Julian Schwarz and Marika Bournaki. photo by Gayna Bassin
The married duo of cellist Julian Schwarz and pianist Marika Bournaki performed an excellent program for Matinee Musicale on Sunday, Oct. 29 in Memorial Hall. Schwarz is now one of my favorite cellists. He communicated with a big, warm tone and a romantic vibrato in Schumann’s Adagio and Allegro, a work originally scored for French horn. He smiled as he played the phrases of Brahms’ Sonata No. 1 in E Minor — and notably, he performed his entire program from memory. (Schwarz performs on Neapolitan cello by Gennaro Gagliano of 1743.)
But mainly, it was a joy to hear both of these virtuoso performers. Bournaki has previously appeared on the Xavier Piano Series, and is also a stunning collaborator. There was seamless communication between the two.Read More »
Due to illness, Audra McDonald is unable to perform with the Cincinnati Pops on Sunday, October 8, as previously scheduled. All tickets will be automatically transferred to the new concert date: Sunday, February 4, 2024, 7:30pm at Music Hall. For alternative ticket options, we request that ticket holders contact the CSO Box Office at 513.381.3300 beginning Monday, October 9 at 10am for assistance.
Ramn Tebar last April with CSO. Photo by Tyler Secor/CSO
The Cincinnati Symphony Orchestra has just announced a last-minute addition to the 2023-24 season. Guest conductor Ramón Tebar will be leading a full program on Oct. 18 in Music Hall. Tebar’s program includes John Adams’ Short Ride in a Fast Machine; Beethoven’s Piano Concerto No. 4 with the superb pianist Jonathan Biss; and Tchaikovsky’s Symphony No. 4.
It’s an interesting addition, considering that the CSO is in the middle of a search for its next music director.
Tebar is currently principal conductor with the Orquesta de Valencia and artistic director of Opera Naples. He was previously artistic director of the Florida Grand Opera and principal guest conductor of Valencia’s Palau de les Arts Reina Sofia. He has conducted in the pit of Cincinnati Opera a number of times, most recently for “Carmen” outdoors at Summit Park in 2021 during the pandemic.
Here’s my impression of the concert he led last April in Mussorgsky’s “Pictures at an Exhibition” in the Ravel orchestration. Tebar’s style is elegant and confident. He knew how to inspire energy in the dramatic moments, but this was also a performance that breathed, sometimes with lingering pauses between numbers, as if allowing the observer to ponder that picture in the gallery before moving on.
The concert is at 7:30 p.m. Oct. 13. Tickets: 513-381-3300, cincinnatisymphony.org
David Klingshirn, board member Trish Bryan, right, and Nina Perlove, former Hall of Fame Executive Director, presenting Philip Glass his medallion during a Cincinnati Symphony Orchestra concert in 2014. Photo provided.
David Allan Klingshirn was one of Cincinnati’s biggest boosters, who loved the city and its arts. He was the founder of the Cincinnati-based American Classical Music Hall of Fame, which has recognized 165 individuals and institutions across the nation. Anxious to shine a light on classical music, which he believed received less recognition than sports, Mr. Klingshirn was fond of saying, “Cincinnati has major-league sports and major-league classical music.”
Mr. Klingshirn died at his home in Cincinnati on June 20. He was 84.
“David was a visionary who loved classical music and its ability to touch our souls and enrich our lives,” Gary Ingle, president of the Hall of Fame’s board of directors and CEO of the Music Teachers National Association. “He was a passionate advocate for classical music and guided the Hall of Fame tirelessly for these 27 years. The death of our founder is a deeply felt loss for all of us. Our hearts are heavy but filled with gratitude for David and the great legacy he leaves. His legacy will live on through the work we will continue to do together to advance the mission and goals of this very special organization.”
The Cincinnati businessman was the owner of Tischbein Pharmacies for 30 years. In 2004, he was ordained a Deacon for the Archdiocese of Cincinnati and served at St. Peter in Chains Cathedral and St. Margaret’s Hall. Read More »
The Indiana University Jacobs School of Music announced yesterday the death of renowned pianist André Watts on July 12. The artist was 77. Mr. Watts, a frequent guest artist in Cincinnati, was distinguished professor of piano and the Jack I. and Dora B. Hamlin Endowed Chair in Music at the university. He joined the faculty there in 2004.
