How’s your musical memory? A Q&A with Music Hall acoustician Paul Scarbrough

Music Hall has new acoustical treatments, such as these new “clouds” overhead.

Acoustic: əˈko͞ostik/ (plural acoustics): “The properties or qualities of a room … that determine how sound is transmitted.” (Dictionary.com)

In the words of the dean of acoustics, Leo Beranek, acoustics is “the science of sound.” Things such as resonance, frequency (pitch), amplitude, wave reflections and delay times affect how we hear music, he writes in  “How they Sound: Concert and Opera Halls.”

Music Hall, formerly made of wood and plaster-over-brick, now has concrete floors, walls moved inward and a stage that is now 12 feet closer to the audience. A few days before it reopened after its $143 million renovation, I met with acoustical consultant Paul Scarbrough of Akustiks in Springer Auditorium to  find out how he and colleague Chris Blair have been making acoustical adjustments to what is now a new concert “hall within a hall.”

Question: Music Hall has very good acoustics, and you’ve said that your goal is to build on that. Now, how has the sound of the hall changed?Read More »

Review: Pops ‘Star Wars’ show is glorious tribute to John Williams

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a multi-generational crowd filled Music Hall for the “Star Wars” show at the Pops. Mark Lyons, photo.

Long ago in a galaxy far, far away, John Williams composed the first soundtrack for “Star Wars.” That collaboration with George Lucas  (later subtitled “A New Hope”) launched one of the most successful  space epic film series of all time.  Today, it’s hard to imagine these space odysseys where aliens and humanoids coexist with robotic droids without Williams’ thrilling symphonic scores.

On Friday, Williams’ music, famous for its big brass and sweeping strings, took the starring role, as John Morris Russell led the Cincinnati Pops in a retrospective of some of the Hollywood legend’s greatest themes. The second half of the program was entirely devoted to the “Star Wars” franchise, while the first sampled from other films, such as “Harry Potter” and “E.T.”

It was the Pops’ first performance in Music Hall following a $143 million renovation that has updated the 140-year-old building and completely reconfigured the orchestra’s home in Springer Auditorium. A multi-generational, sold-out crowd filled the hall. In the new Pops configuration, it seats nearly 2,500. (A few tickets might be available for Sunday’s show.) Read More »

Review: First impressions of Music Hall

img_8959“CINCINNATI – A $143 million renovation of the National Historic Landmark pushed the orchestra forward, narrowed the room, and cut 1,000 seats. In the Cincinnati Symphony’s homecoming, the acoustics were still a work in progress.”

Read my first impressions of Music Hall’s acoustics by clicking here:  “Old is New Again in Cincinnati’s Reborn Music Hall” at Classical Voice North America, journal of the Music Critics Association of North America.

img_8950I went back on Saturday for the free Community Open House, and was amazed to see thousands of people of all ages and some with strollers and wheelchairs, pouring through the doors and visiting every nook and cranny of the hall. Read More »

Thanks for the memories

It’s been a privilege. I can truthfully say I have loved every minute of writing about the arts in Cincinnati for the Cincinnati Enquirer. I am thankful to you, the readers of both print and digital, the people who have called me, written letters, followed me on social media, come up to me at Music Hall to say hello or to talk about music, and who have taken my OLLI class, “Behind the Scenes in the Arts.”

It has been a wonderful, totally unexpected ride that became 26 years almost overnight.

From the first day that I walked into the newsroom, never having taken a journalism course, I was starstruck by the people who worked there. What talent and creativity! In those days, I filed a review right after the symphony concert on Friday nights, which meant I raced to my car behind Music Hall, tore Downtown to the Enquirer building while forming the opening lines in my head, and wrote on a deadline of 45 minutes with a copy desk editor barking, “Where’s that review?” Loved those late-night editors, who would fix my typos and write the headlines. The best one described a pianist, to be nameless here, who slogged through a bizarre performance of Rach 2: “(Pianist) phones it in — From Mars.” I was usually home by 2 a.m. and the review was in the morning paper.

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With James Conlon and the Cincinnati Symphony Orchestra and May Festival Chorus at Carnegie Hall, May 2014; photo provided by Spring for Music, Steve Sherman

But besides the reviews, I have loved writing stories about people. Sometimes I think that the whole artistic world has passed through Cincinnati. I’ve interviewed and met opera stars, violin legends, conductors, composers, crooners, rockers and movie stars. I couldn’t believe going backstage at the Met to interview Cincinnati’s own James Levine, who had pictures of his childhood home behind his desk. He knew everything happening in the Queen City. His mother, Helen, it turned out, had been sending him all of my clippings.

