
Photo by Jake Anderson

The Cincinnati Symphony Orchestra will present Live from Music Hall, the first physically distanced live performance from the stage of Music Hall, 8 p.m. Saturday, May 16. The performance will be streamed on the CSO’s Facebook page, YouTube channel and website.

It is the first live performance in Music Hall since the Covid-19 pandemic closed all theaters in mid-March. The small ensemble of musicians will be following social distancing procedures onstage. There will be no audience in the hall.

The concert is dedicated “to the people of Cincinnati and beyond, to lift their spirits, and to thank those who have been at risk for their contributions to our continued safety and well-being,” said music director Louis Langrée.

Langrée will host the live-streamed, chamber music performance from the house of Springer Auditorium. CSO musicians will be playing Gustav Mahler’s Piano Quartet and the world premiere of the first piece for The Fanfare Project, a work written for principal oboist Dwight Parry by CSO Creative Partner Matthias Pintscher.Read More »

Cancellations, digital programs, relief funds: How Cincinnati’s arts organizations are coping with COVID-19

A previous production of The Magic Flute/ provided by Cincinnati Opera

Cincinnati Opera’s news yesterday that it must cancel its 2020 Summer Festival — the company’s 100th anniversary — was just the latest in an ongoing wave of arts cancellations due to COVID-19. Because of extended stay-at-home orders and closures, it was literally impossible to begin set-building and rehearsing, let alone fly in the international stars who were coming from Italy and the Czech Republic.

I doubt that entire seasons have ever been canceled for such a plague, although world wars have interrupted some. Of the many arts organizations that I have interviewed this month, a few leaders have predicted to me, that, until people feel comfortable being with other people in a theater, museum or a concert hall (and you can add to that, restaurants and stadiums), they will not return. And that won’t happen until there is a vaccine.

As Ensemble Theatre’s D. Lynn Meyers tells me in Friday’s Business Courier, we all thought things would be closed for a weekend, and then it would be back to normal. Now we talk about the “new normal.”

The Blue Wisp Big Band at Caffe Vivace last month.

I began observing how the coronavirus was impacting our city’s freelance musicians about a month ago, when restaurants closed, and musicians began streaming their music live from empty bars, for tips. That article, “Virtual Reality,” on April 3, included some jazz musicians, as well. Trumpeter Matt Anklan, an adjunct at Miami University, said that 60 percent of his income is from freelance jobs — now completely gone.

A spot check of Cincinnati’s major arts organizations, “Critical Stage” on April 10, told stories of how groups are struggling to hang onto their staffs even as they tally their losses. Losses will be big. ArtsWave — which was just midway through its annual, $12.4 million campaign when the virus hit — predicts that losses in Cincinnati’s arts community could top $30 million if there is no arts activity all summer.

Van Gogh’s Undergrowth with Two Figures at Cincinnati Art Museum

Still, there was a note of optimism, despite the expected red ink. Cincinnati Art Museum’s Cameron Kitchin told me, “The arts are about connecting and inspiring. What greater time of need do we have for inspiration and connection than right now, in this time of social distancing and flickering hope? If we look at what the arts to able to provide for humanity, this is a moment where we are called to action.”

Friday’s article (April 17) is about how small and mid-sized arts groups in our region are coping. There will be more stories to come, including some with good news of how people are stepping up in a time of crisis.

As I wrote in a column at the very beginning of the trickle of online arts offerings — now a tsunami — the arts offer escape, joy and comfort. Don’t forget, these organizations can’t wait to welcome you back, live and in person, when we all reach the other side.

Cincinnati Opera cancels 100th anniversary season

Barely two months before opening night of its 100th anniversary season, Cincinnati Opera has announced that, as a result of the coronavirus crisis, the company is forced to cancel its 2020 Summer Festival.

Christopher Milligan, general director and CEO, and Evans Mirageas, artistic director, wrote in an email to subscribers:

“This is particularly difficult to share with you now, on the eve of our 100th anniversary celebration. At this moment, however, the trajectory of the pandemic is unknown. Public orders currently prevent our artists, production crews, and staff from safely assembling to prepare for our season, a process that begins months in advance of opening night. We have followed guidance from public health experts while maintaining hope that we could move forward, but it is now clear we are unable to do so. With the uncertainty surrounding the resumption of public gatherings, it is our responsibility to act in favor of the continued safety of our audiences, artists, staff, and community.”

The company said that is committed to providing some compensation to all of the nearly 400 professionals who appear onstage and work backstage to make the season happen—from singers and musicians to stage technicians and artisans. It is also committed to keeping its year-round staff intact.Read More »