The Cincinnati Chamber Orchestra’s 12th Summermusik festival will hail America at 250 whil it carries on the orchestra’s tradition of imaginative programs across the city and region. This summer’s festival, Aug. 4-29, will included the artist debuts of renowned cellist Zuill Bailey and Fabiola Méndez, a virtuoso of the cuatro, a Latin American string instrument.
Eckart Preu is music director of the Cincinnati Chamber Orchestra
Eckart Preu, music director of the CCO, will open the mainstage season with the world premiere of “Visions of Humanity and Unity,” featuring Bailey as soloist. The cello concerto is a tribute to America’s 250th birthday this year, and each of its five movements is composed by a different composer: Mark O’Connor, Avner Dorman, Enrico Chapela, Zhou Tian and Chanda Dancy.
Cincinnati-based opera soprano Victoria Okafor joins the CCO for a semi-staged performance of Kurt Weill’s 20th century masterpiece “The Seven Deadly Sins.” And audience favorite Roger Klug returns to The Redmoor for a Chamber Crawl highlighting the legacy of American rock legends such as Bob Dylan and the Beach Boys’ Brian Wilson.
The festival will continue the successful mix of four mainstage concerts at the School for Creative and Performing Arts, as well as weeknight “Chamber Crawls” and Sunday matinees dubbed “A Little Afternoon Musik.” Read More »
The Israeli Chamber Project with violinist Antje Weithaas played Chamber Music Cincinnati this week.
Imagine being a touring musician while your country is at war. Clarinetist Tibi Cziger and his wife cellist Michal Korman were in a safe room with their three children in Tel Aviv when their home was hit and damaged by a bomb from Iran. The couple, members of the Israeli Chamber Project, were on the brink of their North American tour. They quickly decided that Korman would stay home with their traumatized children, while Cziger would travel to the U.S.
So began an odyssey just to get here. Cziger, who is founder and artistic director of the Israeli Chamber Project, and flutist Guy Eshed, principal flutist of the Israel Philharmonic Orchestra, flew from Tel Aviv to Athens to Zurich to Chicago. (The others were coming from New York, Georgia and Germany.) From Chicago, the musicians were unable to get a flight to Cincinnati. The group, based in Israel and New York, had already been forced to make changes with some substitute players for their first two tour performances due to their travel woes. They decided to drive.
The fact that they arrived on time for their Chamber Music Cincinnati performance on March 24 in Memorial Hall was nothing short of a miracle. Their performance was not only a feat of superb artistry and virtuosity, but also of grit, determination and even courage. The audience stood for lengthy ovations at its conclusion.
For the tour, the ensemble joined with the distinguished violinist Antje Weithaas, now a professor at Berlin’s Hochschule fur Musik, and named “Instrumentalist of the Year” at Germany’s 2025 Opus Klassic. Besides Cziger and Eshed, the ensemble was rounded out by violinist Itamar Zorman (winner of the 2013 Avery Fisher Career Grant and the 2011 International Tchaikovsky Competition); violist Guy Ben-Ziony (currently visiting professor at the Robert Schumann University of Music and Media in Düsseldorf); and pianist Assaff Weisman, a graduate of The Juilliard School where he now teaches. Cellist James Kim admirably stepped in at the last minute to play for Michal Korman for the whole tour. He is on the faculty of University of Georgia’s Hugh Hodgson School of Music and cellist of the Lysander Piano Trio.
They opened with Bernard Hermann’s “Souvenir de Voyage” for clarinet and string quartet. The first movement’s theme, a haunting tune set against lush strings, was ideal for the rich timbre of Cziger’s clarinet. Clarinet and violin traded themes much of the time, and their phrases were were tinged with nostalgia in the slow movement, Berceuse. The evocative finale was inspired by J.M. W. Turner’s Venetian watercolors, and began in the two violins, almost like a Kreisler miniature. Hermann, of course, is revered for his film scores, and these souvenirs were like small cinematic gems, and a wonderful discovery.Read More »
Conductor James Conlon is back in town to lead a program of Haydn, Mozart and Beethoven with the Cincinnati Symphony Orchestra this weekend at Music Hall.