Mr. Watts was a brilliant statesman of the art form and a piano superstar, celebrated across the globe as a musical genius. At age 16 in 1962, Mr. Watts won a competition to play in Leonard Bernstein’s televised “Young People’s Concerts” series with the New York Philharmonic. A year later, he stepped in to play for Glenn Gould with the New York Philharmonic, launching a performance career that would span more than 60 years.
“André was first and foremost a gentleman who had a profound understanding of the human experience,” said Eugene Pridonoff, emeritus professor of piano at the University of Cincinnati College-Conservatory of Music. “His humility was genuine and he never let his fame define him. This was reflected in his music making that was always in service to the music and never about him. He will be greatly missed!”
Mr. Watts was beloved by Cincinnati audiences. He appeared in 17 subscription weekends with the Cincinnati Symphony Orchestra, beginning in March of 1970, when he performed Rachmaninoff’s Piano Concerto No. 3 in D Minor. He also appeared with the Cincinnati Symphony at Carnegie Hall in 1977, performing Brahms’ Piano Concerto No. 2 under the baton of Leonard Bernstein.Read More »
Muti and Palumbo taking bows following a superb performance of Beethoven’s Missa Solemnis.
A couple of weeks ago, I was able to visit Chicago for the annual meeting of the Music Critics Association of North America. It’s always eye-opening to revisit a city with exceptional arts. On this occasion, we visited Orchestra Hall for the final — and deeply moving — program led by Chicago Symphony Orchestra music director Riccardo Muti, Beethoven’s Missa Solemnis. We also went to Haymarket Opera Company at DePaul University for a rare mounting of Johann Hesse’s Marc’Antonio e Cleopatra. And on the lighter side, there was Leonard Bernstein’s West Side Story at Lyric Opera of Chicago. All of that in two days, as well as our own panel discussions … Below are some of my random impressions.
Muti and Missa Solemnis –It’s interesting that with his distinguished career, Muti, 81, had not felt “ready” to conduct the Missa Solemnis until recently. (His only other performance was with the Vienna Philharmonic in Salzburg in 2021.) “I felt not worthy even to touch the score,” he said in an interview with program annotator Phillip Huscher. He quoted Carlos Kleiber, who said, “There is some music that is better if it stays on the paper.”
Whether because of Muti’s solemn view of this work, or because it was his final set of concerts, Muti’s reading was deeply reverent, even meditative at times. I was instantly struck by the warmth and stunning ensemble of the strings in the opening Kyrie. The sound of the Chicago Symphony Chorus, prepared by the Met’s Donald Palumbo, was hushed but full. The four excellent soloists (Erin Morley, Alisa Kolosova, Giovanni Sala and Kyle Ketelsen) phrased seamlessly in a flowing legato. The Gloria was an exuberant contrast, with short attack in orchestra and chorus and an electrifying fugue. The clarity in the acoustical space of Orchestra Hall was stunning — I could hear every word. Powerful outbursts had a kind of controlled brilliance. Muti moved little as he conducted, and the music breathed from beginning to end. (I invite you to read the full review by my MCANA colleague Arthur Kaptainis on Classical Voice North America.)
I was thinking during the performance of the many connections between Cincinnati and Chicago. There was, of course, Theodore Thomas, who founded the Cincinnati May Festival in 1873 and was founding director of the College of Music (later CCM) before becoming the founding music director of the Chicago Symphony Orchestra in 1891. Fritz Reiner was CSO music director before going to Chicago. The current principal cellist, John Sharp, was formerly principal cellist of the Cincinnati Symphony. (I’m sure that some of you will think of other connections.)
And the Chicago Symphony’s current president Jeff Alexander was formerly with the Cincinnati Symphony. Alexander praised Muti’s 13-year tenure and he and the board chair announced that he will be “Music Director Emeritus for Life.” To the audience’s delight, Muti spoke engagingly about his time in Chicago, displaying quite a sense of humor.
It will be interesting to follow Chicago’s music director search, even as the Cincinnati Symphony Orchestra is also searching.
