In memoriam Peggy Kite

Peggy Wulsin Kite, who grew up during the golden era of the Baldwin Piano Co., which her family owned, passed away yesterday. She had recently suffered from pneumonia.

Mrs. Kite, who still played on one of the two Baldwin pianos in her Montgomery living room, was born in Cincinnati in 1928. She spoke about growing up in her grandparents’ mansion, which sat on 24 acres on Madison Road, and sliding down the banister when the adults weren’t looking. Several years ago, she wrote an extensive personal memoir entitled “The Piano Maker’s Daughter” about her life as the daughter of Lucien Wulsin II, the chief executive of Baldwin, then America’s largest piano company. One of seven children, she liked to say that she was “Opus 6” of the family brood.

She attended Mills College in Oakland, California and knew the Darius Milhauds like family — a relationship that began with Baldwin. Mrs. Kite was a graduate of the University of Michigan.

Here’s a link to the in-depth article I wrote for the Enquirer, with several videos and historic company photos from Cincinnati Museum Center.

About two years ago, I was contacted by a Japanese concert manager, Shoji Sato, regarding an upright Baldwin piano that had survived Hiroshima. They wanted to share a story with Mrs. Kite about the piano and its former owner, and news that an album — “Music for Peace” — had been made on the piano by the American virtuoso Peter Serkin. She was slightly amazed (as was I) and delighted to hear about it. She graciously agreed to be interviewed by NHK World Television to give her opinion of the project. I helped facilitate that interview from Japan with my iPhone as she sat in her kitchen. Here’s the story.

Mostly, I remember Peggy as a warm, unassuming person who loved and supported classical music and all of Cincinnati’s cultural organizations. I never saw her without a smile on her face, and we shared many interesting conversations. I will miss bumping into her at Music Hall.

A memorial service will take place 10:30 a.m. Nov. 23 at the Indian Hill Church, 6000 Drake Road.

Memorial donations may be made to Camp Wekandu, Attn: Daniel Lovell, Division of Rheumatology, Cincinnati Children’s Hospital, 3333 Burnet Ave., MLC 4010, Cincinnati 45229-3039; or to Matinee Musicale Cincinnati, P.O. Box 75197, Fort Thomas, KY, 41075-9998.

In memoriam Alice Weston

Alice Weston with one of her photographs, which I took in her home in 2012

Cincinnati lost a giant in the arts this week when Alice Weston, philanthropist and artist, passed away at age 93. Over the years, I interviewed Alice a number of times on a variety of topics, from her own extraordinary work in photography, shown above, to works she commissioned for the Cincinnati Symphony Orchestra. One of my favorite interviews, though, was conducted with her cousin, Jane Ellis, about their experiences as children in the Philippines.Read More »

Coming up: Paradise for piano lovers

Awadagin Pratt established Art of the Piano nine years ago at CCM

Awadagin Pratt’s 2019 Art of the Piano Festival will pair legendary soloists with young artists from around the globe starting this weekend, May 25 through June 15 at the University of Cincinnati College-Conservatory of Music.

The ninth annual festival will feature 15 renowned artists in recitals and conducting public master classes with rising stars. Besides Pratt, a CCM faculty member, the festival includes the return of legendary pianist Leon Fleisher, as well as Christopher O’Riley, Alexander Korsantia, Boris Berman, Jura Margulis, Maria Murawska and Vladimir Feltsman.

There are also recitals by young artists. The festival will include pre-concert gatherings with food, wine, and talks with the artists and talk-backs with the artists at the close of their concerts.Read More »

May Festival in full swing

View of the stage on Opening Night at the May Festival

Here are last weekend’s reviews:

Friday night’s review of Mark Simpson’s “The Immortal” is published on the national website, Classical Voice North America, free to read by clicking here.

And Saturday’s review is published locally by the Cincinnati Business Courier. Remember that the Arts Front is always free, but you may need to register for a FREE subscription. Click here for the review, and click here to read the season preview.

