Impressive musical lineup to benefit Literacy Council

Lit_Council1 image 2019Next Sunday, June 23, an impressive lineup of local classical musicians will come together for a concert to benefit the Literacy Council of Clermont & Brown Counties. Reach for the Stars will take place at 4 p.m. June 23 at Knox Presbyterian Church in Hyde Park.

Spearheaded by Suzanne Bona, host of the nationally broadcast public radio program “Sunday Baroque” and an accomplished musician, the concert aims to raise awareness and funds for adult literacy.

“With the upcoming 50th Anniversary of the Apollo 11 moon landing, we thought it would be fun to feature music with astronomical themes such as Holst’s ‘Mars’ and Beethoven’s ‘Moonlight’ Sonata,” said Bona. “Plus, Reach for the Stars is what the clients of the Literacy Council do every day as they open up the world of possibilities reading can bring.”Read More »

Der Freischütz hits the mark in rare American performance by Queen City Opera

The hunters carried assault rifles in Queen City Opera’s “Der Freischütz.” Photo by Tina Gutierrez

It’s amazing that Carl Maria von Weber’s 1821 opera, “Der Freischütz,” is rarely performed in the United States. The early German romantic opera – which Queen City Opera loosely translated as “The Magic Bullets,” has a rich orchestral score, wonderful choruses and arias and a supernatural story. It’s easy to see how it paved the way to the German opera that was to come, especially that of Richard Wagner.

Isaac Selya, founder and artistic director of Queen City Opera and conductor for the production, told me in an interview for the Cincinnati Business Courier that the opera has only been performed once before in Ohio, by Cincinnati Opera in 1933. According to Operavore, the Met last performed this early romantic gem in 1972.

On Sunday, I joined many other opera lovers who were curious to see and hear Weber’s under-appreciated work, which was staged by Rebecca Herman. Read More »

Coming up: Paradise for piano lovers

Awadagin Pratt established Art of the Piano nine years ago at CCM

Awadagin Pratt’s 2019 Art of the Piano Festival will pair legendary soloists with young artists from around the globe starting this weekend, May 25 through June 15 at the University of Cincinnati College-Conservatory of Music.

The ninth annual festival will feature 15 renowned artists in recitals and conducting public master classes with rising stars. Besides Pratt, a CCM faculty member, the festival includes the return of legendary pianist Leon Fleisher, as well as Christopher O’Riley, Alexander Korsantia, Boris Berman, Jura Margulis, Maria Murawska and Vladimir Feltsman.

There are also recitals by young artists. The festival will include pre-concert gatherings with food, wine, and talks with the artists and talk-backs with the artists at the close of their concerts.Read More »

May Festival in full swing

View of the stage on Opening Night at the May Festival

Here are last weekend’s reviews:

Friday night’s review of Mark Simpson’s “The Immortal” is published on the national website, Classical Voice North America, free to read by clicking here.

And Saturday’s review is published locally by the Cincinnati Business Courier. Remember that the Arts Front is always free, but you may need to register for a FREE subscription. Click here for the review, and click here to read the season preview.

Tonight, May 23: Craig Hella Johnson leads Cincinnati’s Vocal Arts Ensemble in a performance of his own oratorio, “Considering Matthew Shepard.” The work provides “a space for reflection, consideration and unity around (Matthew Shepard’s) life and legacy,” Johnson says. Rod Caspers, stage director. 7 p.m., Corbett Auditorium, CCM. (Note the show is moved from PCT due to ticket demand.)

Herald trumpets hail the season

Friday, May 24: Music director laureate James Conlon returns to the Festival for the first time since 2016 to lead Mussorgsky’s Prologue and Farewell Scene from “Boris Godunov,” Boito’s Prologue from “Mefistofele” and Mahler’s “Das Klagende Lied,” with soloists Morris Robinson, Sarah Vautour, Taylor Raven, Richard Trey Smagur, John Siarris and Donnie Ray Albert. Conlon gives the preconcert lecture at 7 p.m. in Springer Auditorium.

