
Mezzo-soprano Megan Moore brought a substantial, varied program to Matinee Musicale on Oct. 12 in Memorial Hall. It was her professional recital debut in the Queen City, although the singer, a native of West Chester and a Lakota West and Miami University grad, sang on Cincinnati Music Hall’s stage at age 14 with the May Festival Youth Chorus under the baton of James Conlon. “I thought I was a rock star,” she said, praising the foundation in the arts that she had received here. Now she enjoys an international career, which includes singing Rosina in “The Barber of Seville” with Seattle Opera and the Metropolitan Opera, and her company and role debut this season as Octavian in “Der Rosenkavalier” at New Orleans Opera.
Her exellent piano collaborator was Danish-born Francesco Barfoed, whom she met when both were at Juilliard. Their program included the second performance of a new song cycle by Jake Heggie, which, she told me later, he tailored to her voice. They gave its world premiere in April at the Morgan Library in New York, presented by the George and Nora London Foundation for Singers.
This was Moore’s first recital since having a baby via C-section seven weeks ago, which was an astonishing feat considering the control needed and the artistry she displayed. A large contingent of friends and family (and baby, too) were on hand, including former high school and college teachers.Read More »




It’s always interesting to see a different side of an artist. On Sunday, Cincinnati Symphony Orchestra music director Louis Langrée departed from his day job to collaborate at the piano with mezzo-soprano Kelley O’Connor in a program of French and German art song at the Linton Series. It was a beautiful recital, and reminded me of other conductor-pianists who have performed at the keyboard in concert: Native son James Levine, Daniel Barenboim, Leonard Bernstein, Michael Tilson Thomas… and Thomas Schippers played the Organ Symphony with the CSO. Watch for my review.