A scene from Queen City Opera’s “La Cenerentola” opening Friday.
Issac Selya, conductor and founder of Queen City Opera, is adding a new title to his resume: Producer. For the first time since founding Queen City Opera in 2012, he is not conducting, but is producing Rossini’s “La Cenerentola,” Friday and Sunday at the Dunham Arts Center on the West Side. The production’s conductor is Queen City Opera’s Associate Music Director Jesse Leong, and the stage director is Jacquelyn Mouritsen, coming from Indiana University.
“Since the company’s mission is to launch the careers of emerging artists, I am glad we can feature a new accomplished emerging conductor as well,” Selya says.
While the company has often featured musicians and singers from the University of Cincinnati College-Conservatory of Music, this production will be in close collaboration for the first time with the CCM Opera Department and its chair, Robin Guarino. Current CCM students will take the starring roles.
The production is presented in memory of Dr. Bob Hasl – “Dr. Bob” — who was very fond of the opera’s alternative title “Bonta in trionfo,” or “Goodness triumphs.”Read More »
It’s been a privilege. I can truthfully say I have loved every minute of writing about the arts in Cincinnati for the Cincinnati Enquirer. I am thankful to you, the readers of both print and digital, the people who have called me, written letters, followed me on social media, come up to me at Music Hall to say hello or to talk about music, and who have taken my OLLI class, “Behind the Scenes in the Arts.”
It has been a wonderful, totally unexpected ride that became 26 years almost overnight.
From the first day that I walked into the newsroom, never having taken a journalism course, I was starstruck by the people who worked there. What talent and creativity! In those days, I filed a review right after the symphony concert on Friday nights, which meant I raced to my car behind Music Hall, tore Downtown to the Enquirer building while forming the opening lines in my head, and wrote on a deadline of 45 minutes with a copy desk editor barking, “Where’s that review?” Loved those late-night editors, who would fix my typos and write the headlines. The best one described a pianist, to be nameless here, who slogged through a bizarre performance of Rach 2: “(Pianist) phones it in — From Mars.” I was usually home by 2 a.m. and the review was in the morning paper.
With James Conlon and the Cincinnati Symphony Orchestra and May Festival Chorus at Carnegie Hall, May 2014; photo provided by Spring for Music, Steve Sherman
But besides the reviews, I have loved writing stories about people. Sometimes I think that the whole artistic world has passed through Cincinnati. I’ve interviewed and met opera stars, violin legends, conductors, composers, crooners, rockers and movie stars. I couldn’t believe going backstage at the Met to interview Cincinnati’s own James Levine, who had pictures of his childhood home behind his desk. He knew everything happening in the Queen City. His mother, Helen, it turned out, had been sending him all of my clippings.
Then there was Rosemary Clooney. Driving down to Augusta, Kentucky, with photographer Craig Ruttle to spend time in her home was unforgettable. Later, John Kiesewetter, Jim Knippenberg and I covered her funeral. Yes, there were Hollywood stars. But more touching were the folks of Maysville who came out to bring their “girl singer” back home.
With rocker Peter Frampton in his studio at his Indian Hill home talking about his gig with the Pops.With Rosemary Clooney and her husband, Dante DiPaolo
When Erich Kunzel died in 2009, I was proud that Reds announcer Marty Brennaman mentioned during the game the next day that The Enquirer had done a nice job on his obituary. Early that morning, I was interviewed on NPR about the Cincinnati Pops maestro, and the force of nature that he was. And about a week later, I was on tour in Japan with the CSO. On a day off at the mountainous shrine of Nikko, a man in my tour group said as we ate lunch, “Cincinnati. I heard you just lost a conductor there.” He’d heard my interview, 6,000 miles away.Read More »
There are a lot of misconceptions in the online posts I’ve read about the Music Hall bridge that the city now says it will demolish and rebuild over Central Parkway. The elephant in the room that people are missing: There is no easy and safe pathway to the front door of Music Hall on Elm Street if you park behind the building, in the Town Center Garage on Central Parkway.
If the city-owned bridge, which leads from Town Center Garage to Music Hall, is rebuilt, the renovation team is pledging to construct a passageway into Music Hall from the Ballroom entrance on the second level — the new back door.
Somehow amid expenditures of at least $135 million, planners decided not to provide a rear entrance to Music Hall. This intentional omission adversely affects many of the organizations that make Music Hall their home. People have been deciding not to renew subscriptions or to attend fewer concerts because of inconvenience and pedestrian safety.Read More »
It seems that the end of a year always results in lists — looking back and looking ahead. And invariably, my list is different from your list. There were so many other great performances that I could have added here — the Polish Festival at CCM, the Ariel Quartet, the great jazz heard every week in our community, and the high-energy shows by John Morris Russell and the Cincinnati Pops… not to mention the entire opening season this fall at the CSO, with Emanuel Ax, Hilary Hahn, Lang Lang, Gil Shaham and Branford Marsalis!
