Tag: WGUC

A father’s meaningful memorial to his son

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Jordan McFaull

Rod McFaull, of Ft. Mitchell, wanted to make a lasting memorial to his son, Jordan, who died tragically at age 26 in 2015 of complications from diabetes. Jordan, who had just finished his first year practicing maritime law in New Orleans, loved classical music. He studied viola with Dorotea Vismara Hoffman at CCM Prep, at the University of Cincinnati College-Conservatory of Music. McFaull decided that a fitting tribute to his son would be to commission a new string quartet in his memory.

On Nov. 15, Kyle Werner’s String Quartet No. 2, “In Memory,” was given its world premiere at CCM.Read More »

Who are the next leaders in the arts?

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One of the most interesting stories I have had the privilege to write for the Business Courier was about 10 up-and-coming young arts patrons who will be guiding our great Cincinnati arts institutions in the decades to come. For as long as I’ve covered the arts here, there has been hand-wringing over who will replace those great philanthropists and board leaders who have gone before. The Nipperts and Corbetts are just two of most well-known names from the previous generation, among many others.

Cincinnati has a great history of generosity and stewardship that goes back more than a century. You only need to consider this:

The CSO turns 125 in 2020

Cincinnati Opera turns 100 in 2020

Art Academy of Cincinnati turns 150 in 2019

UC’s College-Conservatory of Music is celebrating its 150th this year.

That kind of legacy takes leadership and creativity. And it takes changing with the times. Who could have imagined that an arts event called Blink could bring a million people downtown last year?

These young leaders already hold some of the city’s most important board roles. I think the arts are and will be in very good hands.

So who are the 10? Read the story here.

Where to find arts news and reviews: Visit the new Arts Front at bizjournals.com/cincinnati. It’s free, but you may need to register for a free subscription. For the latest CSO review of Beethoven’s Ninth, click here.

Tessa Lark dazzles in masterworks, bluegrass at Matinee Musicale

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Tessa Lark

For Tessa Lark, performing in Cincinnati on Thursday was “basically coming home.” The violinist, who has appeared with dozens of American orchestras and is a Naumburg winner, among other prestigious awards, made an impressive recital debut at Matinee Musicale.

Cincinnati — specifically, the University of Cincinnati College-Conservatory of Music — was a kind of second home during her early years. Between the ages of 11 and 18, her mother drove her two hours each way every Saturday from Richmond, KY, to work with master teacher Kurt Sassmannshaus in CCM’s Starling Preparatory String Project, a program for vastly talented kids. She made her Cincinnati Symphony Orchestra debut at age 16.

Now 29, she plays with an easy virtuosity. But she also charmed the audience at Anderson Center on Thursday with her down-to-earth personality and sense of humor as she spoke about each piece that she was performing with her pianist, Andrew Armstrong.Read More »

Where are the reviews?

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Joshua Bell performing Sibelius with the CSO. Photo by Lee Snow

Some of you have asked me where to find symphony reviews. Thanks to a grant from the Ann and Gordon Getty Foundation, they can be found on the Cincinnati Business Courier’s new Arts Front, which is free to read. (You may need to register for a FREE subscription).

Here’s the season so far:

‘Hamilton’ star Leslie Odom Jr. is electric in debut with Pops: There’s no question that there is life after “Hamilton” for Leslie Odom Jr., the Broadway star who played Aaron Burr in the hip-hop sensation until two years ago. The only question was whether the Tony- and Grammy-winning singer-actor would make it to Cincinnati in time for his Cincinnati Pops debut on Friday after Hurricane Florence canceled his flight. Review.

French program offers festive kickoff to CSO season: The French music, which demands both clarity and atmosphere, revealed that the orchestra is adjusting to Springer Auditorium’s new acoustics as it begins its second season in the hall following a transformational renovation. Review.

Joshua Bell dazzles, ‘Rite’ impresses in CSO’s season opener: It was vibrant, athletic playing. Bell leaned back, crouched, turned to the orchestra and mopped his brow between movements. The slow movement was warm and dark, and he smiled as he played its expressive themes. He soared brilliantly through the diabolical virtuosities of the finale, almost dancing along with the timpani beats that open the movement (Patrick Schleker). Review.

‘Dharma at Big Sur’ a mesmerizing experience in CSO’s all-American program: John Adams’ inspiration for the piece was Jack Kerouac’s description of the rugged California coastline at Big Sur as well as the beat poet’s interest in Buddhism. For this performance, the CSO also engaged video artist Adam Larsen to create projections that played on three screens above the orchestra. Review.

Read about this weekend’s soloist, principal violist Christian Colberg: CSO violist enjoying life after near-death scare. Click here for the story.

In memoriam: John Von Ohlen

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Legendary jazz drummer John Von Ohlen, “The Baron,” died on Oct. 3 following a long illness. He was 77.

He was a drummer, bandleader and recording artist. You could only marvel at his effortless technique, his musicality and his seamless communication with his fellow musicians. Small wonder he was the drummer of choice for Rosemary Clooney, Stan Kenton, Woody Herman, Tony Bennett, Benny Goodman, Mel Torme and Perry Como. He toured and recorded with Kenton for two years.

Von Ohlen was one of the last big band drummers of his era.

“Performing with and discussing music — and philosophy — with John Von Ohlen has been one of the great joys of my life,” said Rick VanMatre, saxophonist and former director of Jazz Studies at the University of Cincinnati College-Conservatory of Music. “Asking John to join the CCM jazz faculty in 1985 was the best decision we could have made for the students, the faculty, and the legacy of the Jazz Studies Program.”

Read More »

WGUC to air ‘Leonard Bernstein: A Legacy ‘ on Sunday

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Leonard Bernstein conducting, provided/Paul de Hoeck, courtesy of the Leonard Bernstein Office, Inc.

WGUC (90.9-FM) continues its “100 Days of Bernstein” celebrating the centennial year of Leonard Bernstein’s birth with a special program, “Leonard Bernstein: A Legacy,” airing at 8 p.m. Sunday night Aug. 19.

Produced by WGUC music director, Jessica Lorey in collaboration with Naomi Lewin, Stephen Baum, and hosted by Brian O’Donnell, “Leonard Bernstein: A Legacy” will bring you a wide range of Bernstein music as well as insights from musicians, conductors, and academics with local ties who knew, worked with, or studied the man many called Lenny.

You’ll hear remarks from:Read More »

Review: Pianist Leon Fleisher at 90

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Leon Fleisher performed a luminous recital in Werner Hall at CCM on Saturday night.

Perhaps playing the piano is good for longevity. Amazingly, there are still two classical pianists who are concertizing into their 90s.

Earlier this year, Menahem Pressler, 94, the founding anchor of the Beaux Arts Trio, performed Mozart’s Piano Concerto No. 23 in A Major, K. 488, with the Philadelphia Orchestra. He made his debut with that orchestra under Eugene Ormandy in 1947. And, he’s still teaching at the Jacobs School of Music, Indiana University.

Over the weekend, Leon Fleisher, who is celebrating his 90th birthday, performed a recital as part of the Art of the Piano festival at the University of Cincinnati College-Conservatory of Music. (The festival’s founder, Awadagin Pratt, studied with Fleisher at Peabody.) As a teacher, Fleisher is a direct descendant of Beethoven, passed down through Carl Czerny, Theodor Leschetizky and Artur Schnabel.Read More »

CSO’s Baroque gems with Bicket a rare treat

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Countertenor Iestyn Davies joined Harry Bicket and the CSO in a rare Baroque concert at Music Hall. Photo provided by CSO/Kayla Moore

Harry Bicket’s Baroque concert of Handel and Rameau brought a breath of fresh air to the Cincinnati Symphony Orchestra over the weekend.

A glance at the program told the story of how rare it was to hear these Baroque gems in Music Hall. Every single piece on the program – even Handel’s Concerto Grosso Op. 6, No. 11 – was being performed by the orchestra for the first time.

And there was no better partner in this repertoire than the superb British countertenor Iestyn Davies, who made his Cincinnati debut in arias from Handel operas. Davies is one of a new generation of countertenors now making international waves. Read More »

A new view of Beethoven’s Symphony No. 4

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There were 92 players onstage at Music Hall for Beethoven’s Fourth. Photo provided by CSO/Lee Snow

I was fascinated by the large-scale arrangement of Beethoven’s Symphony No. 4 performed by Louis Langrée and the Cincinnati Symphony Orchestra over the weekend. It’s regarded as one of Beethoven’s more “classical” symphonies, calling for a smaller complement of players. But for this performance in Music Hall, there were 92 players onstage. (According to the CSO, Langrée was using a new critical edition by Bärenreiter.)

Curious about this arrangement, I spent some time digging through my personal library to no avail. Then, online, I found a doctoral thesis by Mark Christopher Ferraguto of Cornell University that mentioned a performance of the Fourth for a large-scale public concert in 1825. Beethoven arranged it for an estimated 94 musicians for the Gesellschaft der Musikfreunde (Society of Friends of Music) concert in a large ballroom of the Imperial Court.

Here’s the review, which you can read free at bizjournals.com, thanks to their new initiative to cover the arts.

What did you think?

Classical Roots hosts its first artist-in-residence

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Kelly Hall-Tompkins is the first artist-in-residence for the CSO’s Classical Roots program.

Violinist Kelly Hall-Tompkins, winner of the Honorarium Prize in the 2003 Naumburg International Violin Competition and a career grant from the Concert Artists Guild, is the inaugural artist-in-residence for Classical Roots, an outreach program of the Cincinnati Symphony Orchestra.

During her residency this week, the violinist will visit City Gospel Mission, where she and CSO musicians will perform Stravinsky’s “The Soldier’s Tale” for clients. The performance is inspired by her not-for-profit Music Kitchen, which takes live classical music to homeless shelters in New York City.Read More »