Organ festival returns to Covenant-First Presbyterian

The historic Austin Pipe Organ at Covenant-First Presbyterian Church

Covenant-First Presbyterian Church downtown is hosting its third annual organ festival this Sunday and Monday, March 7 and 8.

Todd Wilson, organist at Trinity Episcopal Cathedral in Cleveland, and head of the organ department at Cleveland Institute of Music, will be presenting a free recital at 4 p.m. Sunday, March 7. His program will include J.S. Bach’s Passacaglia in C minor, Three Cincinnati Impressions by Gerre Hancock, Soliloquy by David Conte; and Sonata on the 94th Psalm by Julius Reubke (1834-58).

Todd Wilson/photo by Sam Hubish

Wilson will conclude with his own “Improvisations on a submitted theme,” always a showstopper.

The church hasn’t been able to hold its series since exactly one year ago, when Alan Morrison was the guest artist one week before the nation shut down due to Covid-19.

I’m told they are ready with all the Covid safety protocols—masks, fresh air flowing, social distancing.  The historic and beautiful sanctuary is very large, so it works for live music at a safe distance.

On Monday, Wilson will stay in town for a master class at the church, and some of Michael Unger’s CCM students will be participating.

The concert is free and open to the public.

Details: Covenant-First Presbyterian Church, 717 Elm Street, Cincinnati, OH 45202

Information: (513) 621-4144; covfirstchurch.org

Cincinnati Opera releases world premiere recording of ‘Blind Injustice’

(L to R) Mark Godsey, Rickey Jackson, Laurese Glover, Derrick Wheatt, Eugene Johnson, Nancy Smith, and Clarence Elkins. Photo by Space Cabin Studios/provided by Cincinnati Opera

Cincinnati Opera has just announced the release of the live audio recording of the world premiere production of “Blind Injustice,” the acclaimed new opera with music by Scott Davenport Richards and libretto by David Cote. Directed by Robin Guarino, the opera was recorded in the Wilks Studio at Cincinnati’s Music Hall in July 2019 and is being released on the Fanfare Cincinnati label.

The digital album is now available for purchase via Amazon Music, iTunes, and other digital music retailers, and for streaming via Amazon Music, Apple Music, Spotify, Pandora, and other music streaming services.

The CD is available for pre-order at cincinnatiopera.org/bravo-shop.

The recording features the original cast, the Cincinnati Opera Chorus, members of YPCC, and the Cincinnati Symphony Orchestra led by Cincinnati Pops Conductor John Morris Russell.

The opera explores the true stories of six innocent people who were convicted of crimes they did not commit, then ultimately freed by the Ohio Innocence Project (OIP) at UC Law. A collaboration with the OIP and Cincinnati’s Young Professionals Choral Collective (YPCC), the opera is based on casework by the OIP and the book Blind Injustice by UC law professor and OIP Director Mark Godsey. Read More »

Paul Stanbery, conductor and composer, contributed to the arts and culture of SW Ohio

A few years ago, Paul John Stanbery, conductor of the Butler Philharmonic, endured chemotherapy, radiation and finally, proton therapy to tackle what began as a sore in his mouth that wouldn’t heal. The cancer was eradicated. An elated Stanbery was going to Carnegie Hall.

“Conducting your own music in Carnegie Hall after having beaten cancer – it just doesn’t get any better than that,” Stanbery told the Cincinnati Business Courier in 2018.

Unfortunately, cancer doesn’t always cooperate, and it returned. Mr. Stanbery died at his home on Feb. 6. He was 66.

He did get to Carnegie Hall to conduct his own “Music for Mass” in June, 2018. The performing forces included the Butler Philharmonic Orchestra Chorus in the choir of 200 singers from around the country and the New England Symphonic Ensemble. It was, for him, a personal and artistic triumph.

Christopher Scott Wyatt, who performed as tenor soloist in the Mass and is now director of the Butler Philharmonic Chorus, recalled, “We got a standing ovation and people were yelling. It was a wonderful climax and the audience loved it.”

As a result, the presenters, MidAmerica Productions, commissioned Mr. Stanbery to compose a new work to be premiered at Carnegie Hall in 2022, Wyatt said. “They wanted a patriotic work, in the powerful sense of people coming to America trying to fulfill the American dream.”Read More »

Eiji Hashimoto was a virtuoso and scholar of the harpsichord

Eiji Hashimoto

Eiji Hashimoto is remembered by his students and colleagues as as a brilliant performer, a distinguished scholar of baroque music and a dedicated teacher of the harpsichord.

