
I’m sharing this note I received from CCM director of Jazz Studies Scott Belck:

I’m sharing this note I received from CCM director of Jazz Studies Scott Belck:
As always, Cincinnati offers myriad choices of things to do in the fall season. Here are just a few options that you might want to try.
Cincinnati Ballet’s “Peter Pan,” with a charming musical score composed by Carmon DeLeone, honors the maestro in its performances this weekend for his unprecedented 50 years as the Ballet’s music director. The dancing crocodile is one of my personal favorites. Thursday through Sunday in Music Hall. Tickets: cballet.org or call 513-621-5282.

The great jazz bassist Christian McBride has shared the stage with jazz legends like Sonny Rollins, Chick Corea, Herbie Hancock or Pat Metheny; pop giants like James Brown, Sting andThe Roots; and classical artists like Kathleen Battle, Edgar Meyer or the Shanghai Quartet. He visits the Xavier Jazz Series, 8 p.m. Oct. 27 in Gallagher Theater on the XU campus. Tickets: xavier.edu/musicseries
Cincinnati native and rising conductor Isaac Selya has just returned from making his debut with the Deustche Kammerphilharmonie Bremen (yes, Paavo’s orchestra).
Next, he says, “I’m jumping straight into the next Queen City Opera program.” This one will be operatic selections featuring 11 emerging artists, accompanied by full orchestra. Eight of them trained at CCM; the other three trained at Indiana University, University of Kentucky, and Miami University in Oxford.

singing in “Habanera” from Carmen. There will be a rare chance to hear the Council Chamber Scene from Simon Boccanegra, which ends with a soft entreaty for peace.
Appalachian Fantasy…………….Tessa Lark
Sonata in A major………………..César Franck (1822-1890)
Sonata No. 9, Op. 47 “Kreutzer”.. Ludwig van Beethoven (1770-1827)
Legendary jazz drummer John Von Oh
len, “The Baron,” died on Oct. 3 following a long illness. He was 77.
He was a drummer, bandleader and recording artist. You could only marvel at his effortless technique, his musicality and his seamless communication with his fellow musicians. Small wonder he was the drummer of choice for Rosemary Clooney, Stan Kenton, Woody Herman, Tony Bennett, Benny Goodman, Mel Torme and Perry Como. He toured and recorded with Kenton for two years.
Von Ohlen was one of the last big band drummers of his era.
“Performing with and discussing music — and philosophy — with John Von Ohlen has been one of the great joys of my life,” said Rick VanMatre, saxophonist and former director of Jazz Studies at the University of Cincinnati College-Conservatory of Music. “Asking John to join the CCM jazz faculty in 1985 was the best decision we could have made for the students, the faculty, and the legacy of the Jazz Studies Program.”

This month at Cincinnati Opera, audiences are seeing an opera based on a Pink Floyd rock album and another, “As One,” on a transgender topic. The company is commissioning “Blind Injustice,” based on the Ohio Innocence Project at the University of Cincinnati, to premiere next year in CO’s 99th season.
Last week, the chamber group concert:nova presented a “rock opera” based on sci-fi stories from “The Illustrated Man” by Ray Bradbury. (Here’s a column I wrote about it.)
It’s no secret that opera can no longer lure audiences with just the traditional canon of the ABCs – “Aida,” “La Boheme” and “Carmen.” Around the country, opera companies are embracing diversity and programming new American opera on a range of topics.
For the last couple of decades, new opera has addressed timely social issues – such as Jake Heggie’s and Terrence McNally’s “Dead Man Walking,” based on the book by Sister Helen Prejean about the death penalty. As opera embraces the vernacular – with the aim of making it accessible to all — the whole art form is blurring the lines between traditional opera, pop and musical theater.
A case in point is “Another Brick in the Wall,” based on the acid-rock Pink Floyd Album, “The Wall.” To me, the production emphasized the visuals – the projections, the scenic design, the spectacle – leaving an impression not far removed from a night at the theater seeing “Les Miserables” or “Miss Saigon.” (Read my review here.)Read More »

