The Cincinnati Symphony Orchestra has reported a network outage at Music Hall. Saturday’s Classical Roots in-person performance in Music Hall will continue as planned. However, the digital premiere will now take place on Sunday at 7:30 p.m. (instead of live) on the CSO’s YouTube channel and website.
Also, the box office is closed, but the website, cincinnatisymphony.org, is fully operational.
The orchestra said in a statement that it is working quickly to resolve the issue.
Covington-based Viva Voices Choral Organization is presenting An Appalachian Spring, a concert inspired by the rich traditions of Appalachia — including a Bluegrass band.
This special event will take place at 4 pm. Saturday, April 26, at First Baptist Church, 4410 Alexandria Pike, Cold Spring, Kentucky. The concert is free and open to the public—no tickets required.
The program will include “Come Away to the Skies: A High Lonesome Bluegrass Mass,” accompanied by a bluegrass band. Hosted by Jen Dalton, TV anchor of Local 12 and STAR 64, the concert will feature the Viva Voices Chorale & Chamber Ensemble, with special guest appearances by the Viva Voices Children’s Choir & Youth Chorus. In all, there will be more than 200 singers and instrumentalists, including co-composer, Tim Sharp, on the banjo.
The Bluegrass Mass will be conducted by Viva Voices Founding Artistic Director Tony Burdette and Assistant Artistic Director Houston Tyrrell.
The co-composer, Tim Sharp, said, “I’m absolutely thrilled to bring A High Lonesome Bluegrass Mass to Northern Kentucky this spring! It’s an honor to collaborate with the incredible Viva Voices, whose passion and talent will bring this unique fusion of bluegrass and sacred music to life. The Northern Kentucky and Cincinnati region has such a rich choral music heritage, and I can’t wait to share this deeply personal work with audiences who appreciate the spirit of
bluegrass and the soul of choral music.”
This event is presented in collaboration with the Christian Appalachian Project, which has been dedicated to improving the lives of Appalachian communities for 60 years. Donations will be accepted to benefit their work.
Supported in part by ArtsWave and the National Endowment for the Arts, An Appalachian Spring promises an uplifting musical experience that honors the culture and resilience of Appalachia.
For more information, please contact: Viva Voices Choral Organization
Email: tonyburdette@vivavoices.net
Website: http://www.vivavoices.net
J.R. Cassidy and the Kentucky Symphony Orchestra are teaming with an excellent cast and members of the School of the Arts at NKU for a full concert presentation of George Bizet’s “Carmen.” The concert staging — 7:30 p.m. Friday, March 28 and 3 p.m. Sunday, March 30 in Greaves Concert Hall, NKU — is timed for the 150th anniversary of the premiere of “Carmen” in March, 1875, in Paris.
Besides its freespirited title character, it’s an opera that features one great tune after another. As a soldier (DonJose) and bullfighter (Escamillo) compete for Carmen’s attention, the affair spirals out of control, leading to her demise.
Mezzo-soprano Kirstin Chávez stars in the title role. Her interpretation of Carmen has taken her around globe and into such celebrated venues as Lincoln Center, the Sydney Opera House in Australia, the Arena di Verona in Italy, and the Welsh National Opera. Matthew Pearce, a native of Northern Kentucky is Don Jose. This season, he sings Don Pizzarro in Paer’s Leonora (Chicago Opera Theatre) and the Duke of Mantua in Rigoletto (Pacific Opera Victoria).
Baritone Morgan Smith takes on the role of the bullfighter Escamillo. He has created 16 roles in world premieres, including Starbuck in Jake Heggie’s celebrated Moby-Dick. Smith has also earned praise for performances in traditional repertoire, notably Escamillo (Carmen), the title role of Don Giovanni, Sharpless (Madama Butterfly), Count Alamaviva (Le nozze di Figaro), Four Villains (Les contes d’Hoffmann), and the title role of Eugene Onegin. Recently, Morgan’s work as Richard in Kevin Puts’ The Hours has been heard in workshops with Cincinnati Opera and The Metropolitan Opera.
James Cassidy will conduct. The production will be directed by Audrey Chait, who is on the artistic staff at Cincinnati Opera, and has been a member of the NKU music department faculty since 2019. Local students and area singers will fill out the cast, along with NKU choirs, dancers, and youth choirs from the prep department and Ignite.
For additional info and tickets — kyso.org or (859) 431-6216.
Tenor Lawrence Brownlee is one of the world’s most in-demand opera singers, and a star of the bel canto repertoire. He’d just returned from Paris before his recital for Matinée Musicale on Sunday, telling the audience in Memorial Hall that he had starred in 10 performances of Bellini’s “I Puritani” with Opéra national de Paris. Just announced, he will star as Arturo again next season in a new production of “I Puritani” at the Metropolitan Opera, as well as in “La Fille du Régiment.”
