CSO principal bass Owen Lee gave the orchestra’s first-ever performance of the Koussevitzky Concerto for Double Bass/ photos thanks to Lee Snow
When it comes to concertos with orchestra, most people don’t think of the double bass as a solo instrument. It’s usually heard at the bottom of the musical spectrum, rather than playing melodies that soar over the orchestra. But bassist Owen Lee, principal bass of the Cincinnati Symphony Orchestra for 22 years, made a strong case for Serge Koussevitzky’s Concerto for Double Bass, given its first-ever performances by the CSO over the weekend at Music Hall.
It was a fascinating piece – partly because Koussevitzky, himself a virtuoso of the bass, wrote it before he joined the Boston Symphony Orchestra and became one of the most influential music directors in America. In a neat tie-in, the program’s second half was devoted to Bela Bartok’s “Concerto for Orchestra,” which Koussevitzky commissioned from Bartok, who was then ill and destitute. Louis Langrée and the orchestra gave the latter a brilliant performance.Read More »
“What I try is to have unity and diversity at the same time.” – CSO music director Louis Langrée
Music Director Louis Langrée
Violin superstar Joshua Bell, a phenomenal Russian pianist named Daniil Trifonov and renowned cellist Alisa Weilerstein are just a few of the stars in an exceptional lineup coming to the Cincinnati Symphony Orchestra next season.
Program highlights of the 2018-19 season are just as attractive. Louis Langrée’s Beethoven cycle will continue with Beethoven’s great Symphony No. 9, Choral. The repertoire includes Stravinsky’s earthy, primitive ballet score “The Rite of Spring,” Vivaldi’s “The Four Seasons,” Mozart’s Requiem and Mahler’s Symphony No. 5.Read More »
In case you’re wondering what the music might be in tomorrow night’s concert of the Violins of Hope at Music Hall, I’ve asked Evans Mirageas, who is curating the event, to give us a few hints. Here are the musical selections to expect on the program:
Mendelssohn’s Octet (Scherzo) and Gideon Klein’s “Partita for Strings” — The Cincinnati Chamber Orchestra under music director Eckart Preu
Saint-Saens’ “Introduction and Rondo Capriccioso” — Giora Schmidt, violinist and Elena Kholodova, pianist
Weiner, “Yossel der Klezmer” — Simon Barrad, baritone; Giora Schmidt, violin and Ksenia Polstiankina, piano
Traditional, “El Malei Rachamim” — Simon Barrad, baritone; Ksenia Polstiankina, piano
Bruch, “Kol Nidrei” — Ilya Finkelsteyn, cello, Michael Chertock, piano
Prokofiev, Sonata For Two Violins (excerpts) — Gershon Gerchikov and Alexandra Kazovsky, violins (members of the Ariel Quartet)
J.S. Bach, Concerto for Two Violins, Strings and Continuo — Kathryn Woolley and Stefani Collins Matsuo, violins; Members of the CSO, Louis Langrée, conducting
The violin with a Jewish Star inlaid on the back was likely played by a Klezmer musician. Jim Nolan, photo
Avshalom “Avshi” Weinstein carefully lifted one of the violins that his family of master violin makers in Tel Aviv, Israel, had lovingly restored. Its varnish was beautiful. Turning it over, he pointed out the ornate, inlaid Star of David on its back.
“Most of these instruments were simple, because those people didn’t have much money,” Weinstein said, noting that this was not a high-quality violin. “Many played Klezmer (music) in their ghettos. This type of instrument with the Star of David would be played by Klezmers (Jewish folk musicians). They had no money, almost nothing.”
Avshalom “Avshi” Weinstein in his workshop
That violin with the Star of David is one of nine Holocaust-era violins that Weinstein hand-carried to Cincinnati this week. They will be played on Tuesday by some of Cincinnati’s finest musicians in a special concert at Music Hall.Read More »
It’s better to plan ahead for parking if you are going to Music Hall.
If you’ve gone to the Cincinnati Symphony, Pops or Cincinnati Ballet at Music Hall this fall, you’ve likely discovered that parking isn’t what it used to be. Here’s how to BE PREPARED for the new changes since Music Hall reopened after its 16-month renovation:
Parking for the CSO: In order to park in Washington Park Garage for the CSO, you need to purchase a $15 ticket ahead of time in order to get in. And sometimes those tickets are sold out. (That garage only holds 450 spaces, and some – but not all — of those are reserved on CSO concert nights.)Read More »
It’s been a privilege. I can truthfully say I have loved every minute of writing about the arts in Cincinnati for the Cincinnati Enquirer. I am thankful to you, the readers of both print and digital, the people who have called me, written letters, followed me on social media, come up to me at Music Hall to say hello or to talk about music, and who have taken my OLLI class, “Behind the Scenes in the Arts.”
It has been a wonderful, totally unexpected ride that became 26 years almost overnight.