Mr. Hashimoto died in Cincinnati on Jan. 14 at the age of 89.

“His legacy is great,” said Michael Unger, associate professor of organ and harpsichord at CCM. “He had a strong reputation in the harpsichord world, and he leaves behind a rich legacy among his former colleagues and students at CCM. His name is still remembered well for his long and distinguished work at CCM as a teacher, harpsichordist and director of ensembles dedicated to eighteenth-century music.”

In 1968, while on a concert tour of the United States, Mr. Hashimoto, a native of Japan, was invited by the University of Cincinnati College-Conservatory of Music to establish a harpsichord program at the school. He served for 33 years on the faculty until 2001, when he became professor emeritus.

Quiet and unassuming, Mr. Hashimoto built a distinguished academic and performing career over three decades. As a soloist, he dazzled audiences in more than 50 international tours, and made numerous recordings in the U.S. and Japan. His own editions of baroque music for the keyboard are highly regarded.

Between 1968 and 1986, Mr. Hashimoto performed many times with the Cincinnati Symphony Orchestra as a guest artist and soloist. In the ’80s, he was the orchestra’s official harpsichordist under the tenure of music director Michael Gielen, and performed J.S. Bach’s Brandenburg Concerto No. 5 with him in Music Hall.

Mr. Hashimoto also performed under maestros Max Rudolf and Thomas Schippers, as well as at the Cincinnati May Festival under the legendary Robert Shaw. He recalled to me in an interview that Schippers loved 18th-century music and “needed me all the time” for Handel and Bach oratorios and concerti grossi. He also performed a contemporary harpsichord work by Ned Rorem during that time.Read More »

Join the Ariel Quartet for Hanukkah special — food and music

The Ariel Quartet
Photo by Marco Borggreve

Who doesn’t love Viennese apple strudel and chocolate babka? The Ariel Quartet—violinist Alexandra “Sasha” Kazovsky; violinist Gershon Gerchikov; cellist Amit Even-Tov, and violist Jan Grüning—invites you to celebrate Hanukkah with an afternoon of music and holiday baking today, December 13 at 4 pm ET. The delicious and musical interactive livestream event is free to those who sign up at https://ourconcerts.live/shows/hanukkah and will be produced by OurConcerts.live.

The Ariel Quartet — Quartet in Residence at CCM — will perform Schulhoff’s String Quartet No. 1; Beethoven: Quartet in G major, Op. 18, No. 2, and Steve Cohen’s “A Klezmer Nutcracker,” live from the University of Cincinnati College-Conservatory of Music.

They’ll also share their family recipes for making Viennese Apple Strudel and Chocolate Babka, and there will even be a bake-off matching up Lebkuchen and Hanukkah doughnuts.

Friends since their early teenage years in Israel, Kazovsky, Gerchikov, and Even-Tov formed the ensemble two decades ago as young students at the Jerusalem Academy Middle School of Music and Dance. Violist Jan Grüning joined in 2011. Today, the Ariel Quartet is distinguished by its virtuosity, probing musical insight, and impassioned, fiery performances, and has earned praise and fans worldwide.

The bake-off promises to show a “much sillier side of our friendship,” says Even-Tov.

“Hanukkah encourages each of us to find a way to radiate light into the world, and it’s in that same spirit that inspires that openness with which we try to approach our music-making and our relationships with each other, our audience, and the world beyond us. In our sound you can hear that we have been friends for a very long time,” she said.

The livestream is free.

Blue Ash Montgomery Symphony presents Veterans Day concert

Michael Chertock

A wonderful tribute to United States Veterans is available online today and for the next 48 hours. The Blue Ash Montgomery Symphony Orchestra, conducted by Michael Chertock, presents an inspiring Veterans Day ceremony and concert, all performed and recorded for the streamed program using Covid-19 safety precautions.

The orchestra sent out this announcement: “No Town Square Celebration. No marching band. No traditional community luncheon. This year, Veterans Day will have a new look!  But, it doesn’t mean we won’t be able to acknowledge or celebrate Veterans Day!”

The orchestra is joined by local Veterans, performing onstage in the orchestra and as soloists, as well as through narrative.  You will hear moving stories, poems read by the students from EH Greene school as well as The Armed Forces Medley, Victory at Sea, God Bless America and other patriotic selections. It is funded by The City of Blue Ash.