Then there was Rosemary Clooney. Driving down to Augusta, Kentucky, with photographer Craig Ruttle to spend time in her home was unforgettable. Later, John Kiesewetter, Jim Knippenberg and I covered her funeral. Yes, there were Hollywood stars. But more touching were the folks of Maysville who came out to bring their “girl singer” back home.

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With rocker Peter Frampton in his studio at his Indian Hill home talking about his gig with the Pops.
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With Rosemary Clooney and her husband, Dante DiPaolo

When Erich Kunzel died in 2009, I was proud that Reds announcer Marty Brennaman mentioned during the game the next day that The Enquirer had done a nice job on his obituary.  Early that morning, I was interviewed on NPR about the Cincinnati Pops maestro, and the force of nature that he was. And about a week later, I was on tour in Japan with the CSO.  On a day off at the mountainous shrine of Nikko, a man in my tour group said as we ate lunch, “Cincinnati. I heard you just lost a conductor there.” He’d heard my interview, 6,000 miles away.Read More »

About that footbridge to Music Hall

 

IMG_8653There are a lot of misconceptions in the online posts I’ve read about the Music Hall bridge that the city now says it will demolish and rebuild over Central Parkway. The elephant in the room that people are missing: There is no easy and safe pathway to the front door of Music Hall on Elm Street if you park behind the building, in the Town Center Garage on Central Parkway.

If the city-owned bridge, which leads from Town Center Garage to Music Hall, is rebuilt, the renovation team is pledging to construct a passageway into Music Hall from the Ballroom entrance on the second level — the new back door.

Here’s yesterday’s story.

Somehow amid expenditures of at least $135 million, planners decided not to provide a rear entrance to Music Hall. This intentional omission adversely affects many of the organizations that make Music Hall their home. People have been deciding not to renew subscriptions or to attend fewer concerts because of inconvenience and pedestrian safety.Read More »

A new color scheme for Music Hall

Take a walk through Music Hall’s renovation by clicking here.

What do you think of Music Hall’s new color scheme?

Springer Auditorium’s new color scheme features dark taupe and cream throughout. Red seats will be installed this summer. The crystal chandelier is being restored to return to the hall.
A view of rosettes in the lobby areas shows the previous and new background colors, from rose to taupe.
Springer Auditorium’s previous color scheme featured gold trim and light cream with red seats and rose-colored and cream coffered ceilings.

My last list … for now … of the best of 2016

636184558582936207-052816-May-Fest-08-1-.jpgIt seems that the end of a year always results in lists — looking back and looking ahead. And invariably, my list is different from your list. There were so many other great performances that I could have added here — the Polish Festival at CCM, the Ariel Quartet, the great jazz heard every week in our community, and the high-energy shows by John Morris Russell and the Cincinnati Pops… not to mention the entire opening season this fall at the CSO, with Emanuel Ax, Hilary Hahn, Lang Lang, Gil Shaham and Branford Marsalis!

I loved it all. But here’s my column, in case you missed it, for better or worse. At the list’s end, I look back at two of the big stories in the arts that I covered, and look forward to the opening of Music Hall next October.

Read More »

Music Hall renovation stories

The scene a few weeks ago in Springer Auditorium.
The scene a few weeks ago in Springer Auditorium.

So, I had asked our techies to put all of our Music Hall stories on one page, so that you, the public, could follow the renovation. However, the page (musichall.cincinnati.com) seems to be not working. Therefore, I have posted as many articles, renderings, letters and opinions as I could find on my Pinterest page. https://www.pinterest.com/janellespics/janelles-arts/

 

Music Hall then and now

Then:  This week, the May Festival provided me with the the 360 photo that was taken for posterity on the final night of the season, May 28, just before demo began. See if you can find yourself by moving your cursor around the photo: http://360around.com/panos/mayfest-tour/mayfest.html

Now:  You may have seen The Enquirer’s update of Music Hall’s construction project last week. I’ve included more of my own photos below.Read More »

My diary: When James Levine visited Cincy in 2005

THE MET ORCHESTRA
Courtesy Metropolitan Opera

You probably saw the news that James Levine, 72, is stepping down as music director of the Metropolitan Opera after 40 years, for health reasons. He will finish the remainder of his very busy season, and continue as music director emeritus, the first ever position at the Met. He has struggled with Parkinson’s Disease for some time, and has had other severe health issues, as well.

Levine is a Cincinnati native, and having lived in Cincinnati for most of my adult life, I have learned that just about everyone here a) knew his parents b) heard him play piano as a child, or c) went to Walnut Hills High School with him. Read More »