For its fifth week in the just-renovated Music Hall, the Cincinnati Symphony Orchestra is shining a light on the May Festival Chorus. The program looks back to the event that precipitated the construction of Music Hall, when a thunderstorm pounding on the tin roof of its predecessor, Saengerhalle, ruined a May Festival concert.
Besides revisiting the works from that 1875 program by Bach and Brahms, the orchestra and chorus have commissioned a young American composer, Julia Adolphe, to compose a new work for the chorus.
“Equinox,” an a cappella piece for chorus, will have its world premiere this weekend (8 p.m. Saturday and 2 p.m. Sunday) in Music Hall.
Adolphe, 29, a New York native, has already written three works for the New York Philharmonic. Her work is also championed by May Festival music director laureate James Conlon, who presented one of her pieces at the 2016 May Festival. She is now at work on her second opera.
We spoke by phone this week after she had taken the red-eye from Los Angeles where she is earning a doctorate at the Thornton School of Music, University of Southern California (USC).
Juanjo Mena leads his first season as May Festival principal conductor this May.James Levine. Photo courtesy of the Met Orchestra.
Maestro James Levine, a Cincinnati native, will return to conduct Verdi’s Requiem for the Cincinnati May Festival opening night in May, as part of principal conductor Juanjo Mena’s first season. It will be Levine’s his first appearance in Cincinnati’s Music Hall since he conducted at the festival in 2005.
In addition, the season will feature tributes to Leonard Bernstein, whose centennial is being observed around the world in 2018. The celebrated countertenor David Daniels, a graduate of the University of Cincinnati College-Conservatory of Music, will be featured in Bernstein’s Chichester Psalms in one of the programs.
Mena’s debut festival, to take place May 18-26 in the newly renovated Music Hall, was announced on Monday via Facebook Live — a first for the festival. Dr. Rollo Dilworth, a Temple University conductor composer and choral music champion, will serve as Mena’s creative partner, as part of the festival’s new artistic model. The third member of the creative team is Robert Porco, longtime director of choruses.Read More »
It’s been a privilege. I can truthfully say I have loved every minute of writing about the arts in Cincinnati for the Cincinnati Enquirer. I am thankful to you, the readers of both print and digital, the people who have called me, written letters, followed me on social media, come up to me at Music Hall to say hello or to talk about music, and who have taken my OLLI class, “Behind the Scenes in the Arts.”
It has been a wonderful, totally unexpected ride that became 26 years almost overnight.
From the first day that I walked into the newsroom, never having taken a journalism course, I was starstruck by the people who worked there. What talent and creativity! In those days, I filed a review right after the symphony concert on Friday nights, which meant I raced to my car behind Music Hall, tore Downtown to the Enquirer building while forming the opening lines in my head, and wrote on a deadline of 45 minutes with a copy desk editor barking, “Where’s that review?” Loved those late-night editors, who would fix my typos and write the headlines. The best one described a pianist, to be nameless here, who slogged through a bizarre performance of Rach 2: “(Pianist) phones it in — From Mars.” I was usually home by 2 a.m. and the review was in the morning paper.
With James Conlon and the Cincinnati Symphony Orchestra and May Festival Chorus at Carnegie Hall, May 2014; photo provided by Spring for Music, Steve Sherman
But besides the reviews, I have loved writing stories about people. Sometimes I think that the whole artistic world has passed through Cincinnati. I’ve interviewed and met opera stars, violin legends, conductors, composers, crooners, rockers and movie stars. I couldn’t believe going backstage at the Met to interview Cincinnati’s own James Levine, who had pictures of his childhood home behind his desk. He knew everything happening in the Queen City. His mother, Helen, it turned out, had been sending him all of my clippings.
Then there was Rosemary Clooney. Driving down to Augusta, Kentucky, with photographer Craig Ruttle to spend time in her home was unforgettable. Later, John Kiesewetter, Jim Knippenberg and I covered her funeral. Yes, there were Hollywood stars. But more touching were the folks of Maysville who came out to bring their “girl singer” back home.
With rocker Peter Frampton in his studio at his Indian Hill home talking about his gig with the Pops.With Rosemary Clooney and her husband, Dante DiPaolo
When Erich Kunzel died in 2009, I was proud that Reds announcer Marty Brennaman mentioned during the game the next day that The Enquirer had done a nice job on his obituary. Early that morning, I was interviewed on NPR about the Cincinnati Pops maestro, and the force of nature that he was. And about a week later, I was on tour in Japan with the CSO. On a day off at the mountainous shrine of Nikko, a man in my tour group said as we ate lunch, “Cincinnati. I heard you just lost a conductor there.” He’d heard my interview, 6,000 miles away.Read More »
I’ve been noticing that more performing arts organizations seem to be turning to multimedia to augment their presentation. Opening this weekend, the Cincinnati May Festival has hired as its creative partner Gerard McBurney, who will “curate” and “design” two evenings dubbed “Dream Project” at the festival this year. It means adding visuals, projections, actors, atmospheric lighting — whatever — to enhance what otherwise would just be a performance by chorus and orchestra.