Violinist Blake Pouliot
However, his soloist has changed. Yesterday the orchestra announced that the planned soloist, violinist Renaud Capuçon, is unable to be here due to an ear infection. He has been advised by a medical professional not to fly at this time. Violinist Blake Pouliot (pool-YACHT) has agreed to step in for Capuçon to play the scheduled Mozart Violin Concerto No. 3.
Pouliot studied violin in Canada with Marie Bérard and Erika Raum, and he completed his training as an associate of The Royal Conservatory of Music in Toronto. He graduated from the Colburn School Conservatory of Music, where he studied with Robert Lipsett, the Jascha Heifetz Distinguished Violin Chair.
Pouliot performs on the 1729 Guarneri del Gesù on generous loan from an anonymous donor.
Conlon is Music Director Laureate of the Cincinnati May Festival, which he served for an unprecedented 37 years. He is in his 20th and final season as Music Director of LA Opera. His career of more than 50 years has taken him to the world’s most significant stages, and he is one of our country’s greatest advocates for classical music. For more, visit jamesconlon.com.
CCM’s Opera Department mounted a double bill, including Poulenc’s “Les Mamelles de Tirésias,” shown above. Photos by Mark Lyons
In Poulenc’s surreal opera “Les Mamelles de Tirésias,” (The Breasts of Tirésias), Thérèse opened her blouse and two balloons popped out. As her “breasts” floated away, Thérèse, who decided to become a feminist, promptly popped them, grew a beard, changed her name to Tirésias and sang a ravishing waltz.
It was giggly, outrageous and in many ways, timeless.
Jose Maria Condemi, the new Associate Director of Opera at the University of Cincinnati College-Conservatory of Music, made his directorial debut over the weekend with an impressive double bill of Kurt Weill’s “Mahagonny Songspiel” and Francis Poulenc’s “Les Mamelles de Tirésias.”
Smartly staged and featuring a cast of fresh rising-stars and imaginative sets by students Luke Dufilho (Mahagonny) and EJ Goodman (Les Mamelles), it was an enchanting evening of theater. From the steamy, dissolute world of Kurt Weill’s Mahagonny to Poulenc’s surreal fantasy of Zanzibar — where a man could produce 40,049 babies in one day — the audience was alternately riveted and howling with laughter.
Condemi, who is an alumnus of CCM and has an extensive portfolio, joined the faculty in August of 2025. He’s familiar to Cincinnati Opera fans, who saw him stage “Ainadamar,” “Don Giovanni,” “La Traviata,” “Tosca” and “Lucia di Lammermoor.”
In the small orchestra pit, these two jazzy and bubbly scores received spirited readings by CCM musicians, conducted by William Langley, currently resident conductor of the Atlanta Symphony Orchestra, among other titles. He’s a gifted and very busy maestro, and has returned several times to lead productions at his alma mater, CCM, where he earned a Master’s Degree with Mark Gibson.
The cast of Kurt Weill’s “Mahagonny Songspiel”
Kurt Weill and Bertolt Brecht’s “Mahagonny Songspiel” of 1927 is a 30-minute precursor to the full-blown opera, “Rise and Fall of the City of Mahagonny.” It offers a grim, cynical picture of Germany between the wars. I saw the Friday (Feb. 27) performance in CCM’s intimate Cohen Family Studio Theater (CCM has alternate casts).Read More »
Johannes Skoog, Royal Court Organist of Stockholm/ photo Janelle Gelfand
It took Swedish organist Johannes Skoog 24 hours to get to Cincinnati. Despite a canceled flight — originally out of Helsinki– and almost no sleep or time to rehearse, he performed his program magnificently on the historic 1929 E.M. Skinner Concert Organ in Cincinnati Museum Center on Feb. 25.
Under the circumstances, it was an Olympian feat for him even to play at all. Best of all, Skoog seemed to be enjoying the performance, playing his mostly French repertoire with flair and offering big smiles to the audience. Most of us don’t consider the trials a touring artist must endure, especially in these days of “bomb cyclone” snowstorms and frequent “mechanical” issues. The sold-out audience assembled in the Rotunda of Union Terminal was riveted throughout his two-hour program, thronging him at intermission and awarding a standing ovation at the conclusion.
Skoog is a rising star, who won First Prize and the Bach Prize at the prestigious Canadian International Organ Competition in 2024. Now the Stockholm native is the newly appointed Royal Court Organist and is becoming accustomed to his official duties, mostly at the Royal Palace in Stockholm, he told me, but also at the royals’ charming summer home, Drottningholm.
Skoog’s program included four anthems performed with the combined choirs of Christ Church Cathedral, Stephan Casurella, director, and St. Thomas Episcopal Church, Carlton Monroe, director.Read More »
An image from the live show of this program last March in Music Hall. Photo by Mark Lyons, provided by the CSO/Pops
The Cincinnati Pops announced the release of its newest recording led by Cincinnati Pops Conductor John Morris Russell, Harlem Renaissance, an homage to one of America’s most important artistic movements and the breadth of jazz styles it has nurtured.
The album features piano virtuoso Marcus Roberts in his own arrangement of James P. Johnson’s 1927 piano rhapsody, Yamekraw, based on the music and vibrant culture of Savannah, Georgia’s historically Black neighborhood in the roaring 1920s. In the hands of Marcus Roberts, Yamekraw exists as a living dialogue between Johnson’s original composition and the musical styles that have evolved since.
Harlem Renaissance features the jazz tone poem, Harlem, by Duke Ellington, an evocative soundscape of Manhattan’s legendary neighborhood. The album also includes the first commercial recording of Carlos Simon’s 2024 composition, Hellfighters’ Blues, inspired by World War I bandleader James Reese Europe’s 1919 recording of W.C. Handy’s Memphis Blues.
The album was recorded at Cincinnati Music Hall on March 21–23, 2025. Recording Producer is the Grammy Award winning Elaine Martone, Sonarc Music.
“Harlem Renaissance honors extraordinary Black composers and their kindred spirits — painters, poets, authors, sculptors and dancers — who together defined the ethos of 20th century American culture. We present these works not as museum-pieces but part of a continuum of style that continues to evolve a century later,” Russell said in a release.
“The album captures the nuance, power and virtuosity of the Cincinnati Pops, the thrilling and breathtaking improvisations of the Modern Jazz Generation and the sheer brilliance of Marcus Roberts and his trio. It was an absolute joy to perform these concerts live, and a delight to now share it with the world.”
Songs by Kurt Weill and Langston Hughes, Moisés Simons and Cab Calloway round out the album.
Seven-time Grammy award-winning recording producer and recent inductee into the Resonator Hall of Fame Elaine Martone continues her longstanding relationship with the Cincinnati Symphony Orchestra and Cincinnati Pops as producer for Harlem Renaissance.
Martone has collaborated with the Orchestra on more than 70 albums (Telarc and Fanfare Cincinnati labels), more than any other orchestra in her oeuvre.
Harlem Renaissance extends the Pops’ prolific recording legacy, which includes more than 100 commercial recordings that have sold millions of copies worldwide. Harlem Renaissance is the eighth Pops album led by Russell.
The album credits include Marcus Roberts piano; Marcus Roberts Trio with Marcus Roberts, piano; Jason Marsalis, drums; Marty Jaffe, upright bass; and the Modern Jazz Generation, led by Marcus Roberts Marty Jaffe, upright bass; Jason Marsalis, drums; Joe Goldberg, tenor saxophone & clarinet (Yamekraw); Tissa Khosla, baritone saxophone; Boyce Griffith, alto saxophone; Tim Blackmon, trumpet; Jianni Lazaga, trumpet; Etienne Charles, trumpet; Rashaan Salaam, trombone; and Mykal Kilgore and Tatiana Mayfield, vocalists.
Listeners can hear select tracks on the album beginning streaming on February 13 with Ellington’s Sophisticated Lady, February 20 with Ellington’s The Mooche and February 27 with W.C. Handy St. Louis Blues. The entire Harlem
Renaissance album will be available on all streaming platforms beginning March 13.
Harlem Renaissance is generously supported by gifts from Kelly Dehan & Rick Staudigel, Kathy Grote, Joan Wilson, Joe & Patricia Baker and an anonymous donor.
It’s always amazing to look back at the wealth of Cincinnati’s arts that we enjoy every year. There were important new arts leaders and new and improved venues. In comings and goings, the new dean of the University of Cincinnati College-Conservatory of Music, Peter Jutras, was busy hiring what seems like a record number of new faculty members. The Cincinnati Symphony Orchestra, too, has hired many new musicians that we are all still getting to know. And early this month, the Contemporary Arts Center’s Christina Vassallo announced she will soon be departing from her role as director. She will become executive director of the Pew Center for Arts & Heritage in Philadelphia.
Assistant principal cellist Norman Johns performed with the CSO for 50 years.
Among those who left us in 2025 was cellist Norman Johns, an inspiring musician, a trailblazer and a role model. He shared his gifts as a teacher, chamber music coach and mentor to legions of students in Cincinnati for most of the 50 years that he performed in the Cincinnati Symphony Orchestra. Here is a small tribute to this musical giant.
Sadly, the Cincinnati Symphony also lost its much-admired principal trombonist Cristian Ganicenco. He was 58, and passed away on the eve of Cristian Măcelaru’s first concert as CSO music director. The two shared their homeland of Romania. Here is one of many tributes.
Below are some of my favorite performances, art exhibitions, newsmakers and more!
New leadership at Cincinnati Ballet — For his first season since being named artistic director, Cincinnati Ballet’s Cervilio Miguel Amador curated selections that include four world premieres, the regional premiere of “The Great Gatsby,” the return of “Swan Lake” (coming up in February) and “Director’s Vision: Liberty in Motion,” celebrating the evolution of American choreography in honor of America’s 250th birthday. We can’t wait to see his vision moving forward.
Alyssa Wang. Robert Torres Photography
A woman on the podium — This year, Cincinnati Ballet welcomed Alyssa Wang as its new music director, succeeding Carmon DeLeone, a local legend who retired after more than 50 years. I enjoyed watching her conduct “The Nutcracker” last week, and look forward to seeing more of her work.
Vincent Dubois, titular organist of the Notre-Dame Cathedral in Paris
Hundreds of aficionados of organ music — as well as admirers of the stunning Art Deco Rotunda in Cincinnati Museum Center — braved a dark and stormy night on Oct. 29 to attend the opening concert of the Music in the Museum series. The excellent organist Vincent Dubois, now titular organist of the Notre-Dame Cathedral in Paris, performed a substantial program on the great E.M. Skinner concert organ built in 1929, the year Union Terminal began construction.
The organ is designed in the American Symphonic Organ tradition, able to produce every tone of a symphonic orchestra, and then some. Cincinnati’s E.M. Skinner organ is one of the treasures of the United States.
At one moment, Dubois paused to thank those who have supported the organ, saying, “It’s rare to find this quality of voicing… I enjoyed discovering so many colors and textures. It’s infinite in that instrument.”
Besides his Paris post, Dubois is newly appointed Professor of organ interpretation and improvisation at the Hochschule für Musik (University of Music) in Saarbrücken, Germany. His wide-ranging selections included many by French composers, some rarely heard, which were a treat to hear.
Dubois opened with J.S. Bach’s Passacaglia and Fugue in C Minor, BWV 582. His sound was instantly enthralling, from the deep tones of the repeating bass line (or ground bass) to the wonderful embellishments that unfolded above it. The music in the highest register had a spiritual quality, and you could see that the organist felt every note. The concluding fugue was majestic, and he held its final note at length, allowing the sound to continue ringing in the resonant acoustic of the Rotunda.
Dubois with Kelly Hale conducting behind the organ, and page turner Bert Nelson.
Dubois called upon two collaborators for the next three works: Russell Burge, CCM Professor of Percussion, and Kelly Hale, Professor Emeritus of Opera and Coaching, who conducted the spacially separated duo.
Percussionist Russell Burge was situated against the Rotunda wall, the clearest acoustical spot for the collaboration.
Jean-Philippe Rameau was represented by the dance, “Les sauvages” from Rameau’s 1735 opera-ballet, “Les Indes galantes,” accompanied by marvelous drumming by Burge. The work was inspired by a visit to France by Indigenous American chiefs in 1725.
Dubois then fast-forwarded to 20th-century France with three movements from Francis Poulenc‘s “Suite française,” originally an orchestral suite from his incidental music to a play, “La Reine Margot.” Typical of Poulenc, there were dissonances and witty dialogues between organ and snare drum. The colors of the organ ranged from warm to reedy.
What’s your favorite spooky music for Halloween? Mine is “Night on Bald Mountain.” There’s also “Symphonie fantastique” (gulp). Here are a few classical suggestions for holiday listening:
WGUC (90.9 FM) will be playing its annual Tunes from the Crypt, from 6-8 p.m. on Oct. 31.
Dia de los Muertos
If you’ve got a ticket to the Cincinnati Symphony’s CSO Proof event, “Dia de los Muertos,” 8 p.m. tonight, Oct. 30, you’re lucky. The candlelit event is SOLD OUT. It will be visually appealing and they collaborating with local artist Rebecca Nava Soto, a Mariachi band and the Cincinnati Baila! Dance Academy. The program features Latin American music and will have candles, an ofrenda and have epitaphs in a graveyard, where guests can add their own voice to the ofrenda.
There are still tickets for Disney’s “Hokus Pokus in Concert,” Nov. 1 and 2 in Music Hall. Join Max, Allison and Dani on a magical Halloween romp through Salem as they match wits with the legendary Sanderson sisters. Catch this bewitching film on the big screen as the Cincinnati Pops performs the score live to film. 513-381-3300, or click here.
Across the river, James R. Cassidy and the Kentucky Symphony Orchestra will open their season with Nosferatu (A Symphony Of Horrors), film to live orchestral accompaniment, 7:30 p.m. Friday, October 31 in Greaves Concert Hall at NKU. The silent horror film classic Nosferatu is paired with the music from the 1828 opera Der Vampyr, adapted to the film for live orchestral accompaniment by composer Timothy Brock. The evening will open with the Disney 1929 cartoon “The Skeleton Dance” featuring Carl Stallings’ musical accompaniment, before launching into the 86-minute feature film. Attend dressed as your favorite cinematic vampire and receive a free, bloody-good drink courtesy of the KSO. For additional info and tickets — visit kyso.org or call (859) 431- 6216. Tickets: $19 – $35
Hyde Park Community United Methodist Church has announced a trio of distinguished organists who will grace its organ series this year. All concerts are at 4 p.m. and are free and open to the public.
Nov. 2 — The series opens Nov. 2 with Richard Elliott, Principal Organist for The Tabernacle Choir at Temple Square in Salt Lake City, Utah. Besides his position, he also has a busy solo career, having given thousands of organ concerts on Temple Square as well as numerous performances on five continents. He appears on seven organ CDs and is a published composer and arranger of music for organ, choir, and orchestra.
Before becoming a Tabernacle organist in 1991, Elliott was an assistant professor of organ at Brigham Young University, and for several years he served as assistant organist at the Wanamaker Department Store (later Macy’s) in Philadelphia, home to the world’s largest fully functioning pipe organ. He holds a Bachelor of Music degree in organ from the Curtis Institute of Music in Philadelphia, and MM and DMA degrees from the Eastman School of Music.Read More »
The Cincinnati Chamber Orchestra’s 12th Summermusik festival will hail America at 250 whil it carries on the orchestra’s tradition of imaginative programs across the city and region. This summer’s festival, Aug. 4-29, will included the artist debuts of renowned cellist Zuill Bailey and Fabiola Méndez, a virtuoso of the cuatro, a Latin American string instrument.