“Recitals are opportunities to create special moments. They’re not about perfection,” he said, laughing.
There were no signs of jet lag in this performance. One could admire the exciting timbre of his high notes, his control and flexibility through virtuosic cadenzas, and the beauty of his phrasing. It was surprising that he opened with eight of his program’s most demanding songs and arias. Six were by renowned composers of the bel canto style of singing, Donizetti, Rossini and Bellini.
Between numbers, performed with his collaborative pianist (and CCM alumnus) Donald Lee III, he spoke about things such as growing up in Youngstown, OH, where his father was choir director in the church, and his mother the featured singer.Read More »
Cristian Măcelaru, the CSO’s newly appointed music director-designate, unveiled programs for his first season as music director in the 2025-26 season in a press conference today at Music Hall.
He’ll be conducting six subscription programs plus a special concert with Yo-Yo Ma. Click here to read the highlights, and visit cincinnatisymphony.org to see the full schedule.
For a preview of what’s to come, you can see the maestro in action this weekend conducting Dvořák’s Symphony No. 9, “From the New World.” The program includes “Southwestern Shakedown” from “Blues Symphony” by acclaimed jazz trumpeter Wynton Marsalis, a friend. There’s also Chausson’s “Poème” and Florence Price’s Violin Concerto No. 2, both featuring American violinist Randall Goosby as soloist.
You can read his thoughts about Antonin Dvořák in this column.
Măcelaru leads the CSO, 7:30 p.m. Feb. 8 and 2 p.m. Feb. 9 in Music Hall. Tickets: 513-381-3300, cincinnatisymphony.org.
Dror Biran, professor of piano at CCM, will be performing all 12 Preludes and Fugues from Book II of J.S. Bach’s Well-Tempered Clavier (known to pianists as WTC).
His faculty recital is 7:30 p.m. Tuesday, Feb. 11 in Werner Recital Hall at CCM, and it’s free.
“The WTC Project has been in the works for two years now, which resulted in recording the first book,” he told me.
The Israeli-American is a superb artist who has performed widely and won several competitions, including the Cleveland International Piano Competition (1997), where he also received a special prize for the best performance of works by Chopin. He earned a doctorate at the Cleveland Institute of Music and taught at the University of Louisville, Youngstown State University and Case Western Reserve University before joining the CCM faculty.
Performing the entire WTC Book Two is feat of concentration and intelligence, not to mention musicality. It’s bound to be memorable.
The Grammy Awards were announced today, and there are a few familiar names this year. The biggest news: Elaine Martone has won Producer of the Year, Classical for a host of recordings, including: Joy! (John Morris Russell & Cincinnati Pops). It is her sixth Grammy Award in her stunning career. Congratulations to Elaine, who produces the Cincinnati Symphony and Pops recordings. She is truly world-class. (Martone is married to Robert Woods, founder of Telarc Records, which was famous for the 100 or so Pops albums they recorded during the Erich Kunzel years … )
The other supporting works on her list are:
• Bartók: String Quartet No.3; Suite From ‘The Miraculous Mandarin’ (Franz Welser-Möst & The Cleveland Orchestra)
• The Book of Spells (Merian Ensemble)
• Bruckner: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra)
• Divine Mischief (Julian Bliss, J. Eric Wilson & Baylor University Wind Ensemble)
• Prokofiev: Symphony No. 6 (Franz Welser-Möst & The Cleveland Orchestra)
• Schubert: The Complete Impromptus (Gerardo Teissonnière)
• Stranger at Home (Shachar Israel)
• Tchaikovsky: Symphony No. 4 (Franz Welser-Möst & The Cleveland Orchestra).
Here are some other classical music awards, which also have a few Cincinnati connections:Read More »
On Sunday, January 19, violinist Kelly Hall-Tompkins will perform a recital to benefit the Ben Carlson-Berne (BCB) Scholarship Fund in support of classical music education for Cincinnati’s youth. Her performance, 3 p.m. next Sunday in the Mayerson Theater at the School for Creative & Performing Arts, is open to the public.
She performed as the “Fiddler” violin soloist in the Grammy/Tony nominated Broadway revival of “Fiddler on the Roof.” Featured as soloist in more than 400 Broadway performances, plus a Grammy-nominated cast album alongside a bonus track by Itzhak Perlman, Hall-Tompkins has been the featured subject on NBC’s Today Show with Harry Smith, and many other news outlets.