Tonight, May 23: Craig Hella Johnson leads Cincinnati’s Vocal Arts Ensemble in a performance of his own oratorio, “Considering Matthew Shepard.” The work provides “a space for reflection, consideration and unity around (Matthew Shepard’s) life and legacy,” Johnson says. Rod Caspers, stage director. 7 p.m., Corbett Auditorium, CCM. (Note the show is moved from PCT due to ticket demand.)

Herald trumpets hail the season

Friday, May 24: Music director laureate James Conlon returns to the Festival for the first time since 2016 to lead Mussorgsky’s Prologue and Farewell Scene from “Boris Godunov,” Boito’s Prologue from “Mefistofele” and Mahler’s “Das Klagende Lied,” with soloists Morris Robinson, Sarah Vautour, Taylor Raven, Richard Trey Smagur, John Siarris and Donnie Ray Albert. Conlon gives the preconcert lecture at 7 p.m. in Springer Auditorium.

NOTE THE EARLY START TIME, Saturday, May 25: Juanjo Mena leads J.S. Bach’s “St. Matthew Passion” with soloists Berit Norbakken Solset, Carlos Mena, Werner Güra, James Newby, Andrew Stenson and Hanno Müller-Brachmann and the May Festival Youth Chorus.  7 p.m., Music Hall (Note the early start time).

And here’s the review of the second weekend.

Covenant-First Presbyterian to host first annual organ festival

The historic Austin Pipe Organ at Covenant-First Presbyterian Church

Covenant-First Presbyterian Church in downtown Cincinnati is inaugurating its first annual organ festival in partnership with the University of Cincinnati College-Conservatory of Music, March 3 and 4 at the Elm Street church.

The church will host a free recital at 4 p.m. on Sunday, March 3, with renowned organist Andrew Henderson. A public master class will follow on March 4.

Currently director of music and organist at Madison Avenue Presbyterian Church in New York City, Dr. Henderson is chair of the organ department at the Manhattan School of Music and organ instructor at Teachers College, Columbia University. He is also the associate organist at New York City’s Temple Emanu-El, one of the world’s largest Jewish houses of worship.

The native of Thorold, Ontario, received degrees from Cambridge, Yale University and Juilliard.

“Andrew Henderson is an acclaimed organist who works as a performer, teacher, conductor, and musician of churches and synagogues in many of Manhattan’s most distinguished venues. His diverse program will highlight the color, depth and power of the organ at Covenant-First Presbyterian Church,” said Michael Unger, professor of organ and harpsichord at CCM. “He is an engaging, dynamic and thoughtful musician.”

Organist Andrew Henderson

Henderson will perform on the church’s historic, century-old Austin Pipe Organ. Built by the Austin Organ Co. of Hartford, Connecticut and installed in 1915, it was considered one of the largest organs in this part of the country, with 51 stops and more than 3,100 pipes.

His program –music of J.S. Bach, Bruhns, Sowerby and Mulet — includes works by composers with connections to his current post at New York’s Madison Avenue Presbyterian Church.

On Monday, 10 a.m. to noon, March 4, Henderson will lead a masterclass/workshop that will showcase the talents of CCM students in Unger’s studio. The event will focus on topics for church musicians.

Both events are free and open to the public at Covenant-First Presbyterian Church, 717 Elm Street, downtown.

The church will also sponsor a dinner at Moerlein Lager House for Dr. Henderson, Dr. Unger and CCM organ students.

The Austin Pipe Organ was given by Mrs. W. W. Seely in memory of her husband, Dr. William Wallace Seely. Following a fire in April, 1960, the organ was completely restored by Charles D. and James Hildreth and has since been updated and renovated in 1974, 1999, and 2000.

For more information, visit covfirstchurch.org; 513-621-4144.