From the first day that I walked into the newsroom, never having taken a journalism course, I was starstruck by the people who worked there. What talent and creativity! In those days, I filed a review right after the symphony concert on Friday nights, which meant I raced to my car behind Music Hall, tore Downtown to the Enquirer building while forming the opening lines in my head, and wrote on a deadline of 45 minutes with a copy desk editor barking, “Where’s that review?” Loved those late-night editors, who would fix my typos and write the headlines. The best one described a pianist, to be nameless here, who slogged through a bizarre performance of Rach 2: “(Pianist) phones it in — From Mars.” I was usually home by 2 a.m. and the review was in the morning paper.
With James Conlon and the Cincinnati Symphony Orchestra and May Festival Chorus at Carnegie Hall, May 2014; photo provided by Spring for Music, Steve Sherman
But besides the reviews, I have loved writing stories about people. Sometimes I think that the whole artistic world has passed through Cincinnati. I’ve interviewed and met opera stars, violin legends, conductors, composers, crooners, rockers and movie stars. I couldn’t believe going backstage at the Met to interview Cincinnati’s own James Levine, who had pictures of his childhood home behind his desk. He knew everything happening in the Queen City. His mother, Helen, it turned out, had been sending him all of my clippings.
Then there was Rosemary Clooney. Driving down to Augusta, Kentucky, with photographer Craig Ruttle to spend time in her home was unforgettable. Later, John Kiesewetter, Jim Knippenberg and I covered her funeral. Yes, there were Hollywood stars. But more touching were the folks of Maysville who came out to bring their “girl singer” back home.
With rocker Peter Frampton in his studio at his Indian Hill home talking about his gig with the Pops.With Rosemary Clooney and her husband, Dante DiPaolo
When Erich Kunzel died in 2009, I was proud that Reds announcer Marty Brennaman mentioned during the game the next day that The Enquirer had done a nice job on his obituary. Early that morning, I was interviewed on NPR about the Cincinnati Pops maestro, and the force of nature that he was. And about a week later, I was on tour in Japan with the CSO. On a day off at the mountainous shrine of Nikko, a man in my tour group said as we ate lunch, “Cincinnati. I heard you just lost a conductor there.” He’d heard my interview, 6,000 miles away.Read More »
The audience in San Sebastian, Spain. Photo: Chris Pinelo
On Monday, the Cincinnati Symphony took a charter flight to Bilbao, Spain, which, if you check your map is midway between its two tour destinations of San Sebastián and Santander. The orchestra performed its Proms program last night (Tuesday) in Palacio de Congresso del Kursaal, San Sebastián as part of that city’s Musical Fortnight Festival. It is a northern port city of breathtaking beauty.
The orchestra was front-page news in a large feature in El Diario Vasco. Tonight (Aug. 30), in the same venue, the orchestra will be joined by violinist Renaud Capuçon in the Bruch Violin Concerto No. 1. On Aug. 31, they’ll repeat that program (which includes John Adams’ “Short Ride in a Fast Machine” and Brahms’ First Symphony) in Santander, in the Palacio de Festivales de Cantabria.
Meanwhile, reviews are still being posted from their U.K. performances. One from a website called Bachtrack wrote about Bernstein’s “On the Waterfront”: “Langrée’s interpretation was spot on; an excellent opening solo from principal horn Elizabeth Freimuth – a real trooper who also made a strong contribution to the Tchaikovsky – was full and evocative with just the right level of cinematic dreaminess.” The reviewer rounded out his views of Tchaikovsky’s Fifth by saying, “Indeed the CSO’s brass section proved to be a major highlight of the evening with its even intonation and broad rotund sound.”
I’ve been noticing that more performing arts organizations seem to be turning to multimedia to augment their presentation. Opening this weekend, the Cincinnati May Festival has hired as its creative partner Gerard McBurney, who will “curate” and “design” two evenings dubbed “Dream Project” at the festival this year. It means adding visuals, projections, actors, atmospheric lighting — whatever — to enhance what otherwise would just be a performance by chorus and orchestra.
A May Festival performance last season in Music Hall, where the visual “spectacle” had no multimedia.
It’s being done around the country — such as in Chicago (where McBurney designed “Beyond the Score” events for the Chicago Symphony), and in San Francisco, where designer/director James Darrah has collaborated on a number of productions. I saw his vision for Beethoven’s Missa Solemnis with Michael Tilson Thomas conducting, which included screens, actors wandering over platforms, projections of the text jumbled up, lighting… To me, it all detracted from the masterpiece at hand and was just too much to absorb.
And yes, the Cincinnati Symphony is also experimenting in a three-year “Pelleas Project” with extra-musical elements, also designed by Darrah.Read More »
Lobby chandeliers will be taken out and replaced with more streamlined “torchiere” lights
Music Hall will close in less than two months, and we’ve been writing a number of updates about the plans. Finally, the Enquirer has a page that is dedicated to renovation stories. Watch for a call for your own Music Hall Memories soon!
Here’s the link. You can also go to cincinnati.com and put Music Hall Renovation in the search box.
Of course, Music Hall is home to the Cincinnati Symphony and Pops Orchestra, Cincinnati Opera, May Festival, and when the rehab is done, Cincinnati Ballet.Read More »