CSO, other locals hope for Grammy win

The CSO has been nominated for two Grammy Awards

Louis Langrée and The Cincinnati Symphony Orchestra will be waiting and watching on Sunday (Jan. 28) to see whether they win their first Grammy Award together when the Grammys air live on CBS from Madison Square Garden in New York City. The 60th Grammy Awards airs from 7:30 p.m. to 11 p.m. on CBS, in the first Grammy telecast from New York in 15 years.

The orchestra is up for two Grammy Awards for the groundbreaking album, “Concertos for Orchestra,” recorded live in Music Hall (before the renovation). It is nominated in the “Best Orchestral Performance” category, as well as for “Best Contemporary Classical Composition” for Zhou Tian’s score on the album.Read More »

Music Hall hopes and concerns

Music Hall's Springer Auditorium will look quite different when it reopens after a $130 million renovation. Photo from Enquirer files
Music Hall’s Springer Auditorium will look quite different when it reopens after a $130 million renovation. Photo from Enquirer files

Perhaps you saw the article about Music Hall, — which closes in five months for renovation — informing visitors of what to expect in the coming months. But there was a sidebar that never made print.

The Enquirer asked this question of local concertgoers, Music Hall stakeholders and resident companies via e-mail and on Facebook: “As we move to 2016 and Music Hall closes in June for a massive renovation, what are your thoughts, concerns, and/or hopes about the project?”

Here are some of the responses:

“My main concern, as always, is for the acoustics of Music Hall. As you well know, even the smallest physical change can have a major impact on the acoustics. Let’s cross our fingers and hope for the best!” – Pat Nott, College HillRead More »

With producer Elaine Martone: Behind the scenes of a live recording session

Elaine Martone in the Music Hall recording booth
Elaine Martone in the Music Hall recording booth

Over the weekend, I was able to go backstage at Music Hall for a few minutes to meet Grammy-winning producer Elaine Martone. She and Chelsea VandeDrink of Cincinnati Public Radio were making a live recording of the Pops “American Originals” concert, to be the Pops’ 95th album.They were tucked in the recording booth/opera props room near the stage.

(Read the review and see a photo gallery here.)

Elaine, of course, has been coming down to Cincy for years from Cleveland, where Telarc is based, for all of Erich Kunzel’s Pops recordings — as well as for those of the CSO — with hubby and Telarc co-founder Bob Woods. (Telarc was later bought by Concord Records and the award-winning production team left in 2009.)

Like most major orchestras, the CSO now has its own label for recording, and Elaine, who is up for Producer of the Year at the Grammy Awards next month, is still very busy. I asked her three questions:Read More »

Do the Grammy Awards matter? CSO’s ‘Hallowed Ground’ gets mention

Louis Langrée and Maya Angelou in one of her final public appearances
Louis Langrée and Maya Angelou in one of her final public appearances for a live recording in Cincinnati’s Music Hall

In the Grammy Award nominations announced on Friday, the Cincinnati Symphony’s “Hallowed Ground” album with Maya Angelou received just one acknowledgment — as part of a list of albums produced by Elaine Martone, who is up for Classical Producer of the Year. Brava to Ms. Martone, part of the former Telarc team that has produced many CSO and Pops albums. The live performance, recorded in Music Hall in Nov. 2013 during Louis Langrée’s inaugural weekend as music director, was one of Angelou’s final pubic appearances before her death just months later.

Also of local note, Jaime Laredo — co-artistic director of the Linton Series — has been nominated with Jennifer Koh, Vinay Parameswaran and Curtis 20/21 Ensemble for a track from composer Anna Clyne’s Prince Of Clouds albume, entitled “Two X Four.”

The CSO was listed in five categories on the early ballot leading up to the 57th Grammy Awards. I took a look at the list of nominees to see which classical ensembles made the cut. It’s remarkable that the Seattle Symphony’s recording of Dutilleux’s Symphony No. 1 received no fewer than SIX nominations.Read More »