I loved it all. But here’s my column, in case you missed it, for better or worse. At the list’s end, I look back at two of the big stories in the arts that I covered, and look forward to the opening of Music Hall next October.
Here’s one of the performances I’ve been lucky to catch this fall in Cincinnati.
Soprano Mithra Mastropierro was superb as Brunnhilde
Last month, Queen City Chamber Opera mounted the final installment, Act III, of Wagner’s opera “Siegfried,” at the Dunham Performing Arts Center on the West Side. The performance, which was well attended on a bright Sunday afternoon, marked the first complete performance of “Siegfried” in Ohio in a century. (It was in collaboration with the Wagner Society of Cincinnati.)
(The first two acts were performed in the previous two years. It’s a rather epic way to perform a Ring Cycle… )
What is so remarkable about the efforts of the company’s founding music director Isaac Selya is the quality that he has been able to achieve on a shoestring. His orchestra — complete with five extraordinary horn players, harp and timpani — filled nearly half of the auditorium floor.Read More »
The arts and e-media school — College-Conservatory of Music at the University of Cincinnati — offers an embarrassment of riches (the most performances in the state, I’m told) and much of it is free. The season starts Aug. 29. See the whole digital calendar here. (My list is just the tip of the iceberg.) For ticketed events, call the CCM Box Office at 513-556-4183.
Here are 10 picks that you won’t regret.Read More »
I can’t believe the fall season is upon us. I am getting season lineups daily in my inbox, and I’m going to try to post many of them on this blog.
First up is the 104th season of the venerable Matinee Musicale, which has launched the Cincinnati debuts of hundreds of major artists. Mark your calendars:
Sept. 18: Cellist Amit Peled performs a Tribute to Casals. The Israeli musician will perform two recitals on his historic Gofriller cello (1733) that once belonged to the eminent Pablo Casals, loaned to him by Casals’ widow Marta. His program features music the legendary cellist frequently performed in recitals. Sunday, Sept. 18, 3 p.m., at Anderson Town Center (7850 Five Mile Road, Cincinnati 45230),
On Monday, Sept. 19, the personable Peled will offer a lecture/recital, “Journey with My Jewishness,” discussing his personal, musical and spiritual evolution. His program will include traditional numbers as well as Max Bruch’s “Kol Nidrei,” Mark Kopytman’s “Kaddish” and Ernest Bloch’s three scenes “From Jewish Life.” Sept. 19, 7:30 p.m., a program presented jointly with the Isaac M. Wise Center (8329 Ridge Road, Cincinnati 45236), Read More »
Soprano Nadine Sierra made her Cincinnati debut in recital at Matinee Musicale. Bryan Wagorn at the piano. Photo by Gayna Bassin.
Soprano Nadine Sierra had won the hearts of everyone in the room even before she sang her encores in Sunday’s recital for Cincinnati’s Matinée Musicale. Then she gave such a ravishing account of Puccini’s “O mio babbino caro,” that no one in the audience dared to breathe.
How lucky that Matinee Musicale, Cincinnati’s distinguished, 103-year-old daytime music series, was able to book Sierra, a stunning singer who seems poised on the brink of a major career. The 27-year-old made her Metropolitan Opera debut this year as Gilda in “Rigoletto.” Perhaps it’s no surprise to learn that she was the youngest ever to win the grand finals of both the Metropolitan Opera National Council Auditions and the Marilyn Horne Competition.
So there was great anticipation for her recital, which she performed with an accomplished pianist Bryan Wagorn, who is an assistant conductor to James Levine at the Met, in the radiant surroundings of the Westwood First Presbyterian Church. Read More »
Lobby chandeliers will be taken out and replaced with more streamlined “torchiere” lights
Music Hall will close in less than two months, and we’ve been writing a number of updates about the plans. Finally, the Enquirer has a page that is dedicated to renovation stories. Watch for a call for your own Music Hall Memories soon!
Here’s the link. You can also go to cincinnati.com and put Music Hall Renovation in the search box.
Of course, Music Hall is home to the Cincinnati Symphony and Pops Orchestra, Cincinnati Opera, May Festival, and when the rehab is done, Cincinnati Ballet.Read More »
Music Hall: Planned configuration of Springer Auditorium/Michael Nyerges/The Enquirer
After more than two years of waiting, the group that is renovating Music Hall has finally revealed the plans for the hall. Yes, you’ll get 62 percent more restrooms and lots of new bars in the plan, now at $135 million. But what’s happening to the concert hall, Springer Auditorium? It has long been known for its grandeur as well as its fine acoustics. There will be a vast number of changes to the concert space. They include changing the cubic volume of Springer Auditorium, building new walls of concrete board inside the old walls, re-raking all three floors with new materials (concrete with wood overlay), moving the Cincinnati Symphony Orchestra farther out into the hall on a thrust stage, putting the musicians on risers installing new acoustical clouds, reworking the orchestra shell, taking out about 1,000 seats, putting in new seats and changing the configuration of them, which includes getting rid of the center aisle.Read More »