NOTE THE EARLY START TIME, Saturday, May 25: Juanjo Mena leads J.S. Bach’s “St. Matthew Passion” with soloists Berit Norbakken Solset, Carlos Mena, Werner Güra, James Newby, Andrew Stenson and Hanno Müller-Brachmann and the May Festival Youth Chorus.  7 p.m., Music Hall (Note the early start time).

And here’s the review of the second weekend.

Vocal pyrotechnics by Roomful of Teeth at May Festival

Roomful of Teeth played the Woodward Theater for the May Festival. Photo provided/Lee Snow

It’s hard to categorize Roomful of Teeth, a vocal octet that calls itself a “vocal project.” On Wednesday, the singers — Abigail Lennox and Martha Cluver, sopranos; Alexandra Colaizzi and Virginia Kelsey, altos; Eric Dudley, tenor (former assistant conductor of the Cincinnati Symphony Orchestra); Avery Griffin, baritone; Thann Scoggin, bass-baritone, and Cameron Beauchamp, bass — amazed a sold-out house with their vocal pyrotechnics at the Woodward Theater in Over-the-Rhine.

There were about 150 music lovers, with a space for standing room, for this sold-out “extra” concert, a first at the 146-year-old Cincinnati May Festival.

It’s safe to say that their style of singing is unusual, if not revolutionary. Their musical palette — some of which was showcased in their first number, Caroline Shaw’s Partita for 8 Voices — included whispering, throat singing, bending of tones, yodeling and possibly some Bulgarian belting, one of their specialties. It was performed with amplification, but nothing, I’m told, was electronically manipulated — which made the feats they achieved even more stunning.Read More »

How pianist Frederic Chiu — at Xavier this week — fell in love with Prokofiev

Pianist Frederic Chiu/photo by Chris Craymer

I’m always inspired when I hear a recital by a remarkable pianist. Frederic Chiu returns to Cincinnati this Sunday, 2:30 p.m. April 28, in Xavier University’s Gallagher Center Theater for an all-Prokofiev program for the Xavier Piano Series.

Chiu’s early career followed a traditional path — such as winning an Avery Fisher Career Grant, and becoming perhaps more famous as a “non-winner” of the 1993 Van Cliburn Competition than the actual winner because of the uproar caused by his elimination.

Since then, his career has been anything but traditional. For starters, he’s a savvy marketer on the Internet. His Chopin Etudes have gone viral on YouTube, with more than 200,000 views.

Then, there’s Prokofiev’s music, to which he’s devoted a lifetime to performing and recording.  Here is his Q&A with me, where he explains how he developed his affinity for the Russian composer — and much more.

Q: When it comes to Prokofiev, have you made more recordings than anyone of his complete piano literature?

When you say complete piano recordings, it can be many different things. I think my complete Prokofiev is perhaps the most extensive collection, because I’ve included a number of transcriptions and added my own, so I feel like I’ve covered a lot more ground that most.Read More »

CSO announces soloist for season finale

Stefani Matsuo
Photo by Jake Anderson

The Cincinnati Symphony Orchestra has announced that Stefani Matsuo, its new associate concertmaster, will perform as soloist in Mozart’s Violin Concerto No. 4 in the season finale concerts, May 10 and 11 in Music Hall.

She replaces the originally announced concertmaster emeritus Timothy Lees, who recently retired from the orchestra due to an ongoing nerve injury affecting his left hand. 

The second half of the program led by Music Director Louis Langrée remains unchanged with Mahler’s Symphony No. 5.

Matsuo joined the CSO in 2015 and was appointed associate concertmaster in 2018. With the orchestra undergoing a search for a concertmaster, she has performed a number of solos this season, including a sold-out Baroque program with Richard Egarr in January. (Here’s the review.)

 

 

Ed Stern, former Playhouse producing artistic director, has died at 72

 

Ed Stern / Photo by Keith Jochim

By now you have heard that Ed Stern, former producing artistic director of Cincinnati Playhouse in the Park, has died. The Playhouse posted this statement:

It is with profound sadness that we share the passing of Ed Stern (1946-2019).

