
I was surprised to learn during my visit last weekend to the Tanglewood Festival, celebrating the 150th birthday of Serge Koussevitzky this summer, that the legendary conductor almost came to Cincinnati.
The distinguished music director of the Boston Symphony Orchestra from 1924 to 1949, Koussevitzky was also a composer, a virtuoso of the double bass, champion of new music and influential mentor of dozens of conductors and composers, including Leonard Bernstein and Aaron Copland. In a panel discussion I attended at Tanglewood, he was credited with literally rediscovering American classical music.
But before 1924, the Russian-born conductor was considering posts at the Cincinnati Symphony Orchestra and the Los Angeles Philharmonic. Perhaps his fate was sealed years earlier when Koussevitzky’s onetime teacher and former BSO music director Arthur Nikisch told him that he would oneday be music director of the BSO. (No worries: Cincinnati ended up with Fritz Reiner in 1924 instead.)
The Tanglewood Festival, summer home of the Boston Symphony Orchestra and Boston Pops in Lenox, MA, in the beautiful Berkshires, is a magical place. It has long been on my bucket list. This year, the festival welcomed critics and music journalists for the annual meeting of the Music Critics Association of North America. Our schedule included BSO concerts conducted by music director Andris Nelsons, panel discussions and a terrific Festival of Contemporary Music, curated by composers Steven Mackey and the Cuban-American Pulitzer Prize winning composer Tania León. Read More »














