Michael Gielen championed modern music, led CSO through the ’80s

Michael Gielen was the CSO’s 10th music director. Photo courtesy of the Cincinnati Symphony Orchestra

The distinguished German-born conductor Michael Gielen, who led the Cincinnati Symphony Orchestra in the 1980s, died of pneumonia on March 8 at his home in Mondsee, Austria. He was 91.

Gielen was appointed the 10th music director of the Cincinnati Symphony Orchestra, serving from 1980 to 1986. He succeeded music adviser Walter Susskind, who stepped in for two seasons following the untimely death of Thomas Schippers in 1977.

An ardent champion of contemporary music, Gielen was one of the most important conductors of his generation.

As a music director, Gielen’s preference for programming the music of the Second Viennese School didn’t always endear him to Cincinnati audiences. But during his tenure, his discipline and exceptional ear became legendary, and the orchestra achieved new heights as a polished performing ensemble.

“Many felt that, through no fault of its own, the orchestra had lost some of its technical edge. Though his tenure was a brief six years, Michael’s strong, consistent artistic leadership restored the CSO’s luster and musical discipline,” said David Loebel, associate conductor of orchestras at the New England Conservatory, who was Gielen’s assistant conductor during his tenure.

“Many bristled at his demanding programs, which were meant to challenge and enlighten rather than merely entertain,” Loebel said. “Those who attended one of his CSO concerts expecting to relax and have pretty sounds wash over them were bound to be disappointed. Those willing to be exposed to worthwhile music they had never heard and to discover new things about the music they already knew, usually left exhilarated.”Read More »

Levine’s fall from grace is complete

Levine cr Naomi Vaughan
James Levine, being applauded at the Metropolitan Opera, was fired by the company, citing “credible evidence” for sexual abuse. Photo by Naomi Vaughan

By now you’ve read, or you’ve heard about, Metropolitan Opera conductor James Levine’s fall from grace. Yesterday, the Metropolitan Opera fired the maestro, a Cincinnati native, citing “credible evidence” for sexual abuse allegations that go back decades.

Levine was one of the most powerful people in the opera world. He was revered as a conductor who rivaled legends such as Herbert von Karajan and Leonard Bernstein. In Cincinnati, Levine’s talent is a part of local lore. He made his Cincinnati Symphony Orchestra debut as piano soloist at age 10 under Thor Johnson. As a pre-teen, he would sit for hours at Cincinnati Opera rehearsals at the zoo, inhaling opera scores and imitating Italian conductor Fausto Cleva.

He was music director of the Cincinnati May Festival in 1974, before he turned 30, and served for five seasons. (The May Festival has canceled his planned appearance this season.)

In Cincinnati, he conducted his first performances of Wagner operas Lohengrin, Tannhauser and Parsifal, in concert version for the May Festival. Levine hand-picked his successor, James Conlon.

He was a personal champion of opera soprano Kathleen Battle, a graduate of the University of Cincinnati College-Conservatory of Music.

And his mentor from an early age into adulthood was Walter Levin, the late first violinist of the LaSalle Quartet, the distinguished former quartet-in-residence at CCM.

One of Levine’s honorary doctorates was from the University of Cincinnati.

I’m reposting the Met’s entire statement here:Read More »