Thoughts on the operatic productions I saw in Chicago to follow…
Due to inclement weather, the KSO’s “Boogie Nights” concert has moved from Devou Park to Greaves Concert Hall on the campus of Northern Kentucky University. Free parking in Lots I and D. Doors open at 6:30 p.m. Free, general seating with wheelchair accessible area. Food and drinks are not allowed in the concert hall.
Time travel with the KSO’s Boogie Band and vocalists to the era of bell-bottoms, Afros, platform shoes, and the music of Donna Summer, KC & the Sunshine Band, ABBA, The Village People, The Bee-Gees and many more. You will be dancing.
In recent years, Cincinnati Opera has kicked off its season with a free concert in Washington Park, OTR
Passing on this notice regarding tonight’s outdoor opera concert in Washington Park:
Due to the ongoing threat of inclement weather, and out of concern for the safety of our audience, artists, crew members, and staff, the outdoor Opera in the Park concert scheduled for Sunday, June 11, at 7:30 p.m. has been canceled.
The CSO Brass Institute performance will go on as scheduled at 6:00 p.m. but will take place indoors at First Lutheran Church located adjacent to Washington Park at 1208 Race Street.
This is always a busy time of year for Cincinnati’s classical music organizations. I’ve heard some extraordinary concerts between covering the concerts of the Cincinnati Symphony Orchestra (you can find CSO, May Festival, Cincinnati Opera and other reviews here).
Here are a few of my impressions of some other shows, including the debut of a new piano quartet, a stunning piano duo recital and a world premiere at concert:nova:
Linton Chamber Music series, April 24: Besides the piano trio literature, piano quartets are among my favorite genres. So I couldn’t wait to hear the debut of a new ensemble at the Linton Music Series, the Espressivo! Piano Quartet.
Its anchors are the indefatigable Jaime Laredo (violin) and Sharon Robinson (cello), who also serve as co-artistic directors. Rounding out the quartet are pianist Anna Polonsky and violist Milena Pajaro-van de Stadt, both superb artists.
In the wake the death of the esteemed pianist Joseph Kalichstein, who died in March 2022 at age 76, Laredo and Robinson did not want to revisit the piano trio literature that they shared for decades with their extraordinary pianist, “Yossi.” I’m so glad that they have decided to explore the quartets. The “Encore” concert I heard at Congregation Beth Adam was deeply rewarding.Read More »
Menahem Pressler: “Many people would now would take it easy, have a home in Florida – I don’t need any of those things. I need my Schubert, I need my Beethoven, I need my Brahms, I need my Bach. I need those to be sustained.” Photo provided by Indiana University
Menahem Pressler, the distinguished pianist and founding member of the Beaux Arts Trio, died today, May 6, in London. He was 99.
The Indiana University Jacobs School of Music announced the death of the distinguished professor of music in piano and Dean Charles H. Webb Chair in Music. He joined the Jacobs School of Music faculty in 1955 and received the Indiana University Medal in 2013.
“Mr. Pressler was a brilliant pianist, an extraordinary teacher, and gentle soul who has left an indelible mark on generations of pianists around the globe,” IU Jacobs School of Music dean Abra Bush said in a statement. “He believed that his ‘performance informed his practice, and his practice informed his performance,’ and he loved nothing more than practicing! His loss is an enormous loss for us all, but his presence will continue to be felt through his students, past and present, for decades to come.”
Since the trio’s debut at the Berkshire Music Festival in 1955, there were multiple constellations of players over nearly 55 years. But Mr. Pressler remained the anchor, and its heart and soul. After the Beaux Arts Trio’s final, emotional performance in 2008 (with violinist Daniel Hope, cellist Antonio Meneses), Mr. Pressler continued to captivate audiences throughout the world, performing solo and chamber music recitals to great critical acclaim while maintaining a dedicated teaching career.
Mr. Pressler performed many times in Cincinnati over his remarkable 70-plus-year career. In 1962, the original Beaux Arts Trio with violinist Daniel Guilet and cellist Bernard Greenhouse, performed for Matinee Musicale, the first of five performances for that organization alone.Read More »
