Lady Mary’s gown with her maid, Anna Smith’s uniform.
All of our old friends are there: Lord and Lady Grantham. the Dowager Countess, the daughters, their heartthrobs, Cora’s American mother and of course, all of our favorite servants.
Well, it’s not exactly them — but their exquisite clothing, worn by life-sized mannequins. “Dressing Downton: Changing Fashion for Changing Times,” a traveling exhibition of dazzling costumes, jewelry, film stills and accessories, opens at the Taft Museum of Art on Saturday, July 2, and is here through Sept. 25.
Matthew Crawley’s wartime uniform, with Lady Mary’s costume.
After yesterday’s press tour, it’s clear that the Taft Museum has another hit on its hands. Even before the show opens, they’ve sold more than 6,000 advance tickets, and the teas are completely sold out! (More could be added, so stay tuned.)
But do make a reservation in the cafe, where you can lunch on Mrs. Patmore’s pasty, and other British delicacies.
Elizabeth McGovern as Cora Crawley, Countess of Grantham, and Hugh Bonneville as Robert Crawley, Earl of Grantham, wore these outfits in Season 2.
This show of 36 elegant, finely detailed costumes is not only enormous fun for fans of PBS Masterpiece’s “Downton Abbey” — Read More »
David Geffen Hall, Lincoln CenterBrian Newman with his band at Xavier
In the past month — aside from my regular “beat” at Cincy Music Hall — I’ve heard concerts from New York to Atlanta. Here are a few observations.Read More »
Artist Jonathan Gibson with Art of Parts at Phyllis Weston Gallery
I’m not sure what I expected when I went to the opening of Simultaneous at Phyllis Weston Gallery in O’Bryonville on Thursday night, but certainly not a “crowdfunded” art installation. The show features some interesting work in collage by Jonathan Gibson and Philip Lavelle. As I was leaving, I noticed this piece by Gibson, which already had several “buyers,” whose names were projected onto the “canvas.” Read More »
On Friday, a visitor from New York asked me why there is such passion for the symphony, opera, ballet, museums and theater in such a small market? And why do people care enough to give and keep giving?
I said I think it goes back to those German immigrants of the 19th century– it’s in the DNA.
What do you think?
CSO officials annouce $26 million in gifts on Thursday in Music Halljoshua Bell signs autographsA fan takes a selfie
Looking back at the year in review, I’m thinking of those we will miss. From arts patrons and musicians to the Blue Wisp Jazz Club, here are some notables of Cincinnati’s arts scene who left us in 2014:Read More »
To me, it was Lumenocity — even the name has instant recognition, at least locally. Who knew, in its second year, that free tickets would all be gone within 12 seconds?
At least 42,500 people flocked to three performances and a dress rehearsal of the orchestral light show. About 50,000 TV households tuned in to the live simulcast on TV. Hundreds more watched from rooftops and streets surrounding Washington Park. Another 1,300 saw live feeds to Fountain Square and Riverbend. Online, more than 6,000 logged on to watch a live video stream from as far away as Russia and Sweden.
A few of the stories covering a big weekI can’t pick my favorite story that week!
What an amazing week it was to be in New York in May for “Cincy in NYC,” when Cincinnati’s arts, culture and cuisine paraded before discriminating audiences and critics in some of New York’s finest venues. At the time, I was too busy to savor it all; I covered an average of two activities per day all over Manhattan — Ballet, Carnegie Hall, CCM Jazz at Lincoln Center, the Ariel Quartet, a play reading, a personal guided tour of the Taft’s Rembrandt at the Met, gala parties… even a pressure-cooker prep session for a very special dinner at the fabulous James Beard House.
I’ve always loved art museums, starting with going to the DeYoung Museum in San Francisco growing up, and continuing with more in-depth appreciation while I studied in Vienna, Austria during college. Here are some favorite stories that I’ve covered for The Enquirer.
Cincinnati Art Museum buys first O’Keeffe: Suspense, tension, heart-stopping timing and finally jubilation – not emotions usually associated with putting art on the walls of Cincinnati Art Museum.
But for curator Julie Aronson, who in May won a bid for a stunning landscape painting by American artist Georgia O’Keeffe, the auction with Christie’s in New York was exciting but harrowing. Read the full story and watch a video interview with the curator here. (photo: O’Keeffe’s My Back Yard, 1943)
The artist installing his work, “Crown,” at Cincinnati Art Museum. Photo by The Enquirer/Glenn Hartong
“Cincinnati Art Museum’s ‘Crown’ exhibit under fire” offered a chance for readers to weigh in with two ProConIts at the story’s end. It reignited debate on guns, art and whether “Crown” was too edgy for Cincinnati’s venerable museum. Some people believed it should not be opening at all.
On an October day in 2012 when the museum was closed, an unprecedented art event by conceptual artist Todd Pavlisko took place. As a Navy SEAL sniper took aim from his perch near the front lobby, a forest of video and still cameras documented bullets whizzing through the center gallery and into a cube mounted in Great Hall.
Result: The show opened, but the videos were turned off during visits by school children.
Iranian lute
Cincinnati’s magnum opus: It was a secret known to few Cincinnatians and to virtually no one outside of the Cincinnati Art Museum. For decades, a spectacular trove of more than 800 antique musical instruments languished – untouched, neglected and forgotten – in storage throughout the museum’s meandering undercroft.
The discovery means that Cincinnati could possess one of the most important collections of non-Western musical instruments in the United States. The collection spans four centuries and represents the cultures of more than 20 countries on four continents. It has drawn the attention of musical instrument specialists and curators in top museums across the nation.
“I was shocked,” said Charles Rudig, a Cincinnati native, antique instrument expert and former head of musical instruments for Sotheby’s Auction House. He has been hired by the museum as a consultant to help evaluate and catalog the instruments.
“They’ve got a fabulous world music collection. It’s wonderful. It’s big. And it’s very similar to the Metropolitan Museum (New York) collection.”
About 650 of the instruments were donated to the museum around the turn of the century by a single collector, a wealthy Cincinnati industrialist named William Howard Doane. Many of them are so-called “world music” instruments. Doane traveled the world and snapped up African drums, exotic stringed instruments, keyboards and mallet instruments.
With the public’s insatiable interest in world music and global cultures today, the rare find is perfect timing.
Note: This important story turned into an exhibition of these amazing world music instruments during the 2012 World Choir Games