Scot Woolley was a multi-talented performer and mentor to many

Scot Woolley at the keyboard with his brother, CSO violinist Stacey Woolley

Scot Woolley will be remembered as one of Cincinnati’s brightest stars and an indispensable member of the region’s arts community from Northern Kentucky to Dayton.

He was a gifted pianist, singer, conductor, arranger, dancer and composer who worked around the world. He was an adjunct faculty member at the University of Cincinnati College-Conservatory of Music and a faculty member at Wright State University, where he was music director and voice instructor.

Mr. Woolley died on Jan. 26 after suffering a medical emergency while driving to his Westwood home. He was 60.

“A terrible void has been left and nobody can fill it,” said his brother, Stacey Woolley, a violinist in the Cincinnati Symphony Orchestra. “Scot really revered the Great American Songbook and the old Broadway. He loved Jerome Kern, Cole Porter, Harold Arlen, Richard Rodgers, Irving Berlin and George Gershwin. He revered the lyrics of Johnny Mercer and the high bar that was set by the MGM Studio. That’s what he tried to pass along to the generation that followed, that you must look back and understand that you’re all standing on the shoulders of giants.”Read More »

A father’s meaningful memorial to his son

Jordan McFaull

Rod McFaull, of Ft. Mitchell, wanted to make a lasting memorial to his son, Jordan, who died tragically at age 26 in 2015 of complications from diabetes. Jordan, who had just finished his first year practicing maritime law in New Orleans, loved classical music. He studied viola with Dorotea Vismara Hoffman at CCM Prep, at the University of Cincinnati College-Conservatory of Music. McFaull decided that a fitting tribute to his son would be to commission a new string quartet in his memory.

On Nov. 15, Kyle Werner’s String Quartet No. 2, “In Memory,” was given its world premiere at CCM.Read More »

Who are the next leaders in the arts?

One of the most interesting stories I have had the privilege to write for the Business Courier was about 10 up-and-coming young arts patrons who will be guiding our great Cincinnati arts institutions in the decades to come. For as long as I’ve covered the arts here, there has been hand-wringing over who will replace those great philanthropists and board leaders who have gone before. The Nipperts and Corbetts are just two of most well-known names from the previous generation, among many others.

Cincinnati has a great history of generosity and stewardship that goes back more than a century. You only need to consider this:

The CSO turns 125 in 2020

Cincinnati Opera turns 100 in 2020

Art Academy of Cincinnati turns 150 in 2019

UC’s College-Conservatory of Music is celebrating its 150th this year.

That kind of legacy takes leadership and creativity. And it takes changing with the times. Who could have imagined that an arts event called Blink could bring a million people downtown last year?

These young leaders already hold some of the city’s most important board roles. I think the arts are and will be in very good hands.

So who are the 10? Read the story here.

Where to find arts news and reviews: Visit the new Arts Front at bizjournals.com/cincinnati. It’s free, but you may need to register for a free subscription. For the latest CSO review of Beethoven’s Ninth, click here.

Tessa Lark dazzles in masterworks, bluegrass at Matinee Musicale

Tessa Lark

For Tessa Lark, performing in Cincinnati on Thursday was “basically coming home.” The violinist, who has appeared with dozens of American orchestras and is a Naumburg winner, among other prestigious awards, made an impressive recital debut at Matinee Musicale.

Cincinnati — specifically, the University of Cincinnati College-Conservatory of Music — was a kind of second home during her early years. Between the ages of 11 and 18, her mother drove her two hours each way every Saturday from Richmond, KY, to work with master teacher Kurt Sassmannshaus in CCM’s Starling Preparatory String Project, a program for vastly talented kids. She made her Cincinnati Symphony Orchestra debut at age 16.

Now 29, she plays with an easy virtuosity. But she also charmed the audience at Anderson Center on Thursday with her down-to-earth personality and sense of humor as she spoke about each piece that she was performing with her pianist, Andrew Armstrong.Read More »