Among her awards, she received a Naumburg International Violin Competition Honorarium Prize, a Concert Artists Guild Career Grant, and the Sphinx Medal of Excellence. She is featured in the Smithsonian Museum of African-American History.
She’s also the founder of Music Kitchen-Food for the Soul, a program which has brought more than 100 chamber music performances to New York City, Los Angeles and even Paris, France, homeless shelters.
She also has a Cincinnati connection — in 2018, she was appointed as the Cincinnati Symphony‘s inaugural Classical Roots program Artist-in-Residence. To read her impressive biography, click here.
Since 2004, the BCB Fund has helped provide instruments and lessons with premier, private instructors to underserved and economically disadvantaged Cincinnati Public School (CPS) students with an interest in classical music. To date, the fund has provided 350 lesson years to 131 youth.
Here’s a story I wrote for the Courier in 2018 about how one former student benefited from the BCB Scholarship.
Details:Read More »
Besides great performances in Cincinnati, 2024 was a year of anniversaries, historic firsts, farewells and new beginnings. In some instances, there was news-making connected with these performances. In chronological order:
1) Last February, when he led a thrilling and revelatory performance of Shostakovich’s monumental Symphony No. 11 with the Cincinnati Symphony Orchestra, we didn’t yet know that Cristian Macelaru would be announced as the 14th CSO music director. The conductor riveted listeners in Music Hall when he led Shostakovich’s Symphony No. 11, “The Year 1905.” He moved little as he led Shostakovich’s vast symphonic canvas, but the sheer visceral impact of this performance lingered long afterward. The orchestra’s musicians were impressed. For Macelaru, the feeling was mutual, he said in April, when his appointment was announced. Macelaru returns for his only performances with the CSO this season in February. And in other CSO leadership news, the CSO announced that President and CEO Jonathan Martin will retire Feb. 16. Robert McGrath, the CSO’s chief operating officer, will then step in as acting president and CEO.Read More »
Opera star Isabel Leonard has been wowing audiences and critics around the world. She’s about to make her Cincinnati recital debut.
The singer, a mezzo-soprano and New York native, was scheduled to perform one of her signature roles, Rosina, in Rossini’s The Barber of Seville during Cincinnati Opera’s 100th anniversary season in 2020. We all know what happened — Covid caused the whole season to be canceled. Nevertheless, she did a charming podcast with artistic director Evans Mirageas, available here.
Finally, we’ll have a chance to hear Leonard’s artistry in some of her signature operatic arias and much more when she performs a recital with collaborative pianist John Arida for Matinée Musicale Cincinnati on Dec. 1 at Memorial Hall. The concert is at 5 p.m.
Since making her Metropolitan Opera debut as Stéphano in Charles Gounod’s Roméo et Juliette in 2007, she has sung on the world’s leading stages in a range of repertoire. This season (in June 2025), she’ll reprise Rosina in Damiano Michieletto’s production of Il barbiere di Siviglia at the Opéra National de Paris. She’s also performing Anita in a concert performance of Bernstein’s West Side Story, conducted by Gustavo Dudamel at the Gran Teatre del Liceu in Barcelona.
In 2020, Leonard appeared with Louis Langrée and the Cincinnati Symphony Orchestra in a staged production of Ravel’s one-act opera, L’enfant et les sortilèges (The Child and the Sorceries). Here’s my review of her enchanting performance. (She also won a Grammy for the recording of this piece.)
Her Cincinnati program will show some of that versatility. Of course, we can’t wait to hear her sing “Una voce poco fa” from Rossini’s Barber of Seville, or “L’amour est un oiseau rebelle” from Bizet’s Carmen. There’s also a set of Spanish songs.
But for many in this audience, the icing on the cake will likely be her final set of Stephen Sondheim, Leonard Bernstein and a song by Jeanine Tesori and Dick Scanlan often performed by Kristin Chenoweth, “The Girl in 14G.”
Leonard has won three Grammy Awards — for Michael Tilson Thomas’ From the Diary of Anne Frank on SFS Media; Ravel’s L’enfant et les sortilèges on Decca; and The Tempest from The Metropolitan Opera on Deutsche Grammophon.
Her list of television and movie credits includes an appearance in the Leonard Bernstein biopic Maestro, directed by Bradley Cooper, in the finale of Mahler’s Symphony No. 2, “Resurrection.” She was just nominated for another Grammy for her performance in Maestro, alongside the London Symphony Orchestra led by Yannick Nézet-Séguin, in the category Best Compilation Soundtrack.
Tickets: $15-$35; students $10. Call the box office at 513-977-8838 (Tues-Friday, 1-6 p.m.) or visit matineemusicalecincinnati.org.
