Chasing an orchestra around the world

img005I had to laugh when I stumbled upon Cincinnati Enquirer critic Henry Humphreys’ description of trying to catch up with the Cincinnati Symphony on its 1966 World Tour. The ’round-the-world tour was famously funded by the U.S. State Department, but apparently, they didn’t fund Henry’s trip… Because of journalistic standards, his — and my — employer has always paid the critic’s way. One of the most common assumptions I hear from readers is that the orchestra pays for and provides accommodations, etc., for the accompanying critic on tours.

Not so. Until about 10 years ago, I was not even allowed on the bus with musicians to get to concert halls in far-away foreign cities, and I always book my own flights and hotels. Once, I nearly missed a show in Vienna’s Musikverein when my connecting flight was canceled from Amsterdam. A flight attendant tracked down my luggage sitting on the tarmac, or it might still be there, and literally threw it on a plane they had found to take me to Wien… I have so many stories. But here’s Henry’s:

“Enquirer music critic Henry S. Humphreys barely made the delayed opening concert of the CSO world tour at Salonika. There was no space available on CSO flights from Athens to Salonika. No bus space. He was sold a train ticket, then thrown off the train because it was over-crowded. He returned to Athens airport, wrangled a seat near crew of plane which took off after a 55-minute argument about whether takeoff should be made. No hotel room in Salonika for Humphreys, so he located attic boarding house space. He could have used a fan — even a palm leaf one, he says.”

 

Linton celebrates KLR’s 40th, and more

40 years of piano trios: Joseph Kalichstein, piano, right, Sharon Ronbinson, cello, and Jaime Laredo, violin
40 years of piano trios: Joseph Kalichstein, piano, right, Sharon Robinson, cello, and Jaime Laredo, violin

Chamber music lovers won’t want to miss the Linton Music Series season this year, The 38th season of this musical gem takes place in Avondale’s First Unitarian Church and Loveland’s Congregation Beth Adam, Besides the 40th birthday tribute to the KLR Trio — two of whom, Jaime Laredo and Sharon Robinson, are the series artistic directors — -there will also be the Cincinnati debut of the McGill/McHale Trio, a rare performance by CSO maestro Louis Langrée and Kelley O’Connor, and much more.Read More »

Music Hall then and now

Then:  This week, the May Festival provided me with the the 360 photo that was taken for posterity on the final night of the season, May 28, just before demo began. See if you can find yourself by moving your cursor around the photo: http://360around.com/panos/mayfest-tour/mayfest.html

Now:  You may have seen The Enquirer’s update of Music Hall’s construction project last week. I’ve included more of my own photos below.Read More »

Snow day: Pay what you wish at CSO tonight

The Cincinnati Symphony Orchestra is betting that the worst of the storm of the century, Jonas will miss Cincinnati. They are offering a deal — name your own price for Friday night by calling 513-381-3300 and asking for Pay What You Can tickets. Or, for either Friday or Saturday, you can use promo code  STAY AWAY JONAS to get half off tickets for either performance. Both concerts are 8 p.m. in Music Hall.

Here’s the program:

Colin Currie; Photo by Marco Borggreve
Colin Currie; Photo by Marco Borggreve

Guest conductor Cristian Măcelaru leads Elgar’s “Enigma” Variations, which includes the lovely “Nimrod” heard at Lumenocity 2014. The soloist is the extraordinary percussionist Colin Currie, who performs music written for him by American composer Julia Wolfe.

In riSE and fLY, subtitled “A Body Concerto,” he first plays entirely on his body, with claps, chest slaps and stamps, then moves to a variety of found objects for “street percussion” effects.

Gunther Schuller had lifelong ties to Cincinnati
Gunther Schuller had lifelong ties to Cincinnati

Also featured on this program is music of Gunther Schuller, who at age 17 was named Principal Horn of the CSO and has composed two works for the orchestra. Here’s my tribute to Schuller, written when he died in June.

