A rendering of the set. Photo provided: CSO/Adam Rigg
James Darrah likes to point out that he has curated the Cincinnati Symphony Orchestra’s “Pelleas Trilogy” in three different phases of Music Hall’s renovation.
CSO music director Louis Langrée’s three year project exploring Maurice Maeterlinck’s 1893 play, “Pelléas et Mélisande” began with Arnold Schoenberg’s tone poem in Music Hall – pre-renovation. It continued last year with Gabriel Fauré’s incidental music to the play when the orchestra was displaced at the Taft Theater.
This weekend, the project culminates in Debussy’s “Pelléas et Mélisande” in the newly renovated Music Hall. The performance is in collaboration with Cincinnati Opera.
“It’s been really fun to bring an opera to life in this space,” says the Los Angeles-based director and designer. “We’re all still learning what we can and can’t do (in the theater). Some things are familiar and some different.”Read More »
I was happy to be invited to appear on a podcast for WCPO’s “Hear Cincinnati” with host Meghan Wesley Thursday to talk about all of the activities this weekend surrounding the opening of Music Hall after its 16-month, $143 million renovation.
The Music Hall segment is about 27 minutes into the podcast. Listen here.
Listen Friday when I visit 91.7 WVXU at 1 p.m., for “Cincinnati Edition.”
And speaking about events, you can find the lineup of free performances and tours during the FREE community open house at Music Hall, starting with a ribbon-cutting at 9:30 a.m. on Saturday at artswave.org. You’ll also catch lots of free performances in Washington Park.
And be sure to take a stroll around the neighborhood to see the newly renovated Memorial Hall, the brand-new Cincinnati Shakespeare Theater and recently expanded Ensemble Theatre. All will be open and offer tours and more.
To save you time, here’s Saturday’s lineup:Read More »
It’s been a privilege. I can truthfully say I have loved every minute of writing about the arts in Cincinnati for the Cincinnati Enquirer. I am thankful to you, the readers of both print and digital, the people who have called me, written letters, followed me on social media, come up to me at Music Hall to say hello or to talk about music, and who have taken my OLLI class, “Behind the Scenes in the Arts.”
It has been a wonderful, totally unexpected ride that became 26 years almost overnight.
From the first day that I walked into the newsroom, never having taken a journalism course, I was starstruck by the people who worked there. What talent and creativity! In those days, I filed a review right after the symphony concert on Friday nights, which meant I raced to my car behind Music Hall, tore Downtown to the Enquirer building while forming the opening lines in my head, and wrote on a deadline of 45 minutes with a copy desk editor barking, “Where’s that review?” Loved those late-night editors, who would fix my typos and write the headlines. The best one described a pianist, to be nameless here, who slogged through a bizarre performance of Rach 2: “(Pianist) phones it in — From Mars.” I was usually home by 2 a.m. and the review was in the morning paper.
With James Conlon and the Cincinnati Symphony Orchestra and May Festival Chorus at Carnegie Hall, May 2014; photo provided by Spring for Music, Steve Sherman
But besides the reviews, I have loved writing stories about people. Sometimes I think that the whole artistic world has passed through Cincinnati. I’ve interviewed and met opera stars, violin legends, conductors, composers, crooners, rockers and movie stars. I couldn’t believe going backstage at the Met to interview Cincinnati’s own James Levine, who had pictures of his childhood home behind his desk. He knew everything happening in the Queen City. His mother, Helen, it turned out, had been sending him all of my clippings.
Then there was Rosemary Clooney. Driving down to Augusta, Kentucky, with photographer Craig Ruttle to spend time in her home was unforgettable. Later, John Kiesewetter, Jim Knippenberg and I covered her funeral. Yes, there were Hollywood stars. But more touching were the folks of Maysville who came out to bring their “girl singer” back home.
With rocker Peter Frampton in his studio at his Indian Hill home talking about his gig with the Pops.With Rosemary Clooney and her husband, Dante DiPaolo
When Erich Kunzel died in 2009, I was proud that Reds announcer Marty Brennaman mentioned during the game the next day that The Enquirer had done a nice job on his obituary. Early that morning, I was interviewed on NPR about the Cincinnati Pops maestro, and the force of nature that he was. And about a week later, I was on tour in Japan with the CSO. On a day off at the mountainous shrine of Nikko, a man in my tour group said as we ate lunch, “Cincinnati. I heard you just lost a conductor there.” He’d heard my interview, 6,000 miles away.Read More »
I had to laugh when I stumbled upon Cincinnati Enquirer critic Henry Humphreys’ description of trying to catch up with the Cincinnati Symphony on its 1966 World Tour. The ’round-the-world tour was famously funded by the U.S. State Department, but apparently, they didn’t fund Henry’s trip… Because of journalistic standards, his — and my — employer has always paid the critic’s way. One of the most common assumptions I hear from readers is that the orchestra pays for and provides accommodations, etc., for the accompanying critic on tours.
Not so. Until about 10 years ago, I was not even allowed on the bus with musicians to get to concert halls in far-away foreign cities, and I always book my own flights and hotels. Once, I nearly missed a show in Vienna’s Musikverein when my connecting flight was canceled from Amsterdam. A flight attendant tracked down my luggage sitting on the tarmac, or it might still be there, and literally threw it on a plane they had found to take me to Wien… I have so many stories. But here’s Henry’s:
“Enquirer music critic Henry S. Humphreys barely made the delayed opening concert of the CSO world tour at Salonika. There was no space available on CSO flights from Athens to Salonika. No bus space. He was sold a train ticket, then thrown off the train because it was over-crowded. He returned to Athens airport, wrangled a seat near crew of plane which took off after a 55-minute argument about whether takeoff should be made. No hotel room in Salonika for Humphreys, so he located attic boarding house space. He could have used a fan — even a palm leaf one, he says.”