Beam of Hope lights up Cincinnati

Beam of Hope

Go downtown, and you might see this new Beam of Hope lighting up the sky over Cincinnati.

The installation at the Banks serves as a beacon of solidarity as the Cincinnati region manages through the COVID-19 pandemic, say its designers, Brave Berlin and Vincent Lighting Solutions. They are the same team that successfully executed BLINK, Cincinnati’s record breaking light and art event, in October.

The Beam of Hope started shining on April 10th and will continue to be lit from dusk until the COVID-19 pandemic is under control. Beam of Hope is designed as a visual symbol of solidarity and not an attraction that people should be compelled to visit.

“We have learned that light and art bring us together in moments of joy and sorrow,” said Steve McGowan, Partner at Brave Berlin. “Let this small gesture remind us all that we are in this together and that we will come out of it a brighter more unified people.”

It is sponsored by the Carol Ann and Ralph V Haile, Jr. Foundation, and made possible by the producers of Blink.

“We respect work ethic and the brave sacrifices that are being made for us to feel safe, secure and healthy,” said Tim Maloney, President & CEO, the Carol Ann and Ralph V. Haile, Jr. Foundation. “We’re proud to put Cincinnati’s creative spirit on display to show our respect and gratitude for everyone giving of themselves to tackle this global crisis.”

Details:

Number of light fixtures: 6 Clay Paky Mythos high Density light units

Lumens: 23,000 Lumens per fixture for a total of 138,000 Lumens

 

Art Academy president to speak at Xavier art exhibit “For a Better World”

Artwork by Tom Towhey

Joe Girandola, president of the Art Academy of Cincinnati, will be the first speaker at “Art and Poetry for a Better World,” 2 p.m.-5 p.m. Saturday Nov. 16 at Xavier University.

The event is an afternoon of presentations and poetry readings exploring the role of art with peace and
justice, as part of an exhibition this month at the Xavier University Art Gallery, A. B. Cohen Center
1658 Musketeer Drive on the XU campus.

The exhibition, which opened on Nov. 1, features poems by 100 Cincinnati poets, culled from “For a Better World” 2004-15 editions. They’ll be displayed alongside artwork by 100 Cincinnati artists.

Other speakers on Saturday include Kelly & Kyle Phelps, professors and sculptors, who will speak on “Art for Workers’ Rights and Social Justice” at 2:30 p.m., followed by poetry readings by poets of the show.

“For a Better World,” now in its 17th year, is the product of SOS (Save Our Souls) ART, a
non profit organization, which has the mission to promote the arts as vehicles for peace and justice.

Information and to see the list of poets and artists, visit sosartcincinnati.com Gallery: (513) 745-3811.

Gallery Hours: Mon – Fri: 10 a.m. – 4 p.m. Closed university holidays

In memoriam Peggy Kite

Peggy Wulsin Kite, who grew up during the golden era of the Baldwin Piano Co., which her family owned, passed away yesterday. She had recently suffered from pneumonia.

Mrs. Kite, who still played on one of the two Baldwin pianos in her Montgomery living room, was born in Cincinnati in 1928. She spoke about growing up in her grandparents’ mansion, which sat on 24 acres on Madison Road, and sliding down the banister when the adults weren’t looking. Several years ago, she wrote an extensive personal memoir entitled “The Piano Maker’s Daughter” about her life as the daughter of Lucien Wulsin II, the chief executive of Baldwin, then America’s largest piano company. One of seven children, she liked to say that she was “Opus 6” of the family brood.

She attended Mills College in Oakland, California and knew the Darius Milhauds like family — a relationship that began with Baldwin. Mrs. Kite was a graduate of the University of Michigan.

Here’s a link to the in-depth article I wrote for the Enquirer, with several videos and historic company photos from Cincinnati Museum Center.

About two years ago, I was contacted by a Japanese concert manager, Shoji Sato, regarding an upright Baldwin piano that had survived Hiroshima. They wanted to share a story with Mrs. Kite about the piano and its former owner, and news that an album — “Music for Peace” — had been made on the piano by the American virtuoso Peter Serkin. She was slightly amazed (as was I) and delighted to hear about it. She graciously agreed to be interviewed by NHK World Television to give her opinion of the project. I helped facilitate that interview from Japan with my iPhone as she sat in her kitchen. Here’s the story.

Mostly, I remember Peggy as a warm, unassuming person who loved and supported classical music and all of Cincinnati’s cultural organizations. I never saw her without a smile on her face, and we shared many interesting conversations. I will miss bumping into her at Music Hall.

A memorial service will take place 10:30 a.m. Nov. 23 at the Indian Hill Church, 6000 Drake Road.

Memorial donations may be made to Camp Wekandu, Attn: Daniel Lovell, Division of Rheumatology, Cincinnati Children’s Hospital, 3333 Burnet Ave., MLC 4010, Cincinnati 45229-3039; or to Matinee Musicale Cincinnati, P.O. Box 75197, Fort Thomas, KY, 41075-9998.

Kahane’s surprising encore in CSO appearance is unforgettable

Jeffrey Kahane delivered a ravishing performance of the Ravel Piano Concerto in G Major with the CSO. Provided, CSO

Pianist Jeffrey Kahane wowed in Ravel’s Piano Concerto in G Major with the Cincinnati Symphony Orchestra. But it was his surprising encore that left the evening’s most indelible impression.

He made no announcement. But his somber, reflective improvisation on “America the Beautiful” felt like a memorial to the victims of the horrible events that had unfolded two days earlier in a Florida high school. The tune rested briefly in the minor mode before ending quietly. It was heartfelt and moving, and listeners stood in appreciation.Read More »

Cincinnati Symphony makes Proms debut

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Photos: Chris Christodoulou

Did you hear it? The Cincinnati Symphony Orchestra’s Sunday evening debut in London’s Royal Albert Hall for the BBC Proms was met with deafening cheers and applause from the Proms audience, estimated at 5,000 to 6,000 people.