One of the soloists is U.S. Navy veteran Jim Cannon, who performs Debussy’s “Clair de lune,” recorded live in his recent — and very impressive — piano recital in Werner Recital Hall for the master’s degree in piano performance at CCM.

During his career, Cannon flew the P-3 Orion, primarily an anti-submarine aircraft, in the 1980s.Read More »

Cincinnati arts in top 20 of U.S. communities

CCO musicians performing at Pyramid Hill sculpture park, Hamilton
May Festival Chorus

A new report from the National Center for Arts Research names Cincinnati in the top 20 of large communities for arts vibrancy. The report takes “a data-driven approach to assessing characteristics that make up a community’s vibrancy rather than base the ranking on our own opinion about locations or on a popular vote.” Four measures were analyzed: supply, demand, and public support for arts and culture on a per capita basis.

It’s interesting that such a report would come out during a pandemic, when most arts organizations closed their doors in March, and have been struggling to survive ever since. The reason, the report says, it offers the report “as a celebration and reminder of the arts’ enduring importance, resiliency, and vibrancy.

“We should not forget the essential role that the arts play in fueling community development, emotional health, cultural literacy, social cohesion and integration, and creative expression. Ultimately, the communal nature of arts participation will be a strength to communities hungry to come together again and affirm existential meaning after prolonged isolation, trauma, and polarization.”

Indeed.Read More »

Local classical music focuses on music by African American composers

Anthony McGill performing at the Linton Music Series recently/ photo by Tina Gutierrez

 

Something good has come out of all the turmoil this summer. Arts organizations are programming music and even entire seasons devoted to the music of African American composers. It is music long neglected in our country. From the King of Ragtime Scott Joplin, whose “Maple Leaf Rag” appears on the Pops’ digital program on Oct. 3, to Florence Price, whose elegant symphonies, concertos and piano pieces are enjoying a revival, it is wonderful music that deserves study by scholars and performances by our major institutions. And now, that is happening at the Cincinnati Symphony, the Cincinnati Pops, the Cincinnati Song Initiative and others.

The Cincinnati Symphony and Pops are programming a free “digital season,” seven livestreamed concerts recorded in Music Hall, kicking off at 8 p.m. this Saturday, Sept. 26.Read More »

In memoriam Atarah Jablonsky

Atarah Jablonsky was a legendary music educator
Atarah Jablonsky is remembered as a dedicated piano teacher who was beloved by several generations of students, and an accomplished musician.

“She was not only a music educator but a life educator. She was wonderfully open minded, an optimist, and accepting of others,” said Roxanne Engle, who taught with her at the Peaslee Neighborhood Center and Evendale Cultural Arts Center.  “Atarah was inspirational in developing her own unique way to bring musicality and expression into playing the piano.  Teaching and performing were in her thoughts up to the end. She was looking at the score of the Beethoven Pastorale Sonata in her last few weeks and asked me, ‘When will we teach piano again?'”

Mrs. Jablonsky, a longtime resident of Wyoming, OH, died on July 14 at Wellspring Health Care Center. She was 92.

A noteworthy teacher, she was adjunct assistant professor of music at the College of Mount St. Joseph from 1970 to 2001.  She taught piano from 1958-70 at the University Cincinnati, where she was also an adjudicator from 1970 to 2001. She also was a lecturer at Edgecliff College (1972-74).Read More »

CSO announces 5 new diversity fellows

Amy Nickler

The University of Cincinnati College-Conservatory of Music (CCM) and the Cincinnati Symphony Orchestra (CSO) have selected five accomplished musicians for their next class of CSO/CCM Diversity Fellows.

The performance fellowship program was launched in 2015 out of a desire to help American orchestras be more inclusive and to better represent the communities they serve. The mission is to eliminate obstacles that can prevent musicians of color from achieving their full potential. It is funded with a grant from The Andrew W. Mellon Foundation.

Through the collaborative program, CCM and the CSO provide graduate level academic study
and professional development and performance opportunities for the Diversity Fellows.

“The Cincinnati Symphony Orchestra exists to serve our community. Our entire community,”
said CSO President Jonathan Martin. “But how can we authentically serve our entire community
if a significant part of that community doesn’t see themselves reflected in our organization? The
CSO/CCM Diversity Fellowship is one of many steps we are taking to address this disparity. By
providing professional opportunities to a more diverse group of outstanding musicians, we hope
to cultivate—and begin changing —the next generation of American orchestral musicians.”

The new Fellows are:Read More »