One of the Terracotta Warriors, Middle Ranking Officer, coming to CAM in April. Photo provided
Perhaps you saw the news this week that Chinese officials are angered that someone has vandalized a Chinese terracotta warrior currently on display at the Franklin Institute in Philadelphia. Although the incident occurred in December, museum officials didn’t become aware of it until January.
It is not the same exhibition that will travel to Cincinnati Art Museum, “Terracotta Army: Legacy of the First Emperor of China” (April 20-Aug. 12).
According to reports, a 24-year-old Delaware man was attending an after-hours “Ugly Sweater” Christmas party at the Philadelphia museum, when he managed to take a “selfie” and allegedly also break off and steal the thumb of one of the statues. The FBI tracked him down and charged him with theft. That particular warrior is estimated to be worth $4.5 million.Read More »
It seems that the end of a year always results in lists — looking back and looking ahead. And invariably, my list is different from your list. There were so many other great performances that I could have added here — the Polish Festival at CCM, the Ariel Quartet, the great jazz heard every week in our community, and the high-energy shows by John Morris Russell and the Cincinnati Pops… not to mention the entire opening season this fall at the CSO, with Emanuel Ax, Hilary Hahn, Lang Lang, Gil Shaham and Branford Marsalis!
I loved it all. But here’s my column, in case you missed it, for better or worse. At the list’s end, I look back at two of the big stories in the arts that I covered, and look forward to the opening of Music Hall next October.
David Geffen Hall, Lincoln CenterBrian Newman with his band at Xavier
In the past month — aside from my regular “beat” at Cincy Music Hall — I’ve heard concerts from New York to Atlanta. Here are a few observations.Read More »
On Friday, a visitor from New York asked me why there is such passion for the symphony, opera, ballet, museums and theater in such a small market? And why do people care enough to give and keep giving?
I said I think it goes back to those German immigrants of the 19th century– it’s in the DNA.
What do you think?
CSO officials annouce $26 million in gifts on Thursday in Music Halljoshua Bell signs autographsA fan takes a selfie
Stephen Hough doesn’t believe in coddling potential young audiences
It seems as if many arts groups — from museums to symphony orchestras — are trying to attract Millennials and Young Professionals with all kinds of perks, from parties, wine tastings and backstage tours, to offering them positions on boards. Concerts may be shorter, and sometimes with beer tastings attached. (See the new Chamber Orchestra season.)
But star pianist Stephen Hough, who performed last week on the Xavier Piano Series, believes that the arts are bending backwards way too far to attract new audiences. The result, he says, is dumbing down the art form. Here are some of thoughts that did NOT make the interview that ran here.
Hough: “If an elder person thinks they know what a younger person wants, they’re always going to be wrong. I see people in their 50’s who say, ‘We’re going to do this in a young, groovy way’. But young people have changed styles twice since you’ve said that.
“Yes, let’s have the accessibility, and make it affordable. But tell people that these composers were not from the establishment. They were usually poor, often rebels, and not the stuffy thing that people think.
“I wrote an article about this not so long ago. Classical music is difficult to listen to. You can’t say, ‘Come in, it’s really easy.’ No, tell them to come in, and you’d better be intelligent. You tell them that it may be difficult to listen to this music. The analogy I made was, if you say to a teenager, ‘This is the hardest mountain to climb in the country,’ then that’s the mountain he or she will want to climb. If you say it’s really easy, they’re not going to listen.
“So why are we saying to people, ‘It’s easy, we’ll just play one movement, because you haven’t got the concentration for more.’ No, tell them, ‘This is tough, and I hope you’ve got the energy to listen to this.’
“I really think that’s where we’re going wrong. Rather than dumb down and dilute everything, instead say this music is the highest achievement that humans have had. Let’s go for it.”
Hilary Hahn and Hauschka appear this Friday at the Art Museum
Has anyone noticed all of the classical music festivals this year? Bryce Dessner’s MusicNOW seemed to be a huge success, with big crowds at the symphony and sell-out crowds at the smaller venues. Here are my articles about the festival:
And Tatiana Berman’s Constella Festival opens on Wednesday with 10 events, as well as two “partner” events. I’m particularly interested in Friday’s concert (7 p.m. April 10), featuring superstar violinist Hilary Hahn with Hauschka ((the musical alias of Germany-based Volker Bertelmann) to give the Cincinnati premiere of their project “Silfra.” at Cincinnati Art Museum, Fath Auditorium. Read More »
First, the back story to this column. When news came over the wire that the Atlanta Symphony had settled with its players this week after a 10-week lockout, my editor wandered over to my desk and started firing questions: Why is this a big deal, or not? Could it happen here? Why don’t we see more about classical music in the media? What about arts eduction? Whoa – that’s enough for at least three stories right there. … It started me thinking. I’ve always felt lucky to live in a city with such high-quality arts.
Or, how I spent my weekend… Last night, I took in a ravishing concert by the Vocal Arts Ensemble in Memorial Hall. Here’s a teaser:
The Vocal Arts Ensemble’s survey of American music on Saturday night was a journey of pristine singing and expressive beauty. But it was the final group of spirituals — when the chorus whooped it up in “Didn’t My Lord Deliver Daniel” and “Battle of Jericho” — that galvanized listeners, and we came to know the range of possibilities under new director Craig Hella Johnson. Read the full review here.
Soon, I’ll be heading down to the Aronoff to see “Peter Pan” with Cincinnati Ballet, danced to a sweet score by Carmon DeLeone. Then I’m hopping over to CCM to see the Academy of Ancient Music perform Bach’s Orchestral Suites.