A May Festival performance last season in Music Hall, where the visual “spectacle” had no multimedia.
It’s being done around the country — such as in Chicago (where McBurney designed “Beyond the Score” events for the Chicago Symphony), and in San Francisco, where designer/director James Darrah has collaborated on a number of productions. I saw his vision for Beethoven’s Missa Solemnis with Michael Tilson Thomas conducting, which included screens, actors wandering over platforms, projections of the text jumbled up, lighting… To me, it all detracted from the masterpiece at hand and was just too much to absorb.
And yes, the Cincinnati Symphony is also experimenting in a three-year “Pelleas Project” with extra-musical elements, also designed by Darrah.Read More »
I can’t believe the fall season is upon us. I am getting season lineups daily in my inbox, and I’m going to try to post many of them on this blog.
First up is the 104th season of the venerable Matinee Musicale, which has launched the Cincinnati debuts of hundreds of major artists. Mark your calendars:
Sept. 18: Cellist Amit Peled performs a Tribute to Casals. The Israeli musician will perform two recitals on his historic Gofriller cello (1733) that once belonged to the eminent Pablo Casals, loaned to him by Casals’ widow Marta. His program features music the legendary cellist frequently performed in recitals. Sunday, Sept. 18, 3 p.m., at Anderson Town Center (7850 Five Mile Road, Cincinnati 45230),
On Monday, Sept. 19, the personable Peled will offer a lecture/recital, “Journey with My Jewishness,” discussing his personal, musical and spiritual evolution. His program will include traditional numbers as well as Max Bruch’s “Kol Nidrei,” Mark Kopytman’s “Kaddish” and Ernest Bloch’s three scenes “From Jewish Life.” Sept. 19, 7:30 p.m., a program presented jointly with the Isaac M. Wise Center (8329 Ridge Road, Cincinnati 45236), Read More »
James Conlon leads May Festival soloists, Cincinnati Symphony Orchestra and May Festival Chorus in Haydn’s The Creation. Photo provided by May Festival/Mark Lyons
Looking back at last month’s May Festival, the five-concert season was an artistic triumph. The only disappointment was in the attendance. Officials blamed it on Memorial Day weekend, which fell this year on the festival’s opening, rather than closing concerts.
The May Festival Chorus/ photo provided by May Festival/Mark Lyons
But currently, behind the scenes, those in high positions are discussing how the festival might reinvent itself. And as I noted in this column, the challenges are many. Not least will be finding a superb artistic leader — or leaders — to succeed James Conlon. As Conlon said before he left town to conduct opera in Italy, “As I look forward and know that every music lover in Cincinnati looks forward to the future of the May Festival, whatever form it may take, I hope that the core value of this legacy of choral music will be preserved.”
The Cathedral Basilica was a magical setting for Bach. Photo provided by May Festival/Philip Groshong
Where else can one hear such tremendous music, a marathon that takes place over two weekends each May? The breadth and depth this year were astonishing. The chorus has never sounded better, with a large amount of credit going to Robert Porco, celebrating his 25th season as director of choruses.
Hilary Hahn and Hauschka appear this Friday at the Art Museum
Has anyone noticed all of the classical music festivals this year? Bryce Dessner’s MusicNOW seemed to be a huge success, with big crowds at the symphony and sell-out crowds at the smaller venues. Here are my articles about the festival:
And Tatiana Berman’s Constella Festival opens on Wednesday with 10 events, as well as two “partner” events. I’m particularly interested in Friday’s concert (7 p.m. April 10), featuring superstar violinist Hilary Hahn with Hauschka ((the musical alias of Germany-based Volker Bertelmann) to give the Cincinnati premiere of their project “Silfra.” at Cincinnati Art Museum, Fath Auditorium. Read More »
James Conlon leading the May Festival chorus, soloists and the Cincinnati Symphony at Carnegie Hall last May
One of the big stories in the arts world this week was the announcement that James Conlon will leave the Cincinnati May Festival after the 2016 season. I posed a few questions in a column today that I think are worth revisiting.
The first question has to do with Music Hall:Read More »