Ed served as the Playhouse’s Producing Artistic Director for 20 years from 1992 – 2012, fully one-third of the Playhouse’s history. During his tenure, the Playhouse won two Tony Awards, had three shows on Broadway and one off-Broadway, had productions on four continents, established a new play commissioning program, greatly expanded our education and outreach programs and completed a major renovation of the Playhouse’s public and production support spaces in 1997. Ed set the bar for theatrical artistic excellence within our community. Beyond that, he helped foster the growth of the other professional theatres in town and championed all of the arts. He will long be remembered as one of the Playhouse’s key leaders.

Ed will be deeply missed.

Here is my tribute, for the Cincinnati Business Courier. (The Arts Front may be read for free.)

Donations in his memory may be made to the Edward J. Stern Endowment for Artistic Excellence at Playhouse in the Park or to the University of Virginia Theatre Department.

At the CSO: Young composers’ works to be heard, and $15 ticket deal this weekend

The Cincinnati Symphony Orchestra is teaming up with the League of American Orchestras to support “Orchestras Feeding America” this weekend. Bring a nonperishable food item to benefit Cincinnati’s Freestore Foodbank in bins at the Music Hall Box Office. Donations will be collected at the CSO’s Young Composers Concert on March 29, or the CSO on Saturday March 30 or Sunday March 31 in Music Hall.

Stop by the box office between now and Sunday to receive a $15 ticket to Sunday afternoon’s Beethoven concert.

About the Young Composers Concert: The CSO has held a Young Composers Workshop led by composer-in-residence Jonathan Bailey Holland. Five young composers will have their works performed by the CSO during a FREE concert, 8 p.m. Friday March 29 in Music Hall.

The composers, ages 17 through 22, are: Joshua Baerwald; Pierce Baruk, Mabie Lecrone, Walker Smith and Chanceloor Waye.

Get your complimentary ticket on the CSO website.

The CSO program for this weekend’s concerts, conducted by Louis Langrée: Jonathan Bailey Holland’s Halcyon Sun; Prokofiev’s Violin Concerto No. 2 and Beethoven’s Symphony No. 2.  The soloist in the Prokofiev is Violinist Esther Yoo.

Information: cincinnatisymphony.org; 513-381-3300

Michael Gielen championed modern music, led CSO through the ’80s

Michael Gielen was the CSO’s 10th music director. Photo courtesy of the Cincinnati Symphony Orchestra

The distinguished German-born conductor Michael Gielen, who led the Cincinnati Symphony Orchestra in the 1980s, died of pneumonia on March 8 at his home in Mondsee, Austria. He was 91.

Gielen was appointed the 10th music director of the Cincinnati Symphony Orchestra, serving from 1980 to 1986. He succeeded music adviser Walter Susskind, who stepped in for two seasons following the untimely death of Thomas Schippers in 1977.

An ardent champion of contemporary music, Gielen was one of the most important conductors of his generation.

As a music director, Gielen’s preference for programming the music of the Second Viennese School didn’t always endear him to Cincinnati audiences. But during his tenure, his discipline and exceptional ear became legendary, and the orchestra achieved new heights as a polished performing ensemble.

“Many felt that, through no fault of its own, the orchestra had lost some of its technical edge. Though his tenure was a brief six years, Michael’s strong, consistent artistic leadership restored the CSO’s luster and musical discipline,” said David Loebel, associate conductor of orchestras at the New England Conservatory, who was Gielen’s assistant conductor during his tenure.

“Many bristled at his demanding programs, which were meant to challenge and enlighten rather than merely entertain,” Loebel said. “Those who attended one of his CSO concerts expecting to relax and have pretty sounds wash over them were bound to be disappointed. Those willing to be exposed to worthwhile music they had never heard and to discover new things about the music they already knew, usually left exhilarated.”Read More »