Gunther Schuller and Cincinnati: Personal memories from a patron and a critic

Gunther Schuller had lifelong ties to Cincinnati
Gunther Schuller had lifelong ties to Cincinnati

Gunther Schuller, a giant of American music, Pulitzer Prize-winning composer and the man who defined the fusion of classical and jazz as “Third Stream,” died on June 21 at age 89. Many tributes note that he was the youngest French hornist of the Cincinnati Symphony Orchestra early in his career (1943-45).

“It was a very rich and rewarding period in my life, a growing period because I was 17 to 19 (years old),” Schuller told me in an interview.

After concerts, he often continued playing in late-night jazz clubs in Cincinnati. However, his ties to Cincinnati continued for his entire life. In fact, he taught at the old College of Music, which is where he met his wife Marjorie. (Perhaps he was also their youngest-ever faculty member!)Read More »

May Festival 2015

May Festival soloists, provided Mark Lyons
James Conlon leads May Festival soloists, Cincinnati Symphony Orchestra and May Festival Chorus in Haydn’s The Creation. Photo provided by May Festival/Mark Lyons

Looking back at last month’s May Festival, the five-concert season was an artistic triumph. The only disappointment was in the attendance. Officials blamed it on Memorial Day weekend, which fell this year on the festival’s opening, rather than closing concerts.

The May Festival Chorus/ photo provided by May Festival/Mark Lyons
The May Festival Chorus/ photo provided by May Festival/Mark Lyons

But currently, behind the scenes, those in high positions are discussing how the festival might reinvent itself. And as I noted in this column, the challenges are many. Not least will be finding a superb artistic leader — or leaders — to succeed James Conlon. As Conlon said before he left town to conduct opera in Italy, “As I look forward and know that every music lover in Cincinnati looks forward to the future of the May Festival, whatever form it may take, I hope that the core value of this legacy of choral music will be preserved.”

The Cathedral Basilica was a magical setting for Bach. Photo provided by May Festival/Philip Groshong
The Cathedral Basilica was a magical setting for Bach. Photo provided by May Festival/Philip Groshong

Where else can one hear such tremendous music, a marathon that takes place over two weekends each May? The breadth and depth this year were astonishing. The chorus has never sounded better, with a large amount of credit going to Robert Porco, celebrating his 25th season as director of choruses.

Here are the reviews:

Opening night, featuring Haydn’s “The Creation,” conducted by Conlon.

Night two, featuring Vaughan Williams’ “Sea Symphony,” conducted by Robert Porco.

Night three, the intimate concert in the Cathedral Basilica, featuring J.S. Bach, conducted by Porco and James Bagwell

Night four, featuring Berlioz’s Requiem, with Conlon conducting

Night five, a Russian program of Shostakovich, Mussorgsky and Tchaikovsky, conducted by Conlon

 

Cincinnati’s philanthropy: Why do people give to the arts?

  • There have been some astonishing stories in the past week or two about Cincinnati’s support for the arts. The Lindner family is giving $10 million to the Music Hall renovation project. The CSO has raised $26 million, which will both build back the orchestra to 90 players and balance the books. Read how the orchestra turned itself around in six years.
  • And the ArtsWave campaign hit a new high.
  • On Friday, a visitor from New York asked me why there is such passion for the symphony, opera, ballet, museums and theater in such a small market? And why do people care enough to give and keep giving?
  • I said I think it goes back to those German immigrants of the 19th century– it’s in the DNA.
  •  What do you think?
    CSO officials annouce $26 million in gifts on Thursday in Music Hall
    joshua Bell signs autographs
    A fan takes a selfie

    Louie Langree and orchestra taking bows

Read More »

New Dept. of Transportation rule to help violin-toting musicians

violin caseA new rule by the U.S. Department of Transportation requires airlines to allow musicians to board with their priceless Strads and other small musical instruments.This may not seem like a big deal to the average public — some of whom arrive with garbage-bag sized carry-ons and clamor to stuff it all in the overhead. But for years, musicians have been stopped at the gate with their valuable musical instruments, from violins to saxophones, and told that those must go into checked baggage.Read More »