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The enthusiastic audience for the Cincinnatians in Royal Albert Hall. Photo: Chris Christodoulou

I think the response surprised even the announcer on the BBC’s Radio 3, which was airing the concert live from Royal Albert Hall.

And what a concert it was. The program opened with Bernstein’s suite from the film, “On the Waterfront,” followed by Aaron Copland’s “Lincoln Portrait,” which was premiered by the CSO in 1942. The celebrity narrator was British actor Charles Dance, who spoke Lincoln’s words with a bit of an American accent.

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A capacity crowd of an estimated 6,000 for the CSO’s debut at the Proms in Royal Albert Hall, London. Photo: Chris Christodoulou

The announcer remarked that the piece had not been performed in the U.K. since 1943, when Sir Adrian Boult led its U.K. premiere at the Proms. At the intermission break, the broadcast continued with a panel discussion about Lincoln – interesting to hear from the British perspective.

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A thrilling performance of Tchaikovsky’s Fifth had the Brits cheering. Photo: Chris Christodoulou

The second half featured Tchaikovsky’s Symphony No. 5, given a high-voltage performance led by Louis Langrée. For an encore, Langrée and the orchestra delighted the crowd with Bernstein’s splashy Overture to Candide.

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Note the microphones over the CSO in their BBC Proms debut, broadcast live all over the UK and streamed live to the world. Photo: Chris Christodoulou

The broadcast was also notable because it was the first time that Cincinnatians could hear their orchestra, live in concert on tour across the Atlantic. I was impressed by the quality of the pickup – it was so clear and balanced, they could have been playing in downtown Cincinnati. But then the BBC obviously has lots of experience at recording and broadcasting.

If you missed the show, you’ll find it archived at BBC Radio 3 for another 30 days. In addition, Cincinnati’s WGUC-FM 90.9 is planning to air the American portion of the Proms broadcast, locally at 8 p.m. on Wednesday, Sept. 6. (WGUC will also air the fabled Last Night of the Proms on Sept. 26).

Today the orchestra flies to Northern Spain.

Photos from the Cincinnati Symphony in the U.K.

As you know, the Cincinnati Symphony Orchestra is making an historic tour to the Edinburgh International Festival as well as the BBC Proms in London this weekend as part of their three-week European tour. Tonight, they play in Usher Hall in Edinburgh. One of the featured numbers is Aaron Copland’s “Lincoln Portrait,” featuring British actor Charles Dance (yes, that Charles Dance from “Game of Thrones”) as narrator.

Because I’m not traveling along this time, I’ll try to keep you updated as I get the news. After they arrived Wednesday morning, most musicians set out sightseeing in the hills, and I’m sure, to Edinburgh Castle, which is close to their hotel.Read More »

How do you find things to do?

Dancers from Cincinnati Ballet
Dancers from Cincinnati Ballet

A reader asked me recently if there’s an easy way to find things to do — events such as concerts or plays. It’s an ongoing dilemma. Everyone seems to have their own calendar. I cobbled together a few ideas for him, but I wonder if there are other ways. Let me know!

The Enquirer’s calendar will send you a weekly “things to do” newsletter if you sign up here: https://account.cincinnati.com/newsletters. Also check cincinnati.com/thingstodo for daily ideas.

The glossy free magazine Movers & Makers has a very good monthly arts calendar, online and in free copies: moversmakers.org/

ArtsWave has a new guide that is pretty good. You need to scroll through it: http://www.cincyartsguide.com/

Cincinnati’s Chamber Music Network: sends you an e-mail if you sign on: chambermusicnetwork.org.

Got more? Let me know at jgelfand@enquirer.com or post it here! Thanks!

 

Are the arts dumbing down to win YP’s? Yes, says Stephen Hough

Stephen Hough doesn't believe in coddling potential young audiences
Stephen Hough doesn’t believe in coddling potential young audiences

It seems as if many arts groups — from museums to symphony orchestras — are trying to attract Millennials and Young Professionals with all kinds of perks, from parties, wine tastings and backstage tours, to offering them positions on boards. Concerts may be shorter, and sometimes with beer tastings attached. (See the new Chamber Orchestra season.)

But star pianist Stephen Hough, who performed last week on the Xavier Piano Series, believes that the arts are bending backwards way too far to attract new audiences. The result, he says, is dumbing down the art form. Here are some of thoughts that did NOT make the interview that ran here.

Hough: “If an elder person thinks they know what a younger person wants, they’re always going to be wrong. I see people in their 50’s who say, ‘We’re going to do this in a young, groovy way’. But young people have changed styles twice since you’ve said that.

“Yes, let’s have the accessibility, and make it affordable. But tell people that these composers were not from the establishment. They were usually poor, often rebels, and not the stuffy thing that people think.

“I wrote an article about this not so long ago. Classical music is difficult to listen to. You can’t say, ‘Come in, it’s really easy.’ No, tell them to come in, and you’d better be intelligent. You tell them that it may be difficult to listen to this music. The analogy I made was, if you say to a teenager, ‘This is the hardest mountain to climb in the country,’ then that’s the mountain he or she will want to climb. If you say it’s really easy, they’re not going to listen.

“So why are we saying to people, ‘It’s easy, we’ll just play one movement, because you haven’t got the concentration for more.’ No, tell them, ‘This is tough, and I hope you’ve got the energy to listen to this.’

“I really think that’s where we’re going wrong. Rather than dumb down and dilute everything, instead say this music is the highest achievement that humans have had. Let’s go for it.”

WHAT DO YOU THINK?