Summer concert series are starting to be announced. The freshly-renovated Memorial Hall is a great place to hear jazz:
Award winning saxophonist Azar Lawrence will kick off Clarion Jazz’s second annual Open Door Series on Saturday, May 26, at Memorial Hall, OTR.Read More »
Marie Speziale has fond memories of playing the Cincinnati Symphony’s Jazz Quintet, which will be honored tomorrow night at Cincinnati Jazz Hall of Fame ceremonies.
Says Marie, the first woman trumpeter in a major orchestra: “We actually started as a quartet, expanded to a quintet, and eventually became a septet. The group was a product of an impromptu jam session at a club in India while on the 1966 World Tour.” Here are her personal pics, including one autographed by Dave Brubeck.Read More »

Cincinnati’s Jazz Hall of Fame will be inducting 10 jazz luminaries in a jazz-filled celebration hosted by media legend Nick Clooney, 7 p.m. Sunday April 8 at Mount St. Joseph Auditorium. The honorees are: Bill Berry, Melvin Broach, Mandy Gaines, Wilbert t. Longmire, Artie Matthews, Michael Moore, Bill Rank, Steve Schmidt, Lee Tucker and Rick VanMatre.
In addition, special recognition will be given to the Cincinnati Pops, founding maestro Erich Kunzel and current Pops conductor John Morris Russell for 52 years of supporting jazz in Music Hall. The original Symphony Jazz Quintet will be honored, consisting of Paul Piller, Marie Speziale, David Frerichs, David Horine, Frank Proto and Robert Bradley.
Kay Casey, founder of the Cincinnati Jazz Hall of Fame, and her board have made it their mission to shine a light on a Cincinnati treasure that, in previous years, received little recognition even though its history is rich. Clooney, always an entertaining host, is donating his time for the fourth year.
The event will include performances by current jazz talents: The Buffalo Ridge Jazz Band, Marc Fields Quartet and the Rob Allgeyer Trio featuring Nancy James, vocals. There will also be performances by jazz studies scholarship winner Tyler Marsh, piano, and his brother, Ethan Marsh on bass, and current scholarship winners Sam Breadon on guitar and Ziaire Sherman on baritone saxophone.
Hall of Fame members will be treated to the Philip Paul Trio in a reception for the inductees. Paul, of course, is the legendary session drummer for King Records.
Tickets help support the John DeFoor Jazz Master Classes at local high schools. $20 in advance; $25 at the door. 1-800-838-3006 or Support@brownpapertickets.com.

This year’s “Classical Roots” concert will explore Music Hall’s history as a gathering place for a wide spectrum of Cincinnati’s society.
The Cincinnati Symphony Orchestra’s “Under One Roof,” led by Pops conductor John Morris Russell, will take place at 7:30 p.m. on April 20 in Music Hall. The program will illuminate Music Hall’s history — both as a great concert venue for the orchestra in the main hall and as a community gathering place that hosted many of the greatest jazz, soul, rock and R&B artists of the 20th century in the Greystone Club. Today that space in the South Hall is known as the Music Hall Ballroom.Read More »
The homegrown band The National has won a Grammy Award for “Best Alternative Music Album” in early awards at the 60th Annual Grammy Awards, broadcast Sunday night from New York’s Madison Square Garden. The brothers Bryce and Aaron Dessner thanked the Recording Academy via Twitter for the honor.
Hear NPR’s recording of “Sleep Well Beast” here.

Among the other nominees with Cincinnati ties, the Cincinnati Symphony Orchestra did not win its first Grammy with maestro Louis Langrée, although it was nominated for two for its album recorded live in Music Hall, Concertos for Orchestra. The classical awards always trickle out during the day. After learning that the Manfred Honeck and the Pittsburgh Symphony Orchestra won the Grammy for Best Orchestra Performance (Shostakovich’s Symphony No. 5 and Barber Adagio) as well as Best Engineered Album: Classical, Langree tweeted his “warm congratulations.”
Neither did Cincinnati-born jazz icon Fred Hersch make a win this year. But all agreed that they were thrilled to receive the recognition.

Louis Langrée and The Cincinnati Symphony Orchestra will be waiting and watching on Sunday (Jan. 28) to see whether they win their first Grammy Award together when the Grammys air live on CBS from Madison Square Garden in New York City. The 60th Grammy Awards airs from 7:30 p.m. to 11 p.m. on CBS, in the first Grammy telecast from New York in 15 years.
The orchestra is up for two Grammy Awards for the groundbreaking album, “Concertos for Orchestra,” recorded live in Music Hall (before the renovation). It is nominated in the “Best Orchestral Performance” category, as well as for “Best Contemporary Classical Composition” for Zhou Tian’